The DVD/CD that accompanies this book is outstaning, even though about half of the DVD's content is comprised of scenes of ambient noise from rivers, drives along California freeways and the like, there are tremendous performances of Tuvan vocal and instrumental music.
The book is highly informative, but too frequently reads like a scholarly treatise, following questionably relevant tangents at the expense of the core subject matter. Levin has admirably dedicated his professional life to bringing Central Asian music to the attention of Westerners, but his work suffers because he is more of a professor than an author. When Levin sticks to Tuva, Tuvans and Tuvan music, a lot of light is shed, but the portions of the book on mimesis, mimicry and immitation, ammong others, remind me too much of my university musicology days where I'd have to struggle in inventing something, ANYTHING, to fill up the pages on that term paper. Parts of the book unfortunately read like that and go beyond the scope of what I wanted to know about Central Asian music. Nonetheless, between those gaps lies everything I wanted to know about the music, so in that sense, the book was worthwhile.
