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Which Lie Did I Tell?: More Adventures in the Screen Trade (Vintage)
 
 
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Which Lie Did I Tell?: More Adventures in the Screen Trade (Vintage) [Englisch] [Taschenbuch]

William Goldman (Autor)
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Produktbeschreibungen

Amazon.co.uk

Veteran Hollywood screenwriter William Goldman's sequel to Adventures In The Screen Trade is every bit as good as its illustrious predecessor. Part memoir, part screenwriting lesson, Goldman's book is everything that his readers have come to expect--opinionated, chatty, digressive and (most importantly) honest. Goldman is utterly distrustful of the Hollywood machine and with good reason: as he warns fellow screenwriters, "Most studios are planning on firing you as soon as you hand them your first draft." As the writer of numerous hits including Butch Cassidy and the Sundance Kid, Marathon Man and Misery, few people are better placed to offer an insider's view of the film industry, and even fewer could be so entertaining in the process.

The way Goldman tells it, screenwriting is an unstable business at best. Yet his enthusiasm is evident in practically every sentence and his advice on writing is invaluable for those who would follow in his Oscar-winning footsteps. Throughout the book, Goldman offers numerous insights into his creative process, culminating in the final third of the book with an original script, followed by the critical comments of other top screenwriters. However, this is not just a great read for budding writers-Goldman's tales about Hollywood are so compelling that even the most casual film fan will be fascinated by this world in which, as the author has famously maintained, "nobody knows anything". --John Oates -- Dieser Text bezieht sich auf eine andere Ausgabe: Gebundene Ausgabe .

Amazon.com

Something odd, if predictable, became of screenwriter William Goldman after he wrote the touchstone tell-all book on filmmaking, Adventures in the Screen Trade (1983), he became a Hollywood leper. Goldman opens his long-awaited sequel by writing about his years of exile before he found himself--again--as a valuable writer in Hollywood.

Fans of the two-time Oscar-winning writer (Butch Cassidy and the Sundance Kid, All the President's Men) have anxiously waited for this follow-up since his career serpentined into a variety of big hits and critical bombs in the '80s and '90s. Here Goldman scoops on The Princess Bride (his own favorite), Misery, Maverick, Absolute Power, and others. Goldman's conversational style makes him easy to read for the film novice but meaty enough for the detail-oriented pro. His tendency to ramble into other subjects may be maddening (he suddenly switches from being on set with Eastwood to anecdotes about Newman and Garbo), but we can excuse him because of one fact alone: he is so darn entertaining.

Like most sequels, Which Lie follows the structure of the original. Both Goldman books have three parts: stories about his movies, a deconstruction of Hollywood (here the focus is on great movie scenes), and a workshop for screenwriters. (The paperback version of the first book also comes with his full-length screenplay of Butch; his collected works are also worth checking out). This final segment is another gift--a toolbox--for the aspiring screenwriter. Goldman takes newspaper clippings and other ideas and asks the reader to diagnose their cinematic possibilities. Goldman also gives us a new screenplay he's written (The Big A), which is analyzed--with brutal honesty--by other top writers. With its juicy facts and valuable sidebars on what makes good screenwriting, this is another entertaining must-read from the man who coined what has to be the most-quoted adage about movie-business success: "Nobody knows anything." --Doug Thomas -- Dieser Text bezieht sich auf eine andere Ausgabe: Gebundene Ausgabe .

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In diesem Buch (Mehr dazu)
Einleitungssatz
I don't think I was aware of it, but when I started work on Adventures in the Screen Trade, in 1980, I had become leper in Hollywood. Lesen Sie die erste Seite
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Wortanzeiger
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Buchdeckel | Copyright | Inhaltsverzeichnis | Auszug | Stichwortverzeichnis | Rückseite
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Format:Gebundene Ausgabe
I devoured this book, and immediately told friends how much I enjoyed it. Many of my praise was met with "the first one was better" and "the Times hated it." I can't see why. Sure, Goldman does lean toward the cosy (constant use of phrases like "what's a mother to do?"), but the anecdotes and brave critiques were priceless. I also picked up a great lesson about screenplay writing: enter a scene late, and leave early. That alone was worth the read.
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Format:Gebundene Ausgabe
Incredibly entertaining reading using his unique storytelling style. I felt like I was in the same room listening to Goldman tell of his trials and smiles during his career. His frankness portrays the realities of Hollywood. It also goes beyond typical screenwriting authors and tells the reader how to survive the...business...monsters in the closet...and your own writing passion. Read it and learn.
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Format:Gebundene Ausgabe
There is a world of difference in perspective between an Academy Award winning screenwriter and a writer that has optioned a couple of scripts (at best) and then goes on to write a "how to" book. You gotta give Mr. Goldman respect. I appreciate that he has taken the time (even if it does seem like therapy at times) to tell his side of the story. There are many great writers out there that haven't and I'm sure they've got some stories to tell as well. Maybe they don't want to rock the boat or they couldn't be bothered. The fact that William Goldman does makes him special.
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Wildly uneven but entertaining
Pros: The gossipy parts of this book are a lot of fun. And this reader admires the author's candor and honest assessment of his abilities. Lesen Sie weiter...
Am 15. April 2000 veröffentlicht
Was this a first draft?
This book was probably a better concept on paper than the result. I knew that several parts of this book were previously published in Premiere magazine, but I bought it on the... Lesen Sie weiter...
Veröffentlicht am 9. April 2000 von Brendon M. Macaraeg
Too much Butch, but still a fun read
I'm a huge fan of Goldman's books and most of his screenplays, and the original Adventures in the Screen Trade still stands as the definitive how-Hollywood-works primer. Lesen Sie weiter...
Veröffentlicht am 8. April 2000 von Cliff Rives
out of touch curmudgeon
Goldman, who hasn't written a good film in a quite a while, states that the 90's was the worst decade in film history. Lesen Sie weiter...
Veröffentlicht am 7. April 2000 von Greg Brason
More exuberant and cynical romps through Babylon
In his previous book about Hollywood, Adventures in the Screen Trade, legendary screenwriter Goldman (Butch Cassidy and the Sundance Kid, All the President's Men, Misery, and on... Lesen Sie weiter...
Veröffentlicht am 6. April 2000 von Lee Gruenfeld
A Mixed Bag. Mr. Goldman, maybe it's time for a new editor
An enjoyable read, but I expected more from a screenwriter whose work I have always admired and whose advice in his original "Screen Trade" book is always worth heeding. Lesen Sie weiter...
Veröffentlicht am 5. April 2000 von Douglas A Gordon
A perfect companion for the first book
Goldman is not only the wisest of authors writing about screenwriting, he probably has the best credentials for doing it. Lesen Sie weiter...
Veröffentlicht am 3. April 2000 von Venger11
Nothing New Here
I enjoyed Goldman's ADVENTURES IN THE SCREEN TRADE, which is why I went out and paid retail for this one. I shouldn't have. Goldman has not aged well. Lesen Sie weiter...
Am 2. April 2000 veröffentlicht
Like most sequels, this ain't quite as good BUT..
...it still is very much worth a read. (Goldman has such an easy going, conversational writing style, you can polish off this book a few hours. Lesen Sie weiter...
Veröffentlicht am 27. März 2000 von Scott Bailey
I bought it, I liked it--I'd like a new Goldman novel more
With his great style, Goldman points out a lot of the mechanics to making a good story work on the screen--

--but skip all that. Lesen Sie weiter...

Veröffentlicht am 24. März 2000 von "subsimcom"
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