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Writers, Readers, and Reputations: Literary Life in Britain 1870-1918 (Englisch) Gebundene Ausgabe – 27. April 2006

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the remarkable thing about this extraordinary book is that throughout its thousand pages it remains consistently readable, enjoyable, and informative... Waller's style is addictive and discursive...and the reader will gain greatly the more that she or he reads William Whyte, EHR, cxxi 494 The richness of Waller's study is beyond question. This is an extraordinary mine of fact, detail, quotation, anecdote and reminiscence. Every reader, no matter how familiar with the literature of the period, will learn from the range of its excavations. Dinah Birch, TLS [A] serious achievement...It will prove an invaluable resource to scholars seeking a reference tool on a huge range of topics, not only because of its coverage, but because Waller produces the kind of scholarship on which one can rely. The Cambridge Quarterly, Vol. 36, No. 1 ...a magnificent study, one that will be recognised as a defining literary history of the period. The Review of English Studies, Vol58, No. 233


Charles Dickens died in 1870, the same year in which universal elementary education was introduced. During the following generation a mass reading public emerged, and the term 'best-seller' was coined. In new and cheap editions Dickens's stories sold hugely, but these were progressively outstripped in quantity by the likes of Hall Caine and Marie Corelli, Charles Garvice and Nat Gould. Who has now heard of these writers? Yet Hall Caine, for one, boasted of having made more money from his pen than any previous author. This book presents a panoramic view of literary life in Britain over half a century from 1870 to 1914, teasing out authors' relations with the reading public and tracing how reputations were made and unmade. It surveys readers' habits, the book trade, popular literary magazines and the role of reviewers, and examines the construction of a classical canon by critics concerned about the supposed corruption of popular taste. Certain writers were elevated as national heroes, yet Britain drew its writers from abroad as well as from home. Authors became stars and celebrities, and a literary tourism grew around their haunts.

They advertised products from cigarettes to toothpaste; they were fashion-conscious and promoted themselves via profiles, interviews, and carefully posed photographs; they went on lecture tours to America; and their names were pushed by a new professional breed: the literary agent. Some angled for knighthoods, even peerages, and cut a figure in high society and London clubland. The debated public issues of the day and campaigned on all manner of things from questions of faith and women's rights to censorship and conscription. During the Great War they penned propaganda. Meanwhile the cinema was developing to challenge the supremacy of the written word over the imagination. Authors took to that too, as an opportunity for new adventure. Writers, Readers, and Reputations is richly entertaining and informative, amounting to a collective biography of a generation of writers and their world.

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Compulsively Readable Guide to the Great Age of Fiction 18. August 2014
Von Author Bill Peschel - Veröffentlicht auf Amazon.com
Format: Taschenbuch Verifizierter Kauf
It's a huge book, crammed with gossip, anecdotes and analysis of British writers and the literary scene from roughly 1870 to 1918. It was a time when books ruled, with no competition from movies, TV, radio and the Internet. It was a period when authors rose in prominence from the gutter press and "sensation" novels to respected Establishment figures, running for Parliament and influencing public policy.

"Writers, Readers, and Reputations" is a huge book, more than 1,000 pages, but worth the price for readers interested in those times. There are sections on how authors dealt with the public, with politics, and with censorship. There are chapters devoted to major figures who are forgotten today, such as Hall Caine and Marie Corelli. There's gossip here and there about Wilkie Collins' extramarital life, D.H. Lawrence's censorship battles and the feud between the egotistical self-publicizing Caine and the more reticent Arthur Conan Doyle (who wasn't above a little publicity mongering himself).

Highly, highly recommended. I've read through this book twice and have begun marking up sections for use in my books.
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