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The Tattooed Girl
 
 

The Tattooed Girl (Taschenbuch)

von Joyce Carol Oates (Autor) "HE HAD KNOWN it must happen soon ..." (mehr)
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  • Dieser Artikel: The Tattooed Girl von Joyce Carol Oates

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Produktinformation

  • Taschenbuch: 320 Seiten
  • Verlag: Ecco; Auflage: Reprint (Juni 2004)
  • Sprache: Englisch
  • ISBN-10: 006053107X
  • ISBN-13: 978-0060531072
  • Größe und/oder Gewicht: 20 x 13,4 x 2,2 cm
  • Durchschnittliche Kundenbewertung: 3.0 von 5 Sternen  Alle Rezensionen anzeigen (1 Kundenrezension)
  • Amazon.de Verkaufsrang: Nr. 309.447 in Englische Bücher (Die Bestseller Englische Bücher)

Produktbeschreibungen

From Publishers Weekly

When a reclusive, 38-year-old writer hires a near-illiterate young woman as an assistant at his suburban home in Carmel Heights, near Rochester, N.Y., he's unaware that a vehement anti-Semitism seethes beneath her tattoo-branded exterior. Renowned for The Shadows-his great early success, a novel based on his grandparents' experiences in Germany during the Holocaust-Joshua Seigl confuses his friends and sparks the anger of his hypomanic sister, Jet, when despite their objections he refuses to fire the young woman. A full portrait of the amiable, disillusioned Seigl emerges as he translates Virgil's The Aeneid, makes excuses for his failing health (he has recently been diagnosed with a debilitating nerve disease) and interacts erratically with his concerned friend, Sondra. Meanwhile, the mentally hollowed-out Tattooed Girl comes to seem a more realistic victim of persecution than any character in Seigl's historical fiction. Her soft, fleshy skin is defaced with ugly tattoos burned beneath her eye and on the backs of her hands by a mysterious group of abusive males. With scarcely a shred of self-esteem, she mumbles "Alma" to those who ask her name, "as if she had no surname. Or her surname wasn't important, as Alma herself wasn't important." She continually tries to impress her abusive, Jew-hating boyfriend, Dmitri, with little treasures stolen from her employer. Yet as she learns more about Seigl and his heritage, she can no longer ignore the dignity and respect with which he treats her. With her usual cadenced grace, Oates (We Were the Mulvaneys; Blonde; etc.) tells a mesmerizing, disturbing tale-though the little that is revealed of the Tattooed Girl's past may leave fans wanting more. Like the readers of Seigl's The Shadows, those who look for more meaning beneath the surface will be "forced to imagine what the writer doesn't reveal."
Copyright 2003 Reed Business Information, Inc. -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.


From Booklist

The wildly prolific Oates takes readers on another long, strange trip to the dark side in typically riveting fashion. Celebrated intellectual Joshua Seigl has been diagnosed with a debilitating nerve disorder at the age of 39. Having virtually fled from normal life into the orderly world of books, he is now faced with hiring an assistant to help him put his papers in order and negotiate stairs and doctors' appointments. He rejects, out of hand, any number of bright, fawning graduate students, settling instead on Alma, a virtually homeless street person. Seriously disturbed by her abusive upbringing, Alma has led a rebellious life of aimless promiscuity and drug taking and was victimized in high school by her so-called friends, who crudely tattooed her face and hands with ink. In some strange form of symbiosis, she proves herself to be an invaluable assistant. In one of the book's stunning ironies, Joshua, who wrote an acclaimed novel while still in his twenties, based largely on distorting the nature of his grandparents' experiences during the Holocaust, is ignorant of the fact that Alma is a virulent anti-Semite. His persistent kindness wins her over, but his naivete eventually costs Alma her life. Oates, who here creates the atmosphere of a fever dream, gives full rein to her fascination with the perverse side of human nature, and her readers will be mesmerized. Joanne Wilkinson
Copyright © American Library Association. All rights reserved -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.

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The Tattooed Girl
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HE HAD KNOWN it must happen soon. Lesen Sie die erste Seite
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3.0 von 5 Sternen Brilliantly Plotted Thought Exercise about Hate and Abuse, 4. Juni 2004
Diese Rezension stammt von: The Tattooed Girl. (Flamingo) (Taschenbuch)
If you want to read a book that uses delicate plotting to subtly expose many dimensions of the thinking of its two leading characters, you will find The Tattooed Girl to be a tour de force. Unfortunately, the two characters are people you may not identify with because they seem drawn more to create a hypothetical case (of the sort so fondly debated in laws schools) rather than people you have met or know. As a result, the book's powerful message in favor of connection and sharing falls short its potential punch. The reader is likely to come away glassy-eyed from the book's events, but not redirected in her or his behavior.

Joshua Seigl is a man trying to hide from his own success, and finding it harder and harder to do so. In the course of the book, you'll find out the many reasons why he is hiding. The time comes to take on an assistant to help him with his papers, correspondence and occasional odd jobs around the house. Seigl rejects all kinds of qualified male applicants due to his own hypersensitive nature. Then, one day he meets an odd young woman struggling to do a simple job in a local bookstore. Despite her lack of qualifications other than being non-threatening, he hires her. Her submissiveness allows them to get along on the surface, but she develops a strong dislike for him that emerges into virulent anti-Semitism. Ms. Oates then takes us on a journey with them as they drop their public faces and begin to connect with one another, and the result is that their views of one another begin to reflect the inner realities of one another.

Ms. Oates's theories are that we usually judge one another rather harshly based on appearances, behavior and our historical sense of what's what. Instead, she encourages us to drop our guard and let others know who we really are . . . and take the time to find out who they are. Think of this as being like "Get acquainted with others as you would like others to get acquainted with you" as a variation on the Golden Rule. Although there's an obvious religious message here, Ms. Oates mostly leaves religion out of her story . . . probably to make the potential lesson more accessible to people of all faiths and non-faith.

This book would make a fine choice for a sophomore English class in high school as a launching pad for many fine discussions about the dangers of categorizing others.

As I finished the book, I began to wonder to whom I had not properly explained myself . . . and to whom I had not properly listened. That was a valuable benefit from reading the fine writing in the book.
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