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Baudolino
 
 

Baudolino (Taschenbuch)

von Umberto Eco (Autor) "Rattisbon Anno Domini mense decembri mclv Cronicle of Baudolino of the fammily of Aulario ..." (mehr)
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Produktinformation

  • Taschenbuch: 512 Seiten
  • Verlag: Vintage; Auflage: New edition (2. Oktober 2003)
  • Sprache: Englisch
  • ISBN-10: 0099422395
  • ISBN-13: 978-0099422396
  • Größe und/oder Gewicht: 19,6 x 13 x 3,8 cm
  • Durchschnittliche Kundenbewertung: 4.6 von 5 Sternen  Alle Rezensionen anzeigen (5 Kundenrezensionen)
  • Amazon.de Verkaufsrang: Nr. 273.671 in Englische Bücher (Die Bestseller Englische Bücher)

Produktbeschreibungen

Amazon.com

The most playful of historical novelists, Umberto Eco has absorbed the real lesson of history: that there is no such thing as the absolute truth. In Baudolino, he hands his narrative to an Italian peasant who has managed, through good luck and a clever tongue, to become the adopted son of the Emperor, Frederick Barbarossa, and a minister of his court in the closing years of the 12th century. Baudolino's other gift is for spontaneous but convincing lies, and so his unfolding tale--as recounted in 1204 to a nobleman of Constantinople, while the fires of the Fourth Crusade rage around them--exemplifies the Cretan Liar's Paradox: He can't be believed. Why not, then, make his story as outrageous as possible? In the course of his picaresque tale, Baudolino manages to touch on nearly every major theme, conflict, and boondoggle of the Middle Ages: the Crusades; the troubadours; the legend of the Holy Grail; the rise of the cathedral cities; the position of Jews; the market in relics; the local rivalries that made Italy so vulnerable to outside attack; and the perennial power struggles between the pope and the emperor. With the help of alcohol and a mysterious Moorish concoction called "green honey," Baudolino and his ragtag friends engage in typical scholastic debates of the period, trying to determine the dimensions of Solomon's Temple and the location of the Earthly Paradise. And when the Emperor needs support in his claims for saintly lineage, who but Baudolino can craft the perfect letter of homage from the legendary Prester John, Holy (and wholly fictitious) Christian King of the East? A giddy and exasperating romp, Baudolino will draw you into its labyrinthine inventions and half-truths, even if you know better. --Regina Marler -- Dieser Text bezieht sich auf eine andere Ausgabe: Gebundene Ausgabe .


From Publishers Weekly

In another grand mythical epic, Eco transports readers to the medieval Italy of The Name of the Rose (though almost two centuries earlier), where Frederick Barbarossa seeks to establish himself as the Holy Roman emperor. The story begins in 1204, as the Byzantium capital of Constantinople is sacked and Baudolino, the adoptive son of Frederick, recounts his life to Byzantine historian Niketas, whom he has just saved from the barbaric Latins. Unfolding amid religious conspiracy theories and mysticism, the narrative, which builds slowly, follows the life of Baudolino, an Italian peasant boy who fabricates stories he realizes people want to believe in. While studying in Paris, Baudolino meets several friends from all over the world, who together divulge their intimate dreams and share their desire to discover distant places. Two decades later, Baudolino calls together his friends to embark on what will be a lifelong journey to find Prester John, the Christian priest of the East, whose fabled reputation Baudolino has helped create. Eco seems to loosen the reins when the friends set out across unknown territories, where they grope through an eternally dark forest; traverse a river of stones and boulders; and encounter such mythical creatures as the sled-footed skiapods, dog-headed cynocephali and the Hypatia, beautiful sirens with the legs of goats. While the pilgrims are aware, to a certain extent, of Baudolino's truth-stretching, they all come to believe in their search, as does Baudolino himself. Eco builds his story upon light theological and historical debates, though fiction and history are more evenly balanced than in his previous book, The Island of the Day Before, making for a more engaging read. While this book lacks the suspense of The Name of the Rose, it is nevertheless a spirited story that might offer those previously daunted by his writing a more accessible entrée.
Copyright 2002 Reed Business Information, Inc. -- Dieser Text bezieht sich auf eine andere Ausgabe: Gebundene Ausgabe .

