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Wondrous Strange: The Life and Art of Glenn Gould
 
 
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Wondrous Strange: The Life and Art of Glenn Gould [Englisch] [Taschenbuch]

Kevin Bazzana


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Whenever pianists are discussed, Glenn Gould (1932-82) is sure to be mentioned. Blessed with a phenomenal memory, a logically organized mind, manual dexterity, and superb analytical capacity, Gould was able to clarify and interpret music in unconventional ways. He preferred contrapuntal to harmonic music, and his recordings of Bach hold a unique place in musical literature. Preferring to be in control of his life, he kept to himself much of the time. A hypochondriac full of neuroses and anxieties, he nonetheless conversed with friends and colleagues frequently, often in very humorous ways (his long phone calls are legendary). He gave up concert performance in 1964 to concentrate on recordings, media documentaries, writing, and compiling and composing film music. Bazzana, whose doctoral dissertation is on Gould's performance practices and interpretations, and who now edits GlennGould, the magazine of the Glenn Gould Foundation, treats the pianist clinically and analytically, by means of many anecdotes. His biography is a complete portrait of the artist and a thorough investigation of the psyche of an enigmatic renaissance man. For insight into this genuine genius, it can't be beat. Alan Hirsch
Copyright © American Library Association. All rights reserved -- Dieser Text bezieht sich auf eine andere Ausgabe: Gebundene Ausgabe .

Pressestimmen

“The best account so far of [Gould’s] life: lucid, balanced, intelligent, and wide-ranging.… Bazzana concentrates on Gould’s Canadian origins. He investigates Gould’s medical history.… He analyzes Gould’s radio and television productions for the Canadian Broadcasting Corporation.… And he reviews the Gould discography in some detail.… [An] excellent book.”
–Michael Kimmelman, New York Review of Books

“Glenn Gould, idiosyncratic musician, glorious eccentric and classic hypochondriac, is a gift to a biographer, but this is not to belittle Kevin Bazzana’s achievement in this definitive study.… It is difficult to imagine a more absorbing, lively or honest book.”
–Philip Borg-Wheeler, Classical Music magazine

“There will be other books on Gould… but I doubt if there will be one that is more thorough and entertaining than this.”
–Angela Hewitt, Times Literary Supplement

“Gould was a mighty intellect and massive talent, asexual, contradictory, neurotic, inspired, narcissistic and quixotic by turns. Juicy meat for a biographer, and Kevin Bazzana has served him well. This is a beautifully produced, rigorously researched, detailed account of the Canadian’s life and career, welcoming to both the general reader and committed pianophile. The pages describing Gould’s musical credo are masterly.”
–Jeremy Nichols, Classic FM magazine

“Bazzana’s portrait–the most balanced yet–ingeniously provides contexts for Gould’s behavior.… Still, those for whom the eccentricities are half the fun will find endless delight in the meticulous accounts of Gould’s diet, hypochondria, and near-suicidal driving. ‘It’s true that I’ve driven through a number of red lights on occasion,’ he once said, ‘but on the other hand, I’ve stopped at a lot of green ones but never gotten credit for it.’”
New Yorker

“[Gould’s] story is one of the most intriguing and incredible the country has to tell.… In a book bristling with interest and information, Bazzana comes as close as may be possible to capturing the essential Gould.… In Bazzana, the Gould legend has found an authoritative and stylish interpreter.”
–Nancy Schiefer, London Free Press

“Marvellously readable.… Bazzana removes the mystification, clarifying not only Gould’s drive and musical taste, but also what came to be regarded as his eccentricities.”
–Martin Knelman, Toronto Star

“A wonderfully intelligent and readable biography.”
–Kena Herod, Maisonneuve magazine

“[Kevin Bazzana’s] definitive new biography of Gould provides a remarkably balanced perspective on both the man and his music. Bazzana… has done an enormous amount of research. Above all, he has studied Gould's recordings, as well as his pioneering 'contrapuntal' radio and television documentaries. Bazzana elucidates Gould's musical ideas with clarity and elegance, underlining the humanity and sense of moral mission that permeates his work.… The revealing photographs are a welcome addition.”
The Wholenote


“It may be a bit audacious to suggest that Kevin Bazzana's excellent new biography of Glenn Gould, Wondrous Strange, is in the Thayer [Life of Beethoven] league, but it does serve many of the same purposes.… His book is powerful and timely.… With his insistence on fairness, objectivity and deep respect for his subject, Bazzana helps us to unravel many of the complex conundrums that have been tightly wound around Gould for decades.… Bazzana has gone the extra biographical mile, thoroughly and scrupulously discovering the exact truth behind inevitably embellished stories. Not afraid to pass judgment when needed, in clear, lively prose, Bazzana wins his reader's respect and trust in page after page of well-researched biography.… Glenn Gould will always be an enigma, but thanks to Kevin Bazzana's excellent new biography, he is now something less of a mystery.”
–Robert Harris, Globe and Mail


