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Kurzbeschreibung
The authors are among Britain's best known and most respected landscape photographers; all three also write about their work in books and magazines and regularly lead the popular workshops organised by their company, Light and Land, in Britain and abroad. In this book they have combined forces to share their wide-ranging experience and expertise. The book is divided into three sections, each introduced by one of the authors who are among Britain's best-known and most respected landscape photography experts: Wilderness- Joe Cornish, Inhabited - Charlie Waite Inner-landscapes - David Ward. Alongside a portfolio of their latest work, each writes about the genre for which they are so well-known: how they came to it, what inspires them, their current projects and the directions in which they see their work developing - for example, what future role might digital play for these lovers of film? Each section also includes a selection of the best photographs submitted by participants in the Light and Land workshops accompanied by comments, critiques and advice from the authors whose collective wisdom and experience will be invaluable. The combination of stunning imagery with inspirational and insightful three-to-one advice makes Light & Land a truly unique experience, which no landscape enthusiast will want to do without. This is expected to be the first in a regular series of books based on the work of Light and Land.
Synopsis
The authors are among Britain's best known and most respected landscape photographers; all three also write about their work in books and magazines and regularly lead the popular workshops organised by their company, Light and Land, in Britain and abroad. In this book they have combined forces to share their wide-ranging experience and expertise. The book is divided into three sections, each introduced by one of the authors who are among Britain's best-known and most respected landscape photography experts: Wilderness- Joe Cornish, Inhabited - Charlie Waite, Inner-landscapes - David Ward. Alongside a portfolio of their latest work, each writes about the genre for which they are so well-known: how they came to it, what inspires them, their current projects and the directions in which they see their work developing - for example, what future role might digital play for these lovers of film? Each section also includes a selection of the best photographs submitted by participants in the Light and Land workshops accompanied by comments, critiques and advice from the authors whose collective wisdom and experience will be invaluable.The combination of stunning imagery with inspirational and insightful three-to-one advice makes "Light and Land" a truly unique experience, which no landscape enthusiast will want to do without. This is expected to be the first in a regular series of books based on the work of "Light and Land".
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13 Rezensionen
26 von 29 Kunden fanden die folgende Rezension hilfreich
I look at this book, and I wonder ...
13. September 2007
Format:Taschenbuch
I wonder if I am ready for this sort of "master class". The photographs inside are almost intimidating in their beauty and artistry.
I have years of experience with attempting to create photos like these, and I will say that the patience of the artists is well-displayed in the photographs.
I found the text to be informative and thought-provoking, and although I am a little intimidated, I am also greatly inspired by the detail and instruction given.
I have years of experience with attempting to create photos like these, and I will say that the patience of the artists is well-displayed in the photographs.
I found the text to be informative and thought-provoking, and although I am a little intimidated, I am also greatly inspired by the detail and instruction given.
11 von 11 Kunden fanden die folgende Rezension hilfreich
Hardly a Master Class
20. November 2009
Format:Taschenbuch|Von Amazon bestätigter Kauf
I have reviewed this book reflecting it's claim to be a landscape master class, and as such it falls way off it's mark. The main fault of the book is that the comments and explanations are without reference to any theory or principals that the reader can become acquainted with and apply in his own images. However, if you are satisfied with a collection of beautiful images it more or less serves fits the bill.
The book is divided into three parts with one for each master photographer. Each section starts with a presentation and some background on how he came to be a landscape photographer. Nice as an introduction, but I really expected more than this. Accompanying the introductions is a small selection of some 4 photographs with some notes on practicalities for managing to capture the image. However, with few exceptions they are not referenced in the text - so why are exactly these photographs included? They are really nice, but what I am expected to learn from looking at these images instead of some other images is unclear to me. Both JC and CW write about images that have inspired them, but you will not find them in the book (I know, Google..). A potentially interesting feature is the inclusion of some images that they claim don't make it. However the images are relatively small and accompanied by a brief explanation containing what appears to be some thoughts passing at the time of writing.
After each photographer's introduction follows a portfolio of images from contributing (amateur?) photographers. The portfolio contains several quite stunning images and ends with a brief commentary on each image by the master photographers. Unfortunately there is little in the comments that will advance you in your own photography. One of the better comments (p 55):
"JC: If Ansel Adams had been a color photographer he would have shot this. It has a soaring, almost Wagnerian quality. There's not much to add. CW: The very bottom is left out of focus, but who cares. One could argue that it's a bit tight on the top; some more sky might have helped - perhaps not. I like that you don't se the source of the light. It is a marvelous picture. DW: Yes, I particularly like the compressed perspective as well."
Really, in my opinion several photo sites do better than this. Other comments contain information such as to use your hand to eliminate flare, or that the photographer handled the subject well since he did not burn out the highlights of some running water. Hardly master class material.
Finally, preceding the commentaries is a page where the master photographers comment on each others images. Actually, on first reading I failed to appreciate that this wasn't written by the photographer himself. So much for critics.
Nice images that may serve as inspiration, but don't expect much to further your photography. I suggest you take a look at : Landscape Beyond: A Journey into Photography.
The book is divided into three parts with one for each master photographer. Each section starts with a presentation and some background on how he came to be a landscape photographer. Nice as an introduction, but I really expected more than this. Accompanying the introductions is a small selection of some 4 photographs with some notes on practicalities for managing to capture the image. However, with few exceptions they are not referenced in the text - so why are exactly these photographs included? They are really nice, but what I am expected to learn from looking at these images instead of some other images is unclear to me. Both JC and CW write about images that have inspired them, but you will not find them in the book (I know, Google..). A potentially interesting feature is the inclusion of some images that they claim don't make it. However the images are relatively small and accompanied by a brief explanation containing what appears to be some thoughts passing at the time of writing.
After each photographer's introduction follows a portfolio of images from contributing (amateur?) photographers. The portfolio contains several quite stunning images and ends with a brief commentary on each image by the master photographers. Unfortunately there is little in the comments that will advance you in your own photography. One of the better comments (p 55):
"JC: If Ansel Adams had been a color photographer he would have shot this. It has a soaring, almost Wagnerian quality. There's not much to add. CW: The very bottom is left out of focus, but who cares. One could argue that it's a bit tight on the top; some more sky might have helped - perhaps not. I like that you don't se the source of the light. It is a marvelous picture. DW: Yes, I particularly like the compressed perspective as well."
Really, in my opinion several photo sites do better than this. Other comments contain information such as to use your hand to eliminate flare, or that the photographer handled the subject well since he did not burn out the highlights of some running water. Hardly master class material.
Finally, preceding the commentaries is a page where the master photographers comment on each others images. Actually, on first reading I failed to appreciate that this wasn't written by the photographer himself. So much for critics.
Nice images that may serve as inspiration, but don't expect much to further your photography. I suggest you take a look at : Landscape Beyond: A Journey into Photography.
11 von 12 Kunden fanden die folgende Rezension hilfreich
Inspiring Photography and Instruction
5. November 2007
Format:Taschenbuch
As a previous reviewer mentioned, it's intimidating to see such incredible photography, especially if you're an aspiring photographer (as I am).
However, I find the beauty of the photography here to be inspirational, and the critiques provided are very informative. I highly recommend reading this book if you're an aspiring nature photographer.
However, I find the beauty of the photography here to be inspirational, and the critiques provided are very informative. I highly recommend reading this book if you're an aspiring nature photographer.
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