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1 von 1 Kunden fanden die folgende Rezension hilfreich:
5.0 von 5 Sternen A Medieval Candide Explores Loyalty, 1. Mai 2007
Diese Rezension stammt von: Baudolino (Broschiert)
Before you decide if you want to read Baudolino, remember whether you liked Candide or not. If you did, this book will be fun. If you know very much about medieval history, as well, then this book will be a must!

If you did not like Candide, you will probably hate Baudolino.

One of the central tenets of medieval society was loyalty owed to those to whom one was tied by fealty or by custom. Baudolino was a northern Italian peasant, and owed loyalty only to the knights and lords with rights over his father's land. Then, an event intervenes and he becomes bound to Frederick Barbarossa (red beard) who becomes the first Holy Roman Emperor. Baudolino's tale explores that medieval loyalty as a theme in the same exaggerated way that Voltarie used Candide to explore optimism.

While spending time with Niketas Choniates, a high court official in Constantinople, as they flee together from the knights of the Fourth Crusade, Baudolino recounts the Candide-like story of his life from the time he met Frederick.

In the process, the favorite themes of the Middle Ages are all considered including chivalry, romantic love, lust, marriage, the crusades, the relationship between church and state, the rise of the city, clerical practices, religious beliefs, religious relics, traitorous behavior, fascination with heretical beliefs, imaginary animals, magic, alchemy and the Crusades. Each subject is done in a satirical way that reveals a cynical view of how people could (and probably did) turn each matter to practical personal benefit.

Not satisfied with that lampooning accomplishment, Mr. Eco also draws on the styles of Dante, Cervantes, and Swift while making indirect references to their work. For example, you will be amused as Baudolino falls hopelessly in love with the unattainable Beatrice, who in this case is the emperor's wife. In a humorous reference to Candide, Baudolino steals a kiss . . . and has to remove himself from her presence after that.

Within the context of the story, the main historical events are real. Baudolino, like the egotist in us all, builds his tale so that he is the key actor in every event. As they say, success has a thousand fathers while failure has none. The satires on human venality and foibles are unrelenting and almost cynical. I think some would be offended by the fun poked at their own religions here. . . until they realize that Baudolino takes on almost all religions of the time in one place or another in the book.

One of Baudolino's key approaches to solving problems is to manufacture false manuscripts, relics and other evidence that suit his purposes. Despite this, it is a testament to his commitment to Frederick that he takes himself to pursue the mythical Prester John to deliver a false relic that Baudolino helped produce.

For those who are fans of The Name of the Rose, Mr. Eco even includes a locked room mystery that will keep you guessing until the last pages of the book.

I was bowled away by the imagination and ingenuity of the story and the many satirical directions it takes. I would be very surprised if I read a better satire in the next ten years.

After you finish this book, I suggest that you think about where you have put loyalty above the truth. How would someone else see your actions? Would you redo those actions now, if you could?
Kommentar Kommentar | Kommentar als Link | War diese Rezension für Sie hilfreich? Ja Nein (Rezension unzumutbar?)



 
4.0 von 5 Sternen Faszinierende Geschichte mit unscharfer Grenze..., 10. Januar 2007
Von Peter Janik "Nicklowany" (Rhein-Main Gebiet) - Alle meine Rezensionen ansehen
(REAL NAME)   
Diese Rezension stammt von: Baudolino (Broschiert)
... zwischen den erzählten Wahrheiten und den erzählten Lügen.

Ich hatte immer wieder den Eindruck das Baudolino die eigenen Lügen ab einem bestimmten Zeitpunkt für wahr hielt.

