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In the Cut
 
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In the Cut (Taschenbuch)

von Susanna Moore (Autor)
2.4 von 5 Sternen  Alle Rezensionen anzeigen (25 Kundenrezensionen)

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Produktinformation

  • Taschenbuch: 192 Seiten
  • Verlag: Plume; Auflage: Reissue (1. Dezember 1999)
  • Sprache: Englisch
  • ISBN-10: 0452281296
  • ISBN-13: 978-0452281295
  • Größe und/oder Gewicht: 20,6 x 13,6 x 1,3 cm
  • Durchschnittliche Kundenbewertung: 2.4 von 5 Sternen  Alle Rezensionen anzeigen (25 Kundenrezensionen)
  • Amazon.de Verkaufsrang: Nr. 123.508 in Englische Bücher (Die Bestseller Englische Bücher)

Produktbeschreibungen

From Publishers Weekly

Several stunning shocks await Moore's longtime readers in her fourth novel. First, there is the change of genre and locale. Her previous books (My Old Sweetheart; The Whiteness of Bones) have been lush, sensitive explorations of coming of age in a dysfunctional family in Hawaii, in an atmosphere permeated by island spirits and traditions. Here, Moore has honed her prose with knife-like precision to construct an edgy, intense, erotic thriller set in bohemian Manhattan. Her protagonist and narrator, Franny, is a divorced NYU professor deliberately closed off from emotional entanglements. She teaches a class for ghetto youth, meanwhile pursuing her obsession with language; she is writing a book recording the street vernacular and the black lingo of New York's seedier neighborhoods. Though on the surface her life seems circumscribed, she is a woman who takes risks, especially sexual risks. One night, she observes a man with a tattoo on his wrist in an act of sexual congress; though she does not see his face, she remembers the red-haired woman who had performed fellatio when she becomes a murder victim. Questioned as a possible witness by homicide detectives James Mallory and his partner Richard Rodriguez, she enjoys the frisson of danger when she takes Mallory as a lover, in spite of the fact that his wrist bears the same tattoo as that of the probable killer. The predatory, slightly corrupt Mallory is a coolly skillful lover, forcing Franny to push beyond sexual barriers into areas she has never explored. But in testing those erotic boundaries, she puts herself in mortal danger. Moore's control of her material is impressive: as she sweeps toward a knockout ending, she employs the gritty vernacular, red-herring clues and cold-blooded brutality of a bona-fide thriller without sacrificing the integrity of her narrative. The question is: will readers be disturbed?and perhaps repelled by?explicit descriptions of sexual acts, scatological language and gruesome violence? 100,000 first printing.
Copyright 1995 Reed Business Information, Inc. -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.

From Booklist

A lot of new novels come bearing the publisher's plug "erotic thriller," but most pan out to be limp in both respects! Moore's smashing new novel is billed as such--and lives up to its promotion to the fullest. Taut and tense, sparingly constructed and beautifully written, this seductive story of seductiveness follows a deadly sequence of events in the life of a creative-writing teacher at New York University. One of her students is getting a little too close for comfort, but that's the least of her concerns. A murder has occurred within earshot and view of her Washington Square brownstone, and the investigating officer, when he comes knocking, presents a beguiling situation. Isn't he the man she saw in the basement of a neighborhood bar engaged in a sexual act with the very same young woman whose photo is shown to her as the murder victim? Isn't it fun, then, finding herself falling into an affair with the detective, all the while wondering if he's a bad cop, a murderer, in fact? When her best friend is murdered, the titillating game becomes far more than that. The twist at the end is the perfect cap on a book that will keep you up all hours finishing it. Brad Hooper -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.

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25 Rezensionen
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Durchschnittliche Kundenbewertung
2.4 von 5 Sternen (25 Kundenrezensionen)
 
 
 
