From Library Journal
Gendron (philosophy, Univ. of Wisconsin, Milwaukee; Technology and the Human Condition) here traces the interaction between "high" and "low" culture specifically, between modernist visual art and popular music from the cabarets of Paris's Montmartre district in the 1880s through New York City's "art after midnight" clubs in the late 1970s and early 1980s. In scrupulously documented detail, he examines the development of the elite/mass, art/pop dialectic within its social and historical context in the 20th century, such as the metamorphosis of jazz from Dixieland into bebop, incorporating modernist postures, and the metamorphosis of rock from the Beatles into punk and new wave, aided and abetted by Warhol and Waring. With unprecedented depth, detail, and dedication, Gendron illustrates how jazz and rock, once considered banal entertainment, came to be validated as art forms. The author's language and references to Foucault, Lyotard, and Adorno will make this book useful for all academic libraries, though it will be an especially valuable addition to popular culture collections.
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"Between Montmartre and the Mudd Club is highly imaginative and stimulating reading. Bernard Gendron offers detailed perspectives on very different aspects of music and culture, suggesting new ways of thinking about the entire history of popular music in the twentieth century." - Scott DeVeaux, author of The Birth of Bebop
