From Publishers Weekly
Prolific novelist Hoffman (
The Probable Future;
Blue Diary;etc
.) offers 12 lush and lilting interconnected stories, all taking place in the same Cape Cod farmhouse over the course of generations. Built during British colonial days by a man who dies tragically on a final fishing trip, Blackbird House is home, in the following generation, to a man who lost his leg to a giant halibut. In the late 19th century, Blackbird inhabitant Violet Cross has a brief affair with a Harvard scholar who inevitably betrays her; in the story that follows, she pushes her son, Lion West, to Harvard in 1908, which in turn launches him to life—and early death—in England. Lion's orphaned son, Lion West Jr., serves in World War II and meets a German-Jewish woman spirited enough to stand up to his possessive grandmother Violet. Hoffman's symbols are lovingly presented and polished: the 10-year-old boy who drowned with his father in the first story sets free a pet blackbird, who returns, now all white, to live with the boy's mother; in the last two stories, a 10-year-old boy blames a white crow for his mischief, and, a generation later, that boy's grown-up sister meets a 10-year-old boy who makes her reconsider selling Blackbird House. Fire, water, milk, pears, halibut—these, too, play important symbolic and sometimes almost magical roles. This may not be the subtlest of literary devices, but Hoffman's lyrical prose weaves an undeniable spell.
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Perhaps Hoffman writes so confidently about magical occurrences because her fecund and radiant creativity is itself a form of magic. It certainly seems as though her entrancing and mythological tales flow like water from a spring, and her new book is no exception, although its form, linked short stories, is a new one for Hoffman.
Blackbird House echoes her haunting novel
The Probable Future (2003) in its lush and evocative Massachusetts setting, focus on indomitable and witchy women, and spanning of 200 years of life anchored to one place, in this case a humble abode on Cape Cod. Each beautifully arcing and surprising story is presided over by a white blackbird, an emblem of mourning and remembrance, and enacted by stoic yet passionate characters, among them passoinate mothers, a math prodigy, a wily gal with a conspicuous birthmark, a Holocaust survivor, and the angry daughter of self-absorbed hippies. As the stories leapfrog from colonial times toward the present, Hoffman, a subtle conjurer of telling details and ironic predicaments, orchestrates intense romances and profound sacrifices. Those who live in Blackbird House, by turns brilliant, crazy, and courageous, follow their dreams, endure nightmares, and find that their numinous home is as much a part of their being as their parents' DNA.
Donna SeamanCopyright © American Library Association. All rights reserved
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