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Whatever [Englisch] [Taschenbuch]

Michel Houellebecq , Paul Hammond
4.8 von 5 Sternen  Alle Rezensionen anzeigen (6 Kundenrezensionen)

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Taschenbuch EUR 10,12  
Taschenbuch, 14. Januar 1999 --  

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Produktinformation

  • Taschenbuch: 160 Seiten
  • Verlag: Serpents Tail (14. Januar 1999)
  • Sprache: Englisch
  • ISBN-10: 1852425849
  • ISBN-13: 978-1852425845
  • Größe und/oder Gewicht: 19,7 x 13,1 x 1,1 cm
  • Durchschnittliche Kundenbewertung: 4.8 von 5 Sternen  Alle Rezensionen anzeigen (6 Kundenrezensionen)
  • Amazon Bestseller-Rang: Nr. 230.760 in Englische Bücher (Siehe Top 100 in Englische Bücher)

Mehr über den Autor

Michel Houellebecq
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Produktbeschreibungen

Amazon.co.uk

Michel Houellebecq's book Whatever was a smash hit in his native France and has already gained him a cult following here. A funny, sometimes bitter, modern existentialist fable Whatever truly seems to capture the zeitgeist. Whilst his next novel Atomised showcases greater sophistication and is certainly more complex and reaching, Whatever remains a brisker, more distilled affair.

Houellebecq's clarity of style is often remarked upon and the translation does a mostly decent job of conveying, in short chapters, in a fairly staccato book, his distaste for modern life. The narrator of the novel is young (just 30), well paid (computers!) and without a love life--not a geek, nor particularly a social inadequate, rather someone who just doesn't connect. He writes strange, allegorical animal stories; is a clumsy philosophical dilettante; and finds himself bored, overly self-aware and analytical, unable to settle and settle for his life. Then he is told to go on a extended work trip training provincial civil servants in the use of a new computer system accompanied by the extremely ugly Raphael Tisserand. Throughout the novel, the cheapening of sex and intimate relationships through commodification and modern communication technology is contemplated, but the interrogation remains relatively uncommitted; the attacks on psychoanalysis come thick and fast, seem more personal and often find their target.

Houellebecq does do a good job here of exemplifying the cul-de-sac that bored intelligence often finds itself languishing in. The trouble with this as a stratagem for a novel is that the reader is in danger of caring as little for the book as the characters do for their lives; this tightrope is better walked by writers such as Beckett or even Brett Easton Ellis and navigated more successfully by Houellebecq himself in his next novel. Indeed in many ways Whatever seems like a dress rehearsal for Atomised with similar characters imbued with the same concerns, the same post nouvelle-philosophes ennui running throughout. But it is a dress rehearsal worth attending: there is more than enough clever writing here, with its mordant articulation of a very particular kind of modern unhappiness, to consider it a success. --Mark Thwaite

From Booklist

Houellebecq's deeply philosophical novel is about an alienated young man searching for happiness in the computer age. Bored with the world and too weary to try to adapt to the foibles of friends and coworkers, he retreats into himself, descending into depression while attempting to analyze the passions of the people around him. Houellebecq uses his nameless narrator as a vehicle for extended exploration into the meanings and manifestations of love and desire in human interactions. Ironically, as the narrator attempts to define love in increasingly abstract terms, he becomes less and less capable of experiencing that which he is so desperate to understand. Intelligent and well written, the short novel is a thought-provoking inspection of a generation's confusion about all things sexual. Houellebecq captures precisely the cynical disillusionment of disaffected youth. Bonnie Johnston

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Einleitungssatz
Friday evening I was invited to a party at a colleague from work's house. Lesen Sie die erste Seite
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1 von 1 Kunden fanden die folgende Rezension hilfreich
Von S. Maruta
Format:Taschenbuch
THe original tittle for this book is 'extension du domaine de la lutte' (extension of the struggle field) and in French it sounds exactly like one of those manifestos 70s terrorists like to publish in between bombings and assassinations. Maybe this is a simple warning from the author: I AM DANGEROUS!

Well Michel Houelebecq doesn't look too dangerous and his ideas are either a posture of pessimistic contempt or the work of a dangerous lunatic, probably both. Still EDDDLL is before all a great novel. If you're into the subversive discourse of the author on the loathsome nature of sexual freedom and the need to overcome it you should read its 2nd novel (and last years'tremendous best seller in France): les particules elementaires.

PS: a film adaptation of EDDDLL has just been releised in France.

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A really, really good book 28. Oktober 1999
Von Ein Kunde
Format:Taschenbuch
I really enjoyed reading this book, despite its depressing subject matter. I could really relate to the character, and if lots of people feel this way, well then I don't feel so bad! At times it was laugh out loud funny, at other times it was like reading f---ing 'prozac nation'..