"With 20 years of research, including interviews and access to previously private papers, behind him, Bazzana shines new light on eccentric pianist Gould. Basing his analysis of Gould's life and art in his early upbringing in Depression-era Toronto, he provides an original, thought-provoking take on the musical genius. Wondrous Strange is a compulsively readable piece of scholarship."
Vancouver Sun


“An engaging and mellifluous book.”
–George fetherling, Vancouver Sun


“This may be the most thorough study of all on Gould’s ‘Canadian-ness,’ underpinning in both biographical detail and musical philosophy why Gould’s homeland was critical to all he was.… The most dogged Gouldians will find revelations throughout this book, presented fairly and with impressive musical insight.… Each insight draws you on to the next telling detail. You feel, in fact, that if all the writing about Gould could be branches on a tree, this book might well be its trunk.

“Bazzana’s ordering is intelligent. Gould’s celebrated eccentricities, neuroses, illnesses real and imagined and destructive self-medicating are dealt with well on into the book, and only after we’ve been given enough material about Gould’s art and thoughts to understand his odd behaviours as ‘occupational hazards of a highly subjective business.’”
–James Manishen, Winnipeg Free Press


“Provides all the detail of a life that still fascinates almost 25 years after it was cut short.… Bazzana’s credentials are musical and, based on this book, one could say literary, for his writing is clear and enjoyable without sacrificing the mountain of archival and anecdotal information that has been collected.… His discussions of Gould’s esthetic are informed by an in-depth knowledge of what music is made of and how the musical world before Gould had treated the works of the composers Gould gravitated towards and used for his own often peculiar artistic purposes.”
–Bill Rankin, Edmonton Journal


“With Wondrous Strange, Kevin Bazzana, a leading authority on the art of Glenn Gould, has now undertaken to give us the biography we have been waiting for – the life and times of a most unusual man, told with passion, intelligence, wit, and fair-mindedness.”
–Tim Page, music critic, editor of The Glenn Gould Reader


“Well researched, well-written, intelligent and fair, Kevin Bazzana’s Wondrous Strange will be seen as the definitive mainstream biography of Glenn Gould.”
–Nicholas Spice, publisher, London Review of Books

“[An] authoritative, beautifully composed biography.… In every way, Bazzana underscores the full complexity of Gould as both man and artist.… Wondrous Strange is obviously a must for any fan of this great pianist, but it is much more than that: Kevin Bazzana deserves all praise for producing a study worthy of its subject – expertly paced, admiring yet sensible, touched with wit and intensely readable.”
–Michael Dirda, Washington Post



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38 von 39 Kunden fanden die folgende Rezension hilfreich
An Enigmatic Genius, Understood a Lot Better 26. April 2004
Von R. Hardy - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe
Among the classical musicians of the twentieth century, there was none with as eager a fan base as Glenn Gould. The fans have not diminished in number since Gould's death at age fifty in 1982. Gould was a consummate musician who brought light to neglected but important works, but he was also an oddball who adored the Mary Tyler Moore Show, (...), popped dozens of pills every day to help him over imaginary illnesses, and refused to come out of self-imposed isolation to play a recital for a million-dollar fee. There has been an authorized biography of Gould before, but now _Wondrous Strange: The Life and Art of Glenn Gould_ (Oxford University Press) by Kevin Bazzana must be the one for all fans to have. Bazzana is the editor of nothing less than GlennGould magazine, and has written a previous book about Gould's musicianship. He brings helpful light on such topics as the influence of Gould's one piano teacher and his love of Canada and his home town Toronto. He is especially helpful in illuminating Gould's early life.

Gould's parents were conservative, strict Protestants who stressed propriety as he was growing up in Toronto's Beach district. They had to make sure he did not practice too much (not too little, like most parents of young musicians) and learned that the strictest punishment they ever needed to enforce was locking up the piano. He remained close to them all his life, only moving out of their home when his parents were elderly in 1959. He knew he was going to be a classical pianist from age around five. He loved his neighborhood and the people who knew he was freakish or famous, but treated him as if he were just an unusual guy. He hated performing and touring. Even so, his performances were regarded by many as high points in their lives as listeners. Among the many stories told here is that of his first Russian concert, in Moscow. The auditorium was only a third full, but at intermission, concertgoers hurriedly called their friends to tell them what was going on. There was a small riot for tickets for the second half of the show.

