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Lost in the Forest
 
 

Lost in the Forest (Taschenbuch)

von Sue Miller (Autor)
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Produktinformation

  • Taschenbuch: 256 Seiten
  • Verlag: Bloomsbury Publishing; Auflage: New edition (1. Mai 2006)
  • Sprache: Englisch
  • ISBN-10: 0747578982
  • ISBN-13: 978-0747578987
  • Größe und/oder Gewicht: 19,2 x 12,8 x 1,8 cm
  • Durchschnittliche Kundenbewertung: 5.0 von 5 Sternen  Alle Rezensionen anzeigen (3 Kundenrezensionen)
  • Amazon.de Verkaufsrang: Nr. 325.274 in Englische Bücher (Die Bestseller Englische Bücher)

Produktbeschreibungen

From Publishers Weekly

Bestseller Miller (The Good Mother; While I Was Gone; etc.) examines love and betrayal in idyllic wine country in another minutely observed, finely paced exploration of domestic relationships. Idealistic California converts Eva and Mark had a solid marriage until Mark's affair; "bumps in matrimony" is what one of Eva's friends, Gracie, calls such difficulties, and as Miller presents them it's not a question of whether they'll appear but how to deal with them when they do. Some years later, Mark and Eva's two adolescent daughters, Emily and Daisy, are living with Eva and her second husband, John, and their young son, Theo. After John's death in a freak accident, Mark rescues the children from their mother's anguish and, in the process, realizes he is still in love with her. John's death becomes the locus of an elegant and careful investigation of loss—loss of love, loss of innocence—and the conflicts between men and women, parents and children, friends and lovers. As Eva grieves and Mark acknowledges his feelings for her, their quiet younger daughter, 15-year-old Daisy (who "had loved [John] the best!"), enters into an affair with an older man. The backdrop of California vineyards is ideal for the growth and life-cycle themes that Miller so carefully cultivates. As Daisy tries her first glass of wine, has her first taste of sex and experiments with her sense of power and voice, she develops into the heroine of the tale—one of the next generation of women learning to navigate the complex familiar waters of love and domesticity.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.


From Booklist

*Starred Review* In her riveting new novel, Miller once again demonstrates her singular gift for capturing the rhythms of daily family life with laserlike clarity while also summoning the turbulent emotions swirling just beneath the surface. Eva, the divorced and happily remarried mother of three, has finally put the disaster of her first marriage behind her and has even become good friends with her ex. Then her second husband is killed in a tragic accident, and the peace Eva has worked so hard to attain is instantly shattered as she succumbs to an overwhelming grief. Her middle child, Daisy, was extremely close to her stepfather and is emotionally paralyzed by the sudden turn of events, unable to process or even speak of her grief. While her older sister, Emily, pretty and popular, is able to reach outside the family for support, and her brother, Theo, is too young to understand what happened, Daisy feels utterly trapped by her own misery and abruptly embarks on an ill-advised affair with a much older, married man. In one of her shortest yet richest novels, Miller insightfully explores the shifting dynamics between parent and child, a married couple, ex-spouses, and siblings. And as in The Good Mother (1986), she takes a volatile sexual dynamic--in this case, an inappropriate relationship, bordering on pedophilia--and explores it from all sides. It's easy to underestimate Miller's artistry because her writing is never showy. All she does in this fluidly written, perfectly paced novel is to show us what being a family really means. Joanne Wilkinson
Copyright © American Library Association. All rights reserved -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.

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1 von 1 Kunden fanden die folgende Rezension hilfreich:
5.0 von 5 Sternen Great Writing in a Powerful Story about Merged Families, 23. Februar 2007
Diese Rezension stammt von: Lost in the Forest. (Taschenbuch)
Lost in the Forest was a constantly pleasant surprise for me. The writing is great, the story is engaging, the characters are interesting and the book exudes better taste than the jacket photograph and copy suggest. While reading the book, I felt like I was watching the seasons change by looking at reflections through the changing and intersecting ripples on a pond.

As the book opens, divorced father Mark finds his evening plans for a hot date disrupted when his older daughter calls to say there's an emergency and he must come over immediately. His two daughters, Emily and Daisy, troop out with their tiny half brother, Theo, and announce they're moving in. Their step-father has just been killed in front of Eva, their mother, and Theo, and Eva is distraught. Mark has to step in. With that event, the trajectory of all their lives is permanently changed.

