From Publishers Weekly
Regret and jealousy consume the overweening protagonist of this frustrating novel by the Whitbread-winning author of
Eve Green. Moira is a 27-year-old scientist whose 16-year-old sister, Amy, is in a coma, the result of a fall four years earlier. The accident is made more tragic because Moira, who was away at boarding school when her sister was born, took the new addition to the family as a personal slight and never developed a relationship with her. Instead, she ignored her family and later married Ray, an artist and doting husband. Now she would like to make amends with her sister, but it is too late. Largely told from the perspective of a fledgling adult reflecting on her childhood, the story feels like an extended therapy session, with narration alternating between third- and first-person, allowing a dissociation between the grown Moira and her lonely, moody adolescent self. Overall, there's an air of self-importance that's difficult to penetrate.
(Aug.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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*Starred Review* Sixteen-year-old Amy has lain in a hospital bed for four years, comatose as the result of a head injury. Countless times her sister, Moira, older by 11 years, has sat by the bedside, telling her sister the story of her life. Telling? Confessing is more like it, for Moira, who blames herself for the accident, has always resented her younger sister, blaming her for usurping her place in the family: a scholarship student, Moira was sent off to a girls' school just months before Amy's birth. And, though a brilliant student, she was desperately unhappy at school: a tall, silent, slender girl with glasses, big feet, and big hands, she was unpopular, laughed at, called chicken tits, odd-looking, and worse. Moira tells her often bleak story in a voice that fluctuates between first and third person, making it at once intimate and removed, capturing the adolescent she was and the scientist she would become. Fletcher is a novelist with the soul of a poet, and Oystercatchers is exquisitely written and unafraid of risk: its pace is unhurried, and its protagonist, Moira, is often unlikable, but any reader who cares for gorgeous writing, richly realized setting, and character will find much here to treasure. Cart, Michael
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