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The Man in My Basement (Five Star Paperback)
 
 

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von Walter Mosley (Autor)
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Produktinformation

  • Taschenbuch: 224 Seiten
  • Verlag: Serpent's Tail; Auflage: New edition (3. November 2005)
  • Sprache: Englisch
  • ISBN-10: 1852427906
  • ISBN-13: 978-1852427900
  • Größe und/oder Gewicht: 19,2 x 13 x 2 cm
  • Durchschnittliche Kundenbewertung: 5.0 von 5 Sternen  Alle Rezensionen anzeigen (2 Kundenrezensionen)
  • Amazon.de Verkaufsrang: Nr. 261.084 in Englische Bücher (Die Bestseller Englische Bücher)

Produktbeschreibungen

From Publishers Weekly

Even in his genre fiction, which includes mysteries (the Easy Rawlins, Fearless Jones and Socrates Fortlaw series) and SF (Blue Light, etc.), Mosley has not been content simply to spin an engrossing action story but has sought to explore larger themes as well. In this stand-alone literary tale, themes are in the forefront as Mosley abandons action in favor of a volatile, sometimes unspoken dialogue between Charles Blakey and Anniston Bennet. Blakey, descended from a line of free blacks reaching back into 17th-century America, lives alone in the big family house in Sag Harbor. Bennet is a mysterious white man who approaches Blakey with a strange proposition-to be locked up in Blakey's basement-that Blakey comes to accept only reluctantly and with reservations. The magnitude of Bennet's wealth, power and influence becomes apparent gradually, and his quest for punishment and, perhaps, redemption, proves unsettling-to the reader as well as to Blakey, who finds himself trying to understand Bennet as well as trying to recast his own relatively purposeless life. The shifting power relationship between Bennet and Blakey works nicely, and it is fitting that Blakey's thoughts find expression more in physicality than in contemplation; his involvements with earthy, sensual Bethany and racially proud, sophisticated and educated Narciss reflect differing possibilities. The novel, written in adorned prose that allows the ideas to breathe, will hold readers rapt; it is Mosley's most philosophical novel to date, as he explores guilt, punishment, responsibility and redemption as individual and as social constructs. While it will be difficult for this novel to achieve the kind of audience Mosley's genre fiction does, the author again demonstrates his superior ability to tackle virtually any prose form, and he is to be applauded for creating a rarity, an engaging novel of ideas.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.


From Booklist

Charles Blakey is an unemployed black man, deep in debt, who drinks too much, has few friends, is awkward with women, and lives alone in a large house where the basement is filled with artifacts of his family's rich history. As in many of Mosley's books, the story begins with a knock on the door: Anniston Bennet, a wealthy white man with mysterious motives, wants to rent Blakey's sizable basement. But while there is mystery here, this is no hunt for a criminal as in Mosley's famous Easy Rawlins series. Instead, an inventive premise lays the groundwork for a philosophical debate. Bennet wants Blakey to hold him prisoner for 65 days, his way of atoning for "crimes against humanity." Blakey is extremely reluctant, but the "rent" is considerable and his options are dwindling, so he agrees. At first, he's afraid of his voluntary prisoner, but the balance of power begins shifting unpredictably as the two men engage in heated question-and-answer sessions. In a way, Blakey finds his connection to his family and to the world as he explores relationships between the powerful and the disempowered, between world-changing evil and peaceful apathy. And when Bennet asks, "You think that you can have the easy life of TV and gasoline without someone suffering and dying somewhere?" the book's timeliness is irrevocably established. This is fine, provocative writing from the prolific Mosley, whose gifts extend well beyond his excellent mysteries. Keir Graff
Copyright © American Library Association. All rights reserved -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.

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5.0 von 5 Sternen Powerful Metaphors Provide Much Food for Thought, 15. April 2007
Diese Rezension stammt von: The Man in My Basement (Taschenbuch)
The Man in My Basement is a sharp departure from the other novels I have read by Walter Mosley, so don't expect a murder mystery or Easy Rawlins. If you want easy ready about likeable characters, look elsewhere. Ugliness is right out there in plain sight . . . where it has to be dealt with.

