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White Goddess: A Historical Grammar of Poetic Myth (Englisch) Taschenbuch – 23. August 1999

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A work first published in 1948 in which Graves argues that the language of poetic myth current in the Mediterranean and Northern Europe was a magical language bound up with popular religious ceremonies in honour of the Moon-goddess, or Muse - some dating from the Old Stone Age.

Über den Autor und weitere Mitwirkende

Robert Graves (1895-1985) was a poet, novelist and critic. His first volume of poems, Over the Brazier (1916), reflected his experiences in the trenches, and was followed by many works of poetry, non-fiction and fiction. He is best known for his novel, I, Claudius (1934), which won the Hawthornden and James Tait Black memorial prizes and for his influential The White Goddess (1948).

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Die hilfreichsten Kundenrezensionen auf (beta) 3 Rezensionen
9 von 10 Kunden fanden die folgende Rezension hilfreich
Pagan poetry and poetic paganism 11. März 2012
Von Mark Carter - Veröffentlicht auf
Format: Taschenbuch Verifizierter Kauf
Robert Graves' study of poetry, The White Goddess, is something of a literary unified field theory. It attempts to survey nearly all of Western poetry to assess the common factors and suggest a single unifying factor by which all poetry can be understood. Of course, Graves wasn't the first to attempt such a study, but The White Goddess is perhaps the best attempt to date; coming closer than others to finding and explaining the original creative big bang which drives all poetry, and where he fails Graves is better able to hide his failure. The White Goddess argues that echoes of this original big bang resonate in literature today and Graves teaches us how to hear them.

The problem is that, like all such studies, The White Goddess evaluates poetry in light of the author's own style; and when the author is Robert Graves we can be sure that the poetry will be judged on romantic and historical grounds. Graves' defense of poetry claims that poetry's origin lies with ancient Greek, Roman, and Celtic culture, and in even more primitive traditions of tribal shamen who chanted poetry to bless the new crops, the newborns, and the newly dead. Poetry not conforming to this theory is often dismissed as inconsequential. Thus, Graves logically favors fellow romantics who address the Muse's timeless themes of birth, love, loss, and death, or the pagan poets of the Classical and pre-Classical eras.

To Graves all poetry is pagan, either overtly or covertly, and even the best Christian poetry contains a surreptitious nod to older pagan traditions or folklore. Graves' defense of pagan poetry became a defense of pagan myth, ritual, and morality as well. This is why The White Goddess became one of the inspirational texts of modern paganism and remains popular with pagan readers today. The book appeals to both the hippy style counter-culture members of the pagan community as well as the historically minded members bent on historical reconstruction. The White Goddess' controversy derives from each school's attacks and defenses of the points it contains. After 64 years the debate still rages. Perhaps that is the book's strongest point. More important than if Graves is right or if he is wrong, is the fact that he made the attempt at all and the vast amount of debatable evidence which he has brought into the light.
Four Stars 21. Dezember 2014
Von Marilyn Herrs - Veröffentlicht auf
Format: Taschenbuch Verifizierter Kauf
I love the book, but I would rate the condition as 'good', not very good.
1 von 6 Kunden fanden die folgende Rezension hilfreich
A Must have collection 27. Dezember 2012
Von Sezza - Veröffentlicht auf
Format: Taschenbuch Verifizierter Kauf
All people who are looking to build up their books at home should have one of these on their book case
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