Darling (Taschenbuch)

Banks’ heroine, Hannah Musgrave, is not a woman at ease with herself. Others might be happy with supportive parents and enthusiastic lovers, but Hannah finds that their blandishments do not plug the gap in her life. She abandons her comfortable middle-class existence and plunges into the dark terrorist world of the ruthless group known as the Weather Underground. Soon she is on the run from the FBI and takes refuge in Liberia in West Africa. It seems that her life will now change forever, as she marries a youthful politician and adopts the role of wife (and even mother). In the past, Hannah's life had been at threat from her own, internal forces, but now she finds that it is her environment which is the powder keg. The ruthless and corrupt military state which is Liberia (long shored up by America) is about to be plunged into massive bloodshed, and Hannah finds that all she has come to hold dear is at risk.

This is powerful and far-reaching writing, on a scale that few novelists (on either side of the Atlantic) are prepared to tackle today. The nearest modern equivalent to this epic novel of character, set against a seething backdrop is probably the work of Robert Stone, but the shade of Graham Greene is often evoked, and not to Banks' discredit. The conflicted heroine is a wonderful creation, and the turbulent dangerous world of war-torn Liberia is brilliantly evoked. -- Barry Forshaw -- Dieser Text bezieht sich auf eine andere Ausgabe: Gebundene Ausgabe .

The "darling" of the story is Dawn Carrington, neé Hannah Musgrave, a political radical and member of the Weather Underground forced to flee America to avoid arrest. At the time of the novel, she is 59, living on her working farm in upstate New York with four younger women, recalling her life in Liberia and her recent return to that country to look for her sons. "Mainly, we return to a place in order to learn why we left," she says. For Hannah, the decision was harrowing. She abandoned her sons during a bloody civil war, after the death of her husband, Woodrow Sundiata, a black African Cabinet Minister in President Samuel Doe's government, who is beheaded in front of her and her three boys. Banks explores mercilessly the corruption, greed, sloth, cynicism, and violence running through the Liberian leaders from Tolbert to Doe to Charles Taylor, weaving the real story of the horrors of West Africa with the fictional narrative of Hannah and Woodrow. He can take history off the page, bringing to life the times, people and events he recounts.

Hannah was born a child of privilege and chafed against it from her youth: "...it was an old impulse ... this desire to separate myself in the dance of life from the people who had brought me and become one instead with the people excluded from the dance..." Her father is a famous pediatrician, her mother a shadow figure maintaining a predictably correct suburban household. Both parents are liberal, but Hannah outstrips their political stance early on. They are estranged for many years because of her flight, but the separation is really much deeper than distance or politics.

She becomes a wife and mother, and is bored and unfulfilled by the role. She turns to creating a sanctuary for chimpanzees and finds her real purpose. "An old pattern. It's how since childhood I have made my daily life worth living, by turning tedium and despair into a cause." She names each chimp, calls them her "dreamers," and cares for them while others care for her children. Self-knowledge is not high on a list of her personal attributes. Although she characterizes herself as "a darling," there is little evidence to support her claim: distant father, cold mother, controlling husband. She finally sees herself in a true light: "Here it all was again: the names and dates, the tired facts of my biography up to then, the description of my few skills and talents. It was the CV of a small-time, would-be domestic terrorist. Sad. Pathetic." Hannah Musgrave is a visitor in her own life, never really connecting with anyone; more a dreamer than a darling.

Russell Banks has, once again in The Darling, shown himself to be one of the finest novelists writing today. He has written very convincingly, in a woman's voice, a story of youthful idealism destroyed by the real world, of a woman who connected more completely with chimps than with humans, and who says, "once it was clear to me that I would have to abandon my husband and children and return alone to the United States, once I saw that I would be alone, safe from prosecution--I realized, gradually at first and then in a rush, that it was exactly what I had wanted all along… I was once again seizing an opportunity to abandon one life for another." Another reinvention for Hannah. --Valerie Ryan -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.