Shag is probably better known. But Derek Yaniger more authentically captures the loose, sketchy, optimistic "cocktail napkin" art that once graced telephone book displays, men's magazines like Playboy, album liner notes, instructional pamphlets, White Castle burger ads and other throwaway ephemera of the 1950s. His work also shows a healthy influence from the great Jim Flora, who designed Columbia Records albums for 10 years beginning in the 1940s. This is very high lowbrow. I first became aware of Derek's work in Tiki Magazine. Indeed, Mid-Century vices like tikis, booze, rock n roll, beatniks, monsters, hot rodding, conventioneering, and tight sweaters provide the themes for his ultra-hipster artwork. The '50s sensibility was often "primitive modern," mixing the atomic age, abstract modernism, and folksy crudeness. You get this cocktail in Derek's work: random layouts, "deep space" backgrounds, bold geometric shapes, uneven edges, flat one-dimensional figures, nervous overlapping lines, single-hue color combinations, skewed cut-out letters, Googie dingbats and arrows, and dotted accents. It's a spacey "spontaneous carefree" approach. I never get tired of this stuff. We get over 100 pages chock-full of Derek's book covers, magazine art, gallery work, clip art, signage, serigraphs, and other wacky stuff he drew just for kicks. Highly recommened.