 
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1 von 1 Kunden fanden die folgende Rezension hilfreich:
5.0 von 5 Sternen A change of pace for Moore, 13. April 2000
Von Ein Kunde
Susanna Moore, who usually writes introspective, slowly graceful novels about lost love and Hawaiian breezes, has outdone herself with a ripping thriller. New York has never seemed so insidiously dangerous. Moore captures her heroine's naively foolish carelessness with the perfect tone of the curious culture dweller. I hope the movie catches this "innocent in darkville" tone as well. Read Moore's other novels and you will see a finely honed literary talent without the tension of this novel. But never forget, Moore is amused by life, not least by the absurd casual violence that lurks along New York's nameless streets. Great novel with a haunting main character, shallow and clueless as a lamb among invisible wolves.
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1 von 1 Kunden fanden die folgende Rezension hilfreich:
1.0 von 5 Sternen pure sleaze, 17. März 2000
Diese Rezension stammt von: In the Cut (Taschenbuch)
The characters seemed so phony that I couldnt wait until they all bit the dust. After reading the haunting novel Collectors this book seemed liked pure trash. No atmosphere or character depth It stunk
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1 von 1 Kunden fanden die folgende Rezension hilfreich:
2.0 von 5 Sternen Feminist noir leaves an empty feeling, 3. Oktober 1997
Von Ein Kunde
Diese Rezension stammt von: In the Cut (Taschenbuch)
While Moore has a flair for dark descriptions of NYC nightlife and the singles scene, it seems evident she has no interest in characterizing heterosexual relationships unless they involve males as ego-cruising masochists and women as depressed suicidals. Darkness in noir fiction is fine but here the characters are so segregated into stereotypical holes that I found myself wondering about the author's view of the real world rather than those of the characters. Still, it manages to intrigue, and the dialogue is crisply written. My biggest complaint, however, is the ending which, without giving it away, is unexpected and quite unfair when you consider the book was written in the first person. I felt cheated, that the author was laughing at her readers. Yes, rules may be made to be broken but readers still expect a modicum of fairness and the final page disregards that.
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1.0 von 5 Sternen In A Word: Sickening!
I don't think I've ever read a book that disturbed me more than Moore's. It's blatant Grand Guignol, blood and gore and sadism, peopled with characters devoid of humanity with... Lesen Sie weiter...
Veröffentlicht am 23. Juni 2000 von Jo Manning

2.0 von 5 Sternen Promising elements, disappointing follow-through
Interesting characters, sexy premise, but underdeveloped, and, well, ultimately unsatisfying. I didn't need a "happy ending," but I felt . . . cheated. Lesen Sie weiter...
Veröffentlicht am 24. Mai 2000 von William P. Tedesco

2.0 von 5 Sternen A disappointment
I really love Susanna Moore's other novels, The Whiteness of Bones, My Old Sweetheart, and Sleeping Beauties. However, this novel was really disturbing to me. Lesen Sie weiter...
Am 23. Mai 2000 veröffentlicht

2.0 von 5 Sternen A better film!
This will probably make a great noir thriller with Nicole Kidman playing the sexy uninhibited protagonist. Lesen Sie weiter...
Veröffentlicht am 8. April 2000 von Michael Leonard

1.0 von 5 Sternen Sly, vacant , and dark exercise
I expected this book to be grim from the outset. The dark sexuality did not bother me. What did bother me was how soul-less the book was. Lesen Sie weiter...
Veröffentlicht am 26. Januar 2000 von Staci Beasley

3.0 von 5 Sternen Like the tag line says
This book is a relatively involving thriller although i actually think the thriller aspect was written secondly to scenes of the narrator copping off with a 'tuff' New York... Lesen Sie weiter...
Veröffentlicht am 27. Oktober 1999 von Honey Jameson (honeyjameson@ne...

5.0 von 5 Sternen dark, disturbing, riveting
I read this book over two years ago and it still sticks with me. I liked the writing style, it sounded natural, especially the inner monologues, and it sucked me in immediately... Lesen Sie weiter...
Am 27. September 1999 veröffentlicht

1.0 von 5 Sternen Ed Wood has (nearly) met his match.
Can anyone write worse prose than John Grisham? Or craft more predictable plots? Or hold a more boringly conventional moral view? Lesen Sie weiter...
Am 5. Juli 1999 veröffentlicht

1.0 von 5 Sternen neither erotic or thrilling...just trash
Having had to read this book for a university seminar I was obliged to finish it otherwise it would have hit the bin long before I reached the end. Lesen Sie weiter...
Am 13. Juni 1999 veröffentlicht

1.0 von 5 Sternen thriller? erotica? or else?
The story is short and bad for an erotica thriller. There aren't enough thrills to really make it a good thriller, and there aren't enough sex to make it a good erotica either. Lesen Sie weiter...
Am 3. Juni 1999 veröffentlicht

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