It's hard to set up the story without getting into spoilers. Basically, Charles Blakey is a man who is about to hit bottom as the book opens. He's unemployed, no one will hire him, his life is a mess, and he's two weeks behind on his mortgage. Blakey has brought these problems on himself and doesn't feel inclined to deal with his messes. If one had to predict, he looks like a good candidate for becoming homeless.

Out of nowhere, a man comes to his home and offers to rent his basement for the summer. No one in their right mind would want to do that because the basement is a mess and full of old junk. There's not even a bathroom there. Astonished, Blakey turns him down. But eventually he relents . . . and opens himself to an astonishing experience.

As the story develops, we vividly see the ways that our self-image and reality are formed by the reactions of others to us and our situation. By our own actions (or inactions), we create moral consequences for ourselves and others. What line should we take in responding to those reactions in choosing actions and inactions? Mr. Mosley moves beyond conventional morality, religion and legal perspectives to suggest that we create a balance that is good for us and others. To achieve this balance, we need to challenge ourselves to play roles that are unaccustomed . . . and to see how well they fit our character and our preferences.

Anyone who reads this book will probably wonder what she or he would have done in the place of the major two characters in the book. It's that lingering question of "Whither Goest Thou?" that makes this book the second great novel I have read that was written in the twenty-first century. The other was Crabwalk by Gunter Grass.

I heartily recommend this book to those who enjoy novels that explore moral questions in challenging ways. I also recommend it to novelists who want to see what powerful metaphors can do to make a work of fiction strong and memorable.
Kommentar Kommentar | Kommentar als Link | War diese Rezension für Sie hilfreich? Ja Nein (Rezension unzumutbar?)



 
5.0 von 5 Sternen Powerful Metaphors Provide Much Food for Thought, 14. April 2007
The Man in My Basement is a sharp departure from the other novels I have read by Walter Mosley, so don't expect a murder mystery or Easy Rawlins. If you want easy ready about likeable characters, look elsewhere. Ugliness is right out there in plain sight . . . where it has to be dealt with.

It's hard to set up the story without getting into spoilers. Basically, Charles Blakey is a man who is about to hit bottom as the book opens. He's unemployed, no one will hire him, his life is a mess, and he's two weeks behind on his mortgage. Blakey has brought these problems on himself and doesn't feel inclined to deal with his messes. If one had to predict, he looks like a good candidate for becoming homeless.

Out of nowhere, a man comes to his home and offers to rent his basement for the summer. No one in their right mind would want to do that because the basement is a mess and full of old junk. There's not even a bathroom there. Astonished, Blakey turns him down. But eventually he relents . . . and opens himself to an astonishing experience.

As the story develops, we vividly see the ways that our self-image and reality are formed by the reactions of others to us and our situation. By our own actions (or inactions), we create moral consequences for ourselves and others. What line should we take in responding to those reactions in choosing actions and inactions? Mr. Mosley moves beyond conventional morality, religion and legal perspectives to suggest that we create a balance that is good for us and others. To achieve this balance, we need to challenge ourselves to play roles that are unaccustomed . . . and to see how well they fit our character and our preferences.

Anyone who reads this book will probably wonder what she or he would have done in the place of the major two characters in the book. It's that lingering question of "Whither Goest Thou?" that makes this book the second great novel I have read that was written in the twenty-first century. The other was Crabwalk by Gunter Grass.

I heartily recommend this book to those who enjoy novels that explore moral questions in challenging ways. I also recommend it to novelists who want to see what powerful metaphors can do to make a work of fiction strong and memorable.
Kommentar Kommentar | Kommentar als Link | War diese Rezension für Sie hilfreich? Ja Nein (Rezension unzumutbar?)


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