I can say gratefully that a friend lent this sad tale to me. Thank you, God that I didn't shell out any shillings for this doggie of a poorly written book, and thank you for the fact that is not about another clueless American doing stupid things in foreign lands, like stalking gorgeous native men and expecting them to love you, your way.
As far as I could tell, this is a tale of an overly-indulged, wealthy, attractive, very obsessive young woman, Corrine Hoffman, who allows herself to be victimized while constantly insinuating herself on a man who really doesn't want anything to do with her except perhaps a quick "poke in the whiskers" with no foreplay. She calls him "my Masai" on page five after only seeing him a couple of times. (Creepy)
Lketinga sees the picture almost immediately; she chooses not to see. She believes he loves her, but it becomes obvious it's pretty one-sided --her side. Love is not perceived in the same way by the Samburu. Theirs is a culture of tough environmental and basic survival and requires tribal cooperation; a culture of the community, not the individual. Their life is definitely not about females having any rights, only responsibilities. It is not an adolescent, bodice-ripping, Romantic tale of romance. Samburu life is not easy, but it's the way it is. In fact, African life doesn't seem like something I want to try either.
So you have Corrine and her wacky friends. The European women in this story come across as pretty flighty, irresponsible and quite hippie-skippy, although they all run circles around her linguistically. Her friend Sophia does not seem to have much more sense than Hoffman does and you can easily visualize a "type" of wealthy, attractive, dilettante young European women, playing out their fantasies and spending their or their daddy's money. Her friend Sophia constantly seems to move to better quarters and is difficult to locate as she goes back to Italy for vacations, moves in with a loser boyfriend, procreates without thought of the future for her child and seems lacking in all common sense. Add to that, Hoffmann's constant references about her lack of appetite suggest a serious eating disorder as when she says "there's a lavish meal laid on, and after nearly five days fasting, I've almost got an appetite." There are numerous comments regarding her inability to eat. From the very beginning, her control issues are apparent.
She's obviously driven to be successful. She knows how to hire and manage people, works like a dog, has good business skills and has no problems working with men. But she doesn't have a glimmer that her business interactions and negotiations with various businessmen might not be understood by her husband, whose cultural concepts of proper behavior between men and women could not be more different, and whose behavior from the beginning has led him to question her motives. And for all the time she spends in Africa, she never seems to pick up language skills. The African women that befriend her seem much wiser and truly helpful, always willing to help out, explain reality to her and to try and help pull her out of her cultural haze.
Lketinga, her husband, cannot be judged from this tale, as you never know his thoughts or his version of this sad domestic partnership, but I believe that he tried to let her know the relationship was doomed from the start. His wise suggestion to her that that "If I have such a good business in Switzerland, why don't I come back a few times a year for holidays and he would always be waiting for me" should have sparked her brain cells into a reality check, but to no avail. With complete self-centeredness she inflicts herself on this man and his community, and then wonders why he starts to resent and distrust her, even as her hard-earned Swiss francs service their needy community and floundering business efforts.
Much of the deference she receives is due to her physical attractiveness, the fact that she is white, and her obvious purchasing power. To those struggling native people she must have seemed a female Donald Trump. Corrine appears to have an endless supply of money. We are told she was a very successful business woman but I wonder if in reality she suffers from fear of holding on to her success.
Hoffman complains constantly about the amount of work she needs to do, always hiring help, having others pity and do things for her, describing her raw fingers, bad hair days, lack of sleep, her hollow-cheeked face and failing body. Martyr complex? Probably. Controlled by a dysfunctional need to crave a "real man" then resents it when he tries live life in the culture he knows? Very probably. Results. Complete wacko. Her husband quickly becomes a sort of victim of her wealth. He hates it but wants what it creates for him and the tribe. He can't manage it because he doesn't have the skills, so he uses the old tribal "you woman, me man" thing and the situation deteriorates more quickly. Her money and skills gives her power over him and emasculates him.
Hoffmann doesn't listen to the advice she receives from the native women and doesn't seem to have enough common sense to research the basics of what "marriage" entails in the new culture she is forcing her way into. Sex doesn't seem all that important to her, although she frequently admires his physical beauty and elegance of body; his compatibility needs elude and appall her at times. He is a piece of living, beautiful artwork that she must possess but will never understand. Next time, Corinne, buy yourself the painting, leave the person alone and save everyone the boring, constant flow of your endless tears.
Throughout the book, Hoffman constantly places herself in serious physical and personal danger, neglects herself even when very seriously ill, still pursuing her obsessive effort of the moment. Her lack of personal self-care causes serious consequences for her, endangers her unborn child and brings her at one point, close to death. One has to wonder, if it affected her long-term. Did it not occur to her that the fact Lketinga can neither read nor write, is not at all westernized, and comes from a primitive, agrarian culture, could cause serious conflict and misunderstanding? Corrine thoughtlessly forges forth not realizing her female independence is eroding his self-confidence and pride while still noting to the reader that he cannot add, subtract, organize nor stop giving her money away.
Lketinga's increasing lack of trust in their relationship probably stems from their initial meetings, when she broke with her current beau to take up with him. Lketinga probably believes that if she dumped her current man that quickly in favor of him, she might not be worthy of his trust. It was extremely disturbing to see how she brazenly and aggressively stalks him until she corners him in his village. She's relentless and very creepy. However, it is obvious that she has great affection for these people, that she does try to assimilate herself into their primitive way of life and does sometimes, actually enjoy it. Some of the scenes she describes of Samburu village life are quite moving. She sees the inequalities that exist for black Africans and how people scorn their black/white marriage. They are humiliated frequently by both black and whites yet she does not see nor knows how to manage the very real difficulties that her financial and female independence cause.
How many trips through the jungle in an ancient, broken-down Land Rover does it take for her to figure out that this isn't working? How many bouts of malaria, anemia, hepatitis and other diseases must she endure, even at the risk of injuring the child she carries? The most shocking tale to me was her attempt to assist a young woman in the midst of a monstrous labor trying to give birth to her dead child. Hey, if I saw some poor screaming woman squatting and bleeding profusely, with the arm of her unborn child hanging out of her vagina, I would be out of there forever!
How much quiet time is she really able to spend with her man while she buys the cars, pays bribes for passports and travel paper? Can she manage the household, take care of baby, run and stock the store, hire good help, deal with stealing employees, bad bookkeeping, terrified child brides and a nation with no concept of punctuality? Meanwhile he disrupts her business; fires the people she hires; disappears for days on end, herds his sheep, goats, oxen, visits his mom, smokes Miraa, drinks and does the manly thing with his male tribe members? Sad things are bound to happen.
Alas, the time arrives when Corrine has no money left and Lketinga's pretty much on the mental brink...presto! Time to go! Alas, love is gone but now she has her new baby to become her new obsessive-compulsive replacement ...and as her as her moody, addictive man starts becomes increasingly paranoid about her fidelity, (which the reader can see from almost the beginning) she manages to leave with her infant daughter on the pretence of a nice Swiss vacation. (Fade out with..."Oh my man, I love him so, he'll never know..." aka goodbye Nicki Arnstein)
But she sends sweet "please forgive me" letters to Lketinga, his mother and his brother. So I guess at least she didn't lose her nice Swiss manners.