I enjoy Claremont's writing in the rest of the X-Treme X-Men series, but it got sketchy and confusing here. Coupling the half-baked, ill-conceived story with the atrocious artwork by Kordey didn't help matters. I'm glad I bought this volume used (and it came to me in excellent condition, by the way).
This graphic novel was all about Storm, so it didn't feature any "extras" like annuals or reprinted story arcs that follow the same theme (i.e., Volume 5, God Loves, Man Kills or the stupid reprint of the Uncanny X-Men annual in the end of Volume 8; the art was good in that annual, but the story was STOOPID). Storm is a complex character. Here we get to see her "wild side," which has been rearing its head more often in current continuity of Uncanny. Storm visits Japan to investigate "the Arena," which may be a cover for a mutant slaver named Tullamore Voge. She does this as a favor for Colonel Vazhin, whose history with Storm is never well fleshed-out in "Intifada," but obviously it is significant...or something. The good part about Storm going to Japan is that we get to see her up to some mischief with Yukio again (yay). The bad thing is, well, everything else. Here are some points worth noting:
1) The costumes look like something out of a Thunderdome movie, complete with butt-baring chaps and mesh in weird places. Kordey draws some of the ugliest mutants conceived to wear them, too. The owner of the Arena is some dude named Koga Masato, who seems strangely androgynous and power-free for an arena manager.
2) Masque is female. It is never explained if she is Masque from the original Morlocks (i.e., Mutant Massacre, Gene Nation, etc.) or if this is someone that just so happens to have identical powers and similar history of hating the X-Men (especially Storm). The original Masque was a gnomish, homely, and gender-questionable guy in a cape. Someone tell me when he made himself female? Or when Claremont and Kordey decided to?
3) Once again, too many mutants spoil the broth. The villains have stupid powers and dumb codenames again (Purge and Paradise, Silkworm, etc.) If you have read Volume 8 yet (with lame villains like Rolling Thunder and Cudgel), then you know what I am talking about. Dumb, dumb, dumb.
4) Callisto is back. But we see nothing of her previous, justified hatred of Storm. And Kordey is getting touchy-feely with the womenfolk again, Cal spends most of the issue with her tentacles wrapped around Storm in, well, suggestive positions. Cal's powers were never well defined in the Marvel Universe, anyway, but her tentacles make her super-strong. Whoop-de-doo. I miss the more vengeful, devious Cal of the "Storm" miniseries 1-4.
5) Yukio is stifled. She only has about two seconds of meaningful dialogue in the whole book, then spends the rest of the book getting her tookus handed to her. Isn't she supposed to be a masterless samurai in the same class as Wolverine and Viper in terms of fighting ability? As well as a master thief? How did she end up in this predicament?
6) Guido's back. But Guido's a whining wuss. He helps Storm and Yukio navigate through the Arena and explains its grim purpose, but that's it. You'll ask yourself what he's even doing in this book.
Storm's personality has developed interestingly. I like that she is more Americanized in her speech, finally. Although I still doubt she would say anything as mall princess-sounding as "I hope he likes his prezzie." (see third to last page. DUMB.)
I liked this series, but this arc is the least cohesive and the most poorly drawn, which is really too bad, since you think of Storm as such a gorgeous character. The only improvement in the art is the "dynamics" of each frame, since there are some good close-ups. Unfortunately, a lot of them are of the characters' butts. In chaps. Skip this one.