Mark finds himself drawn into a closer relationship with his ex-wife, Eva, and daughters and into playing a surrogate father role for Theo. Eva grieves and gradually recovers . . . and begins to reach for a new balance. Emily grieves and is gradually swept up by friends, activities and college. Daisy had given up on Mark and had taken on John as her father. Her grief is boundless . . . and unexpressed. She's also 15 and at a gawky stage. Her loneliness and unhappiness grow, and she becomes a victim of a family friend who abuses her sexually. Theo doesn't really know what's happened but draws close to everyone.

The interactions between the lives of the characters are delicately done and expose more than the cliches that we've come to expect in books about families in crisis. If you are like me, you'll race to end to find out how it all turns out for each of the characters.

The book's title refers to a family practice of telling stories at the dinner table to entertain Theo. The story opens with Theo lost in the forest. Each person adds to the story until it ends . . . with Theo back at home and safe.
Kommentar Kommentar | Kommentar als Link | War diese Rezension für Sie hilfreich? Ja Nein (Rezension unzumutbar?)



 
5.0 von 5 Sternen Great Writing in a Powerful Story about Merged Families, 26. Juli 2006
Lost in the Forest was a constantly pleasant surprise for me. The writing is great, the story is engaging, the characters are interesting and the book exudes better taste than the jacket photograph and copy suggest. While reading the book, I felt like I was watching the seasons change by looking at reflections through the changing and intersecting ripples on a pond.

As the book opens, divorced father Mark finds his evening plans for a hot date disrupted when his older daughter calls to say there's an emergency and he must come over immediately. His two daughters, Emily and Daisy, troop out with their tiny half brother, Theo, and announce they're moving in. Their step-father has just been killed in front of Eva, their mother, and Theo, and Eva is distraught. Mark has to step in. With that event, the trajectory of all their lives is permanently changed.

Mark finds himself drawn into a closer relationship with his ex-wife, Eva, and daughters and into playing a surrogate father role for Theo. Eva grieves and gradually recovers . . . and begins to reach for a new balance. Emily grieves and is gradually swept up by friends, activities and college. Daisy had given up on Mark and had taken on John as her father. Her grief is boundless . . . and unexpressed. She's also 15 and at a gawky stage. Her loneliness and unhappiness grow, and she becomes a victim of a family friend who abuses her sexually. Theo doesn't really know what's happened but draws close to everyone.

The interactions between the lives of the characters are delicately done and expose more than the clichs that we've come to expect in books about families in crisis. If you are like me, you'll race to end to find out how it all turns out for each of the characters.

The book's title refers to a family practice of telling stories at the dinner table to entertain Theo. The story opens with Theo lost in the forest. Each person adds to the story until it ends . . . with Theo back at home and safe.
Kommentar Kommentar | Kommentar als Link | War diese Rezension für Sie hilfreich? Ja Nein (Rezension unzumutbar?)



 
5.0 von 5 Sternen Great Writing in a Powerful Story about Merged Families, 14. April 2005
Diese Rezension stammt von: Lost in the Forest (Gebundene Ausgabe)
Lost in the Forest was a constantly pleasant surprise for me. The writing is great, the story is engaging, the characters are interesting and the book exudes better taste than the jacket photograph and copy suggest. While reading the book, I felt like I was watching the seasons change by looking at reflections through the changing and intersecting ripples on a pond.

As the book opens, divorced father Mark finds his evening plans for a hot date disrupted when his older daughter calls to say there's an emergency and he must come over immediately. His two daughters, Emily and Daisy, troop out with their tiny half brother, Theo, and announce they're moving in. Their step-father has just been killed in front of Eva, their mother, and Theo, and Eva is distraught. Mark has to step in. With that event, the trajectory of all their lives is permanently changed.

Mark finds himself drawn into a closer relationship with his ex-wife, Eva, and daughters and into playing a surrogate father role for Theo. Eva grieves and gradually recovers . . . and begins to reach for a new balance. Emily grieves and is gradually swept up by friends, activities and college. Daisy had given up on Mark and had taken on John as her father. Her grief is boundless . . . and unexpressed. She's also 15 and at a gawky stage. Her loneliness and unhappiness grow, and she becomes a victim of a family friend who abuses her sexually. Theo doesn't really know what's happened but draws close to everyone.

The interactions between the lives of the characters are delicately done and expose more than the cliches that we've come to expect in books about families in crisis. If you are like me, you'll race to end to find out how it all turns out for each of the characters.

The book's title refers to a family practice of telling stories at the dinner table to entertain Theo. The story opens with Theo lost in the forest. Each person adds to the story until it ends . . . with Theo back at home and safe.
Kommentar Kommentar | Kommentar als Link | War diese Rezension für Sie hilfreich? Ja Nein (Rezension unzumutbar?)


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