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From Publishers Weekly
Talk about story arc: poor girl from rural China auditions for a job as royal concubine, winds up as emperor's wife number four, gives birth to the "last Emperor," rules China as regent for 46 years. The fascinating, implausible life of Tsu Hsi, or "Orchid," was reviled by the revolutionary Chinese, but here it receives a sympathetic treatment from Min (Red Azalea; Becoming Madame Mao), who once again brilliantly lifts the public mask of a celebrated woman to reveal a contradictory character. Sexually assertive, intellectually ambitious, socially striving, Min's Orchid is also "isolated, tense, and in some vague but very real way, dissatisfied." Even after giving birth to the emperor's only son, Orchid feels trapped by the stultifying imperial rituals and persecuted by the other residents of the Forbidden City: six other royal wives, 3,000 invisible concubines and 2,000 scheming eunuchs. In addition to these powerful distractions, she has to discipline her overindulged son, outmaneuver the ruthless politician Su Shun (who wants her buried alive when the emperor dies) and advise the ailing emperor how to fend off both the Boxers and the Western "barbarians." Min, herself a survivor of China's Cultural Revolution, has done a prodigious amount of on-site research to capture the glorious, hopeless last days of the Ching dynasty. At times her writing is textbook-flat, and she sometimes loses track of her teeming cast of characters (for example, Orchid's dangerous mother-in-law and mentally ill sister). But readers will be enthralled by the gorgeously woven cultural tapestry and the psychologically astute portrait of the empress-a talented girl from the provinces who married (way) up.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. -- Dieser Text bezieht sich auf eine andere Ausgabe: Gebundene Ausgabe .
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. -- Dieser Text bezieht sich auf eine andere Ausgabe: Gebundene Ausgabe .
From Booklist
In her second powerful and brilliantly conceived fictionalized portrait of a strong and controversial woman intrinsic to Chinese culture, Min continues to fulfill her mission to tell the truth about her homeland, particularly China's long tradition of demonizing women. In Becoming Madame Mao (2000), Min portrays a vilified twentieth-century figure. Here she steps back to the nineteenth century to illuminate the extraordinary life of the Last Empress of China, Tzu Hsi, or Orchid. The official version castigates the empress as a conniving concubine responsible for the collapse of the Ch'ing Dynasty as China came under assault by European powers, but Min considers her a shrewd and courageous survivor, political tactician, and leader worthy of deep respect. Writing with vigor, clarity, and lavish detail, Min tells Orchid's consuming story through the empress' sharp eyes as she rose, through great sacrifice, from abject poverty to the lonely position of fourth concubine to become the besieged emperor's most trusted advisor and mother of his only son and heir. Steeped in the Forbidden City's elaborate mythology, etiquette, and ritual, Min evokes a doomed realm so opulent, complex, and bizarre that it seems as fantastic as an alternative world in science fiction, but Orchid is 100 percent human, and her earthy story is true and significant. This bewitching novel ends with the empress' struggle to secure power after the emperor's death; Min plans to dramatize Orchid's ensuing 46-year rule in the second installment of her insightful, magnetic, and quietly revolutionary resurrection of a remarkable woman. Donna Seaman
Copyright © American Library Association. All rights reserved -- Dieser Text bezieht sich auf eine andere Ausgabe: Gebundene Ausgabe .
Copyright © American Library Association. All rights reserved -- Dieser Text bezieht sich auf eine andere Ausgabe: Gebundene Ausgabe .
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