Die Erzählung bietet auf jeden Fall einen interessanten Querschnitt über die historischen Ereignisse die diesem Roman als Hintergrund dienen.

Mein Fazit: Keine einfache Kost, aber durchaus lesenswert.
Kommentar Kommentar | Kommentar als Link | War diese Rezension für Sie hilfreich? Ja Nein (Rezension unzumutbar?)



 
5.0 von 5 Sternen A Medieval Candide Explores Loyalty, 10. Juni 2004
Before you decide if you want to read Baudolino, remember whether you liked Candide or not. If you did, this book will be fun. If you know very much about medieval history, as well, then this book will be a must!

If you did not like Candide, you will probably hate Baudolino.

One of the central tenets of medieval society was loyalty owed to those to whom one was tied by fealty or by custom. Baudolino was a northern Italian peasant, and owed loyalty only to the knights and lords with rights over his father's land. Then, an event intervenes and he becomes bound to Frederick Barbarossa (red beard) who becomes the first Holy Roman Emperor. Baudolino's tale explores that medieval loyalty as a theme in the same exaggerated way that Voltarie used Candide to explore optimism.

While spending time with Niketas Choniates, a high court official in Constantinople, as they flee together from the knights of the Fourth Crusade, Baudolino recounts the Candide-like story of his life from the time he met Frederick.

In the process, the favorite themes of the Middle Ages are all considered including chivalry, romantic love, lust, marriage, the crusades, the relationship between church and state, the rise of the city, clerical practices, religious beliefs, religious relics, traitorous behavior, fascination with heretical beliefs, imaginary animals, magic, alchemy and the Crusades. Each subject is done in a satirical way that reveals a cynical view of how people could (and probably did) turn each matter to practical personal benefit.

Not satisfied with that lampooning accomplishment, Mr. Eco also draws on the styles of Dante, Cervantes, and Swift while making indirect references to their work. For example, you will be amused as Baudolino falls hopelessly in love with the unattainable Beatrice, who in this case is the emperor's wife. In a humorous reference to Candide, Baudolino steals a kiss . . . and has to remove himself from her presence after that.

Within the context of the story, the main historical events are real. Baudolino, like the egotist in us all, builds his tale so that he is the key actor in every event. As they say, success has a thousand fathers while failure has none. The satires on human venality and foibles are unrelenting and almost cynical. I think some would be offended by the fun poked at their own religions here. . . until they realize that Baudolino takes on almost all religions of the time in one place or another in the book.

One of Baudolino's key approaches to solving problems is to manufacture false manuscripts, relics and other evidence that suit his purposes. Despite this, it is a testament to his commitment to Frederick that he takes himself to pursue the mythical Prester John to deliver a false relic that Baudolino helped produce.

For those who are fans of The Name of the Rose, Mr. Eco even includes a locked room mystery that will keep you guessing until the last pages of the book.

I was bowled away by the imagination and ingenuity of the story and the many satirical directions it takes. I would be very surprised if I read a better satire in the next ten years.

After you finish this book, I suggest that you think about where you have put loyalty above the truth. How would someone else see your actions? Would you redo those actions now, if you could?
Kommentar Kommentar | Kommentar als Link | War diese Rezension für Sie hilfreich? Ja Nein (Rezension unzumutbar?)


Sagen Sie Ihre Meinung zu diesem Artikel: Eigene Rezension erstellen
 
 
 
Die neuesten Kundenrezensionen

4.0 von 5 Sternen a tall tale
Eco certainly knows how to spin a tale, and this is what he has done here, using the character of Baudolino to tell stories (or lies?) all the way through the book. Lesen Sie weiter...
Veröffentlicht am 15. August 2007 von allesteer

5.0 von 5 Sternen Adventures in the Middle Ages
We write the year 1204, and the Fourth Crusade is about to hit Constantinople. And there is Baudolino, youth of simple peasant stock, who is a stellar liar and linguist. Lesen Sie weiter...
Veröffentlicht am 11. März 2003 von lvkleydorff

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