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Time and Free Will: An Essay on the Immediate Data of Consciousness (Taschenbuch)

von Henri Louis Bergson (Autor)

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Produktinformation

Taschenbuch: 262 Seiten
Verlag: Dover Pubn Inc (28. M�rz 2003)
Sprache: Englisch
ISBN-10: 0486417670
ISBN-13: 978-0486417677
Gr��e und/oder Gewicht: 21,1 x 13,7 x 1 cm

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Amazon.de Verkaufsrang: Nr. 121.318 in Englische Bücher (Die Bestseller Englische Bücher)
Beliebt in dieser Kategorie:
Nr. 24 in Englische Bücher > Nonfiction > Philosophy > Free Will & Determinism

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Bergson argues for free will by showing that the arguments against it come from a confusion of different conceptions of time. As opposed to physicists' idea of measurable time, in human experience life is perceived as a continuous and unmeasurable flow rather than as a succession of marked-off states of consciousness--something that can be measured not quantitatively, but only qualitatively. His conclusion is that free will is an observable fact.<BR>

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5.0 von 5 Sternen Never isolate present and past ..., 25. August 2005

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Aged 80, already ill, Henri Bergson (1859-1941) went downstairs to the street (in his slippers and a sleep skirt) to underwrite a Nazi-registration-form, that he was one of the so called unworthy living creatures, a Jew, having no rights, being discharged, honourless, defenseless, unprotected. When in the "Etat Francais" also a Jew statute had been announced, the French government had offered an exception treatment to Bergson, that famous citizen of Jewish birth. However professor Bergson refused receiving such a gift from such hand. 1920, on the occasion of the establishment of the United Nations, Henri Bergson had been a first president of the commission for mental co-operation (when times were to be called still worthy to human beings). 1927 he had received the Nobelprize of literature regarding to his main-publication "Creative Evolution". At the end of his life the public ethic level had been fallen down immeasurably deep. Commissions for "mental co-operation" (1920) evidently had disappeared and instead had been replaced by tanks, execution committees, gasification camps and other genocide methods. The esteem of an human being you cannot measure exactly via empiric sciences (i.e. Nazi biological race sciences). An anthropology of such a bedeviled horizon of course fails his subject. The risk of every empiric, specialized science (i.e. psychology, social and political sciences) is to underestimate human beings via shortened views, operating with the handicap of false subtle ideologies, conceptions, definitions - and the practice to analyze only a small section of time. To seize the "life melody" of a human being, it is not sufficient to emerge ridiculously only one or two notes. The entire "SPAN", if possible from the birth to the end of a biography, - only such a span (the complete melody, not a single note) is able to illuminate the secret of a human personality to a sympathizing viewer. Only via this method you can discover the dynamics, movements, changing spirals, the will to carry through, the persistent believe at the own worth of a person - even if the social associates have lost such a horizon long time ago. Bergson's father had been a music teacher and a composer - considering this fact, the idea of talking metaphorically about "single notes" and a complete "life-melody" touches the heart. The upcoming of the psychoanalytic theory of Sigmund Freud surely inspired Bergson - and though there are some mad, too punctual views in this Vienna theories: this specialized science delivered a plenty of hypotheses better than the usual biological ones. Otherwise Bergson inspired a lot of novelists: Marcel Proust or James Joyce, Sartre (his writings about Flaubert) or Nikos Kazantzakis' movie "Alexis Sorbas" (featuring Anthony Quinn as the pure embodiment of "elan vital"). Erik H. Erikson with his innovative book "Identity and life cycle" also is one of the innumerable researchers, who developed knowledge into this advanced direction: the concept of duration, of showing a complete life-melody. A quotation out of a lecture held 1911 by Bergson at the university of Oxford: "Via philosophy we can get accustomed, never to isolate the present from the past. Via philosophy all things gain a depth of field, something like a fourth dimension, which permits to associate the earlier perceptions with the present." In the title of Bergson's book "Creative Evolution" the nature of this unusual human is as crystallizing as in that delivered gesture, underwriting the Nazi-registration-form, just as the inhumanity of German occupiers required. Surely none of them understood the nonchalant irony of this doing (in the spirit of a mind, which never loses a sort of a "BIRDS VIEW"). I like to compare this scene with a fragment of Emile Cioran, another French author; he wrote: "Did you see, how the birds, at first hunting in the roads, suddenly did ascend high above the roofs: to regard Paris in a distance?" This is a remarkable metaphor: visually strong - alike the "LIFE-MELODY", giving a hint to the long time memory of ears ...

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