Alfred White is seriously ill in hospital. His family - wife and three children - come to visit, and the various chapters relate how they really feel about him. May, his wife, loves him, in part for his sense of duty, and despite his choleric and imperious temper and his crude race prejudice. Shirley, his daughter, had escaped his control at the age of nineteen after he had committed an act of violence against her. She had been driven, first, into a disastrous one-night stand; but later she had been able to make a happy marriage with a Ghanian. He had died and she was now living with a Jamaican partner. Nothing could have enraged her father more. The two sons have inherited their father's explosive temper: Darren is a successful international journalist, but is on his third bad marriage; and Dirk is a foul-mouthed failure and is as racist as his father. The sons have never dared to stand up to him.
Alfred and May are rather lost in the modern world and, in their different ways, nostalgically look back to an older England which, in their memories at least, was more personal, more cohesive and less challenging.
While May is nearly pure goodness (her only failing a lack of courage) and Shirley is a genuine counter-point to all that racism, the men are all pretty unlikeable figures; but they are all damaged and vulnerable, and one comes to feel sorry for them all. Alfred and the children often seem consumed by hatred; but there are also moments when we see that Alfred is capable of love, and his children's attitude towards their father is also quite ambivalent; so the scenes around Alfred's hospital bed are taut with emotions. Two of the children do some very dramatic things on their way back from the hospital. The novel started rather slowly, but it steadily gathers pace, power and pathos.
Maggie Gee is a terrific writer!