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Culture and Anarchy (Rethinking the Western Tradition)
 
 

Culture and Anarchy (Rethinking the Western Tradition) (Taschenbuch)

von Matthew Arnold (Autor), Maurice Cowling (Kommentator), Samuel Lipman (Herausgeber)
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Culture and Anarchy remains a central text of the Westem intellectual tradition, articulating many of the issues around which the modern debate about cultural politics revolves: the nature of the State; the concept of freedom as governed by reason, in contrast to untrammelled liberty; the place of religion in society; the very idea of culture as "an inward operation of the mind". A measure of the work's permanent influence is the number of current terms first coined in its pages, terms such as "Philistines", "Barbarians", and the famous definition of culture as "the best that has been thought and said". Accused in some quarters of cultural elitism, Arnold's ideas continue to occupy the foreground of the debate, and for this reason the edition includes specially commissioned essays which set the text within contemporary, multicultural perspectives. Contributions from Maurice Cowling, Fellow of Peterhouse, Cambridge, Gerald Graff of the University of Chicago, and Steven Marcus of Columbia University, complement Lipman's general introduction and useful glossary of names, terms, and events. The text of this edition is the original 1869 version, which is now reprinted for the first time. This volume is the first in the series "Rethinking the Western Tradition', which will be reprinting key works attended with essays evaluating each text from differing political and literary perspectives.

Synopsis

Culture and Anarchy remains a central text of the Westem intellectual tradition, articulating many of the issues around which the modern debate about cultural politics revolves: the nature of the State; the concept of freedom as governed by reason, in contrast to untrammelled liberty; the place of religion in society; the very idea of culture as "an inward operation of the mind". A measure of the work's permanent influence is the number of current terms first coined in its pages, terms such as "Philistines", "Barbarians", and the famous definition of culture as "the best that has been thought and said". Accused in some quarters of cultural elitism, Arnold's ideas continue to occupy the foreground of the debate, and for this reason the edition includes specially commissioned essays which set the text within contemporary, multicultural perspectives. Contributions from Maurice Cowling, Fellow of Peterhouse, Cambridge, Gerald Graff of the University of Chicago, and Steven Marcus of Columbia University, complement Lipman's general introduction and useful glossary of names, terms, and events.

The text of this edition is the original 1869 version, which is now reprinted for the first time. This volume is the first in the series "Rethinking the Western Tradition', which will be reprinting key works attended with essays evaluating each text from differing political and literary perspectives.


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1 von 1 Kunden fanden die folgende Rezension hilfreich:
4.0 von 5 Sternen For anyone hoping to grasp the roots of modern conservatism, 2. Mai 1999
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Matthew Arnold, a British poet and critic, wrote on the importance of culture in this work. He defined culture, famously, as "sweetness and light" - implying that culture represented everything good, everything not barbaric. The work is most important for the way it forwards the notion of an "organic" society - that is, a society that evolves slowly, that grows into maturity, that does not strive for sudden "advances" led by experts working all at once to implement great change. For anyone wondering about the relationship between modern conservatism and classical Liberalism, this is a decent place to start. "I am a Liberal," Arnold writes in the introduction, "yet I am a Liberal tempered by experience, reflection, and renouncement, and I am, above all, a believer in culture." If you wish to take an intellectual journey from Burke to Bork, Arnold must make up one leg of your trip.
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5.0 von 5 Sternen A Breeze of Sanity, 7. September 1999
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So much of modern criticism has go so far afield, that the appellation has almost lost any sense to it. To recapture what criticism meant before the novel, but useless ideas of structuralism, post-structuralism, deconstruction, post-modernism, et alia, Matthew Arnold is about as good a place to begin. His "Function of Criticism" and "Anarchy and Crticism" have become classics, even if they've been hidden from sight by academicians' self-serving agendas to bring nothing to light. This isn't a "conservative" vs. "liberal" thing, but an "intelligible and meaningful" vs. "labyrinthine and cockamamie" thing. Arnold is like encountering hermeneutics by having first visited Thomas Aquinas, or having studied democracy by having first studied Hobbes. Arnold is a seminal thinker, crtic, and student of the arts and society. He belongs in criticism's lexicon well before de Saussure, Derrida, Lacan, at alia.
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