It was the recording studio to which he was devoted and to which he retired from his hated performing. His premiere recording of Bach's Goldberg Variations in 1955 brought to attention a piece that had only rarely been performed or recorded before, being thought too difficult and rarefied. The recording was a sensation, and remains one of the bestselling classical discs of all time. (It ought to be; there is no better join of dazzling technique, speedy fingers, and loving intimacy with the music.) He liked working with the technicians who helped record his performances, and had good humor in the sessions, but it was him in front of the microphone, in the isolation he preferred; he wrote, "Isolation is the one sure way to human happiness." Bazzana relishes the multiple enigmas that Gould presents, and this one is surely key: Gould isolated himself right into millions of homes, where it was obvious he communicated something important. Today, worshipful listeners, some of whom were not alive when he was, make pilgrimages to see his home sites, and his rickety old chair which he used whenever he played. He said that the purpose of art is "... the gradual, lifelong construction of a state of wonder and serenity." If that is the purpose of art, he would have admired this graceful, readable, big biography that underscores the full complexity of a monumentally enigmatic artist.

29 von 29 Kunden fanden die folgende Rezension hilfreich
The Idea of Glenn Gould 20. September 2004
Von The Sanity Inspector - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe
With this book, Otto Friedrich's biography of Glenn Gould is finally surpassed. Kevin Bazzana was able to get more people to talk about their memories of Gould, and the result is this very readable biography. The author brings back the impact that Gould's 1955 Goldberg Variations had on the music world. One record executive said that it was as if there had been a big run on a new printing of the Enneads of Plotinus. Throughout, Gould's career and life is told in satisfying detail and insight. He tries hard to explain Gould's musical contrariness, as in his mauling of Mozart's sonatas, but often has to simply yield and accept Gould's contrariness as such (though he intriguingly suggests that Gould may have been a musical forerunner of the postmodernists). And of course there is ample celebration of Gould's genius and his enduring cult.

According to Bazzana, he's a regular Victor Borge in the humor department. But on this score as on so many others, Bazzana must largely concur with the received legend, while offering scattered counter-examples. On balance, Gould was an excruciatingly unfunny humorist, a clotted, unreadable essayist, but also an entertaining raconteur, an unaffected star, and a proud Canadian.

Bazzana's biography of Gould succeeds, but I was left wanting more. For example, there doesn't seem to be any discussion of Gould's mysterious failure to record the crown jewel of Bach's oeuvre, The Art of the Fugue. His organ rendition doesn't count, and may be seen as Gould's way of side-stepping the issue. He could certainly play the fugues: they appear in any number of his concerts, and I especially treasure those that appear in his Russian lecture/concert on a Harmonia Mundi disc I own. Fugue no. 1 sounds like the dawning of some grand insight. Yet Gould never committed the whole thing to record on piano, and disappointingly, Bazzana doesn't offer any insight on why.

There are some very minor errors of fact here and there. For example, Bazzana apparently didn't realize that the Last Letters From Stalingrad, for which Gould wrote vocal sketches, were later proven to be forgeries.

It is very good to have a mini-biography of Gould's teacher, Alberto Guerrero. It's a shame that he made no commercial recordings, so that we could assess his influence on his famous pupil.

Bazzana seeks to explain the oft-rumored Canadian Identity to his readers, as it applies to Gould. Marshal McLuhan and Stephen Leacock are presented as exemplars of the Canadian spirit in communications technology and understated humor, respectively. Like McLuhan, Gould's ideas about communications were ahead of their time. Indeed, even with satellite communications and the technological miracles of the Internet Age, we may doubt that we have caught up with him yet. Oscar Wilde would have been a natural on TV chat shows; maybe Gould would have fit right in sometime in the future, after a few more revolutions in technology. It's as if he was a natural born genius at some field of endeavor that hadn't been invented yet, and so had to settle for realizing his visions by splicing magnetic tape. And playing piano, of course.
7 von 7 Kunden fanden die folgende Rezension hilfreich
A Worthy Biography 19. März 2007
Von David Carlin - Veröffentlicht auf Amazon.com
Format:Taschenbuch|Von Amazon bestätigter Kauf
I can't exactly put a nail on why I have read so many biographies on Gould, but I dare say the story of his reclusiveness, isolation and his pursuit of his art has always intrigued me. Up to this point my favorite biography on Gould had been the Otto Fredrick "A Life in Variations", so I had a pre-conceived notion that this book may just have been be a re-telling of all the stories and interviews I heard in the past.

Bazzana appears to set himself apart here in that he was not asked to write a biography on Gould as he described in the book. There are many snippits of things I've allready knew about Gould here, but Bazzana also tries to put another angle on some of the eccentricities most have heard or read about prior. He encapsulates many different views of Gould, so much so that I feel that I have a bit more insite here. Also, Bazzana appears to set some of the record straight for other biographical sources such as Andrew Kazdin's work called "Glenn Gould At Work, Creative Lying" which is another book I gained knowledge from and did enjoy. It may not be entirely possible to have a true biographical account of Gould, but I still appreciate this additional account of his life although I am only giving it 4 stars because I feel there will never be a complete biography of an individual due to different sources and views, but this one is generally well researched. It does re-hash some of the other interview material, sources etc, but within the book there does appear to be an attempt here to rationalize his behaviour and give a better look beyond the stereotype.

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