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Forever
 
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Forever (Taschenbuch)

von Pete Hamill (Autor)
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Produktinformation

  • Taschenbuch: 624 Seiten
  • Verlag: Little, Brown Book Group (17. Juni 2004)
  • Sprache: Englisch
  • ISBN-10: 0751535370
  • ISBN-13: 978-0751535372
  • Größe und/oder Gewicht: 18,8 x 12,6 x 4,2 cm
  • Durchschnittliche Kundenbewertung: 3.0 von 5 Sternen  Alle Rezensionen anzeigen (1 Kundenrezension)
  • Amazon.de Verkaufsrang: Nr. 439.301 in Englische Bücher (Die Bestseller Englische Bücher)

Produktbeschreibungen

From Publishers Weekly

This novel demands that the reader immediately suspend disbelief, but if this summons is heeded the reward will be a superior tale told by Hamill (Snow in August; A Drinking Life) in the cadence of the master storyteller. The year is 1741 and this is the story of Cormac O'Connor-"Irish, and a Jew"-who grows up in Ireland under English Protestant rule and is secretly schooled in Gaelic religion, myth and language. Seeking to avenge the murder of his father by the Earl of Warren, he follows the trail of the earl to New York City. On board ship, Cormac befriends African slave Kongo, and once in New York, the two join a rebellion against the British. After the rising is quelled, mobs take to the streets and Kongo is seized. Cormac saves Kongo from death, but is shot in the process. His recovery takes a miraculous turn when Kongo's dead priestess, Tomora, appears and grants Cormac eternal life and youth-so long as he never leaves the island of Manhattan, thus the "Forever" of the title. What follows is a portrait of the "city of memory of which Cormac was the only citizen." Cormac fights in the American Revolution, sups with Boss Tweed (in a very sympathetic portrait) and lives into the New York of 2001. In that year he warily falls in love with Delfina, a streetwise Dominican ("That was the curse attached to the gift: You buried everyone you loved"), and comes into contact with a descendant of the Earl of Warren, the newspaper publisher Willie Warren. His love, his drive for revenge and his very desire to exist are fatefully challenged on the eve and the day of September 11. This rousing, ambitious work is beautifully woven around historical events and characters, but it is Hamill's passionate pursuit of justice and compassion-Celtic in foundation-that distinguishes this tale of New York City and its myriad peoples.
Copyright 2002 Reed Business Information, Inc. -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.


From Booklist

Hamill, a well-known journalist, is also a popular novelist; his 1997 novel Snow in August appeared on best-seller lists (as well as the Booklist Editors' Choice list for that year). His remarkably imaginative new novel is an exciting mix of realism and fantasy as he follows the exploits of Cormac O'Connor, born into Ulster peasantry in intolerant eighteenth-century Ireland. O'Connor is painted as a traditional mythical hero who is oversized in strength and character, and who actually carries a sword with great protective powers. In fact, the whole novel springs from Celtic mythology, for O'Connor's parents adhere neither to Protestant ways nor to Roman Catholic beliefs but to old Celtic religious practices. Both of them are killed--in separate circumstances--by the cruel Protestant earl of Warren, who, not caring at all, then seeks better fortune in New York City. O'Connor, vowing to avenge his mother's and father's brutal deaths, tracks the earl to the great American metropolis. Events come to pass wherein O'Connor is given the gift of eternal life, but for the blessing to work, he must never leave the island of Manhattan or he will die and never pass into the "Otherworld" of Celtic mythology. So, at this point O'Connor's story becomes the story of New York City, from the mid-1700s to the present, as he "absorbs its life, its menace, it cruelties, its toughness, its joys and sorrows and beauties." Hamill writes with great detail, which adds texture and spice to, rather than impeding, the narrative's swift movement. As always, he is perfectly enjoyable to read for his great felicity of style (obviously derived from his years as a journalist) as well as his originality of plot. This absolutely embracing novel is certain to hit the best-seller lists. Brad Hooper
Copyright © American Library Association. All rights reserved -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.

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4 von 4 Kunden fanden die folgende Rezension hilfreich:
3.0 von 5 Sternen Ambitious, 12. Februar 2003
Diese Rezension stammt von: Forever (Hörkassette)
3.5 Stars
Author Pete Hamill has proven more than once he is an extremely talented writer. This book may appeal more to native New Yorkers than those of us who just very much enjoy the city. However, as a book, “Forever”, attempts far too much even though it uses over 600 pages to tell its tale. The author mentions some books that he used as references for this work. One of them is part one of a multi-volume history of NYC and it does not even reach the 20th Century. This book attempts to cover far more history with broad strokes and shallow descriptions. It may be fiction but it is historical fiction and must be held to a higher standard.

If the book is broken in to thirds the first of the three is completed before Comic receives his “gift”. The second part covers years measured in triple digits, and by the beginning of the third and final section you know the event that will end the book. And I did not read the review that gave the ending event away. The author mentions the subject so many times, the final event is impossible to misjudge. The actual ending of the book I found to be poor and in contradiction to everything the author had lead the reader to believe was important to Cormac. The main character fails to do much of what the centuries of confinement in Manhattan are intended to provide for him. After over 600 pages I like a resolution of some sort as opposed to perhaps there will be a sequel, or perhaps there will not. If there is a part two I will not read it.

To be fair part of the frustration I felt with this book was the familiarity I felt as I had seen the film, “Gangs of New York”, recently. I think the film mentioned The Dead Rabbits and The Five Points less than this book did. I was also annoyed by the gentle portrayal of historical figures like Boss Tweed. To suggest this person was a jolly old soused soul who deserved pity at the end of his life is simply absurd. And do not expect to experience NYC as Cormac is alleged to have experienced it for much of what the author will give you are short memories of working steel on the Woolworth Building, laying track, or blasting for subways. The detail is little and far too infrequent.

There is no question that the event the author chose as the culminating point for his book was as large as any in NYC’s history, but unlike many of the book’s events this final one has repercussions far wider than that of NYC. It actually renders the city a player in larger events, as opposed to the center of history that the author reserves for it throughout the vast majority of the book.

This novel was heavily promoted and created very high expectations. And that may have been the problem. Had the book come out and been left alone it may have had many more reviews and readers that thought much more highly of it. But the reality is this book does not live up to its sweeping premise of a two and one half century epic. And I found the final great event, placed the close of this book in to the category of cliché, for Pete Hamill is far too good a writer to use what he did to close out his book.

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