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The Rules of Perspective
 
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The Rules of Perspective (Taschenbuch)

von Adam Thorpe (Autor)
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Produktinformation

  • Taschenbuch: 352 Seiten
  • Verlag: Vintage Books; Auflage: New edition (4. Juli 2006)
  • Sprache: Englisch
  • ISBN-10: 0099458896
  • ISBN-13: 978-0099458890
  • Größe und/oder Gewicht: 19,4 x 12,8 x 2,4 cm
  • Durchschnittliche Kundenbewertung: 5.0 von 5 Sternen  Alle Rezensionen anzeigen (1 Kundenrezension)
  • Amazon.de Verkaufsrang: Nr. 432.412 in Englische Bücher (Die Bestseller Englische Bücher)

Produktbeschreibungen

From Publishers Weekly

Heinrich Hoffer is the acting director of the Kaiser Wilhelm Museum in a small Westphalian town at the close of WWII. Most of the artwork from the building has been removed to a salt mine by Nazi officials, but Heinrich, sensitive to their corruption, holds back one Van Gogh and hides it in the museum's subterranean vaults. As the U.S. air assault builds, Heinrich, abandoning his family, takes shelter with his staff in the vaults and ruminates on his efforts to keep the painting from a particular SS thug. Two days later, Cpl. Neal Parry arrives with the American vanguard and immediately begins searching for plunder, mostly alcohol and women. A commercial artist, Neal discovers the Van Gogh in the vault and sees the painting as his opportunity to return home and set himself up as a genuine artist. Heinrich and Neal's stories unfold in alternating chapters. In spite of considerable repetition and some tedious overworking of Western philosophy, Thorpe (Nineteen Twenty-One) delivers a story rich in the details of European art history and German culture, and the twin protagonists emerge as memorable personalities, unified by a shared sensibility.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.

From Booklist

Thorpe grapples with some heady universal themes as he expertly interweaves dual narratives, offering varying perspectives on love, war, and art. In the waning days of World War II, a small German town is besieged by invading Americans. During the incessant shelling, Heinrich Hoffer, acting director of the local art museum, seeks shelter in the museum cellar along with three of his colleagues. After the beautiful old building suffers a direct hit, Corporal Neal Parry, a commercial artist in his prewar life, uncovers a miraculously undamaged masterpiece in the ruins. As Herr Hoffer reexamines his commitment to his country, his family, and the philosophical ideals of art, Parry struggles with similar inner demons as he tries to decide what to do with the painting. Told in alternating voices, this melancholy tribute to the ultimate triumph of art over tragedy resonates with empathy for the human spirit in the face of war. Michele Leber
Copyright © American Library Association. All rights reserved -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.

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5.0 von 5 Sternen "Happiness is like a mountain range...", 5. März 2006
Von Ein Kunde
Diese Rezension stammt von: The Rules of Perspective (Gebundene Ausgabe)
"Happiness is like a mountain range, snowy and in the distance". These words are written in a mysterious diary, which Herr Hoffer, the Acting Acting Director (sic!) of the Kaiser Wilhelm Museum in Lohenfelde, finds in the attic. All the fallen heroes and heroines of this book still have the hope of being happy again one day, after the Second World War that is still going on while the novel takes place. Herr Hoffer, two other employees and one art student who writes her thesis on the museum meet on that fateful day to do their duty at the museum while the American soldiers are taking over Lohenfelde. Herr Hoffer finds himself separated from his wife and two daughters who are in the shelter of their apartment complex, he himself trapped in the vaults of the museum with his colleagues and a host of paintings hidden there. What is special about this narrative is that the reader knows from the first moment that by the end of the novel, none of them will find happiness again; they will all be dead. The novel opens on Colonel Parry, an African American soldier, who finds their scorched bodies in the ruins of the museum. But there is also a fifth body close by, and that person was not killed in the air raids...
The two protagonists, Parry and Hoffer, tell the story from two different perspectives and two different timelines.
This is a novel about war, but also about art and the way the arts suffered under the Nazis, the way art is perceived and abused to fit into an ideology. However, it this is more than just another novel about the Second World war. "The Rules of Perspective" is also a powerful metaphor on the Iraq war and the irretrievable loss of art when museums were spoiled and monuments of culture destroyed.
Never before has a British writer depicted the German perspective of the average person that well; meticulous research and a good German language advisor make this book so authentic.
If you get a chance to read this book, do so by all means!
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