- Taschenbuch: 566 Seiten
- Verlag: Univ of Texas Pr (September 1987)
- Sprache: Englisch
- ISBN-10: 0292790406
- ISBN-13: 978-0292790407
- Größe und/oder Gewicht: 24,3 x 14,7 x 4,2 cm
- Durchschnittliche Kundenbewertung: 5.0 von 5 Sternen Alle Rezensionen anzeigen (1 Kundenrezension)
- Amazon Bestseller-Rang: Nr. 251.752 in Englische Bücher (Siehe Top 100 in Englische Bücher)
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"The question that predicates this inquiry is not 'What was it like to be part of literary Paris,'" writes Shari Benstock, but "'What was it like to be a woman in literary Paris?'" That city's Left Bank, says the author, was in the early part of the 20th century "inhabited by all those on the margin of culture, a place for the dislocated, even the dispossessed." Among these expatriates were women writers, editors, poets, journalists, and novelists who came to Paris from America or England, often to escape a family or society that made it hard for them to live as a lesbian or a black woman--or simply as an intelligent, ambitious person uninterested in settling into traditional domestic life.
If you believe the usual literary histories, the early 20th-century modernist movement in English literature was, Gertrude Stein excepted, a movement of men. Benstock restores the roles of such remarkable women as Djuna Barnes, Jean Rhys, Sylvia Beach, and Janet Flanner in the history of the time, revealing what she calls the "underside of the cultural canvas." The book is thorough and wonderfully descriptive, offering both a literary history and a portrait of the lives of creative women. --Maria Dolan -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
From Library Journal
This important study investigates a little-known aspect of 20th-century literary history. Benstock describes the lives and work of approximately two dozen English and American women who lived in Paris during its heyday as a literary center. Though many of these women made significant contributions both to Parisian expatriate culture and to modern literature, they have long been overshadowed by the reputations of their male relatives and colleagues. By examining the lives and work of such diverse figures as Gertrude Stein and Caresse Crosby, Edith Wharton and Djuna Barnes, Benstock attempts to establish what it was like to be both a woman and a writer in literary Paris at the time. A scholarly and stimulating book highly recommended for academic and large public libraries.Susan Thach Dean, Fine Arts Div., Chicago P.L.
Copyright 1986 Reed Business Information, Inc. -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
Copyright 1986 Reed Business Information, Inc. -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
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Kundenrezensionen
Die hilfreichsten Kundenrezensionen
Format:Taschenbuch
This book was a good introduction for me to read more about women who lived in Paris, but like so many, they went there to live a life ahead of their time.
Die hilfreichsten Kundenrezensionen auf Amazon.com (beta)
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6 Rezensionen
34 von 34 Kunden fanden die folgende Rezension hilfreich
Edifying & entertaining.
13. Mai 2004
Format:Taschenbuch
I picked up this book out of interest in expatriate Americans in the early part of the 20th century. I was immediately drawn into the worlds of these writers and artists and ultimately learned about incredible characters like Sylvia Beach, who was the first person to publish James Joyce's Ulysses, and Margaret Anderson, publisher of the modernist The Little Review.
As a feminist scholar, Benstock analyzes the places these women occupied in the Paris scene as well as in a world in transition. She admirably examines the literary works of the writers, but the book never feels solely like a book of criticism. Biographical information abounds and gives each chapter something of a story arc.
For readers who enjoy biographies of literary personalities but often miss the lack of detailed discussion of a writer's works, this book will not disappoint. And if you are at all interested Paris in the early part of the last century, modernism, or any of the many women discussed in the book (Edith Wharton, Djuna Barnes, Gertrude Stein & Alice Toklas, HD, Mina Loy, etc.) this book will be an invaluable source of information.
33 von 34 Kunden fanden die folgende Rezension hilfreich
Staggering good...
3. Juni 2004
Format:Taschenbuch
Not really a biography, tho it is very biographic. Not really a study of Feminism, tho most of the women were early pioneers. Not really a study of Lesbians, tho most of the women were, at least, bisexual. What this book does, and it does it extremely well, is illustrate how these women struggled to 'define' themselves, as artists, as authors, as sexual beings, as individuals at a time when women were generally perceived as little better then simple minded children factories. From Gertrude Stein to Djuna Barnes to Natalie Barney (Rene Vivian...'a life spent looking for death')such different people but sharing a common thread of struggle (and cost). I've read a lot about this period and these women, and no book has given me a better understanding of them and emotional empathy with them, then this book.
6 von 7 Kunden fanden die folgende Rezension hilfreich
The best overview of the period and the personalities.
9. Februar 2009
Format:Taschenbuch
This is a great book on the women who made huge contributions to that legendary period of culture: Left Bank Paris between the wars. Impeccably researched and beautifully written, it reveals, through multiple layers of history, biography and social commentary, the enormous and subtle influence of an extraordinary group of talented women whose remarkable gifts and achievements were usually overshadowed and often at the service of the male figures of the left bank scene. A completely absorbing book, I couldn't put it down from the moment I started reading it. One of those books you want to share with everyone, (and everyone I have shared it with shares my enthusiasm for it). An absolute favourite; I can't recommend it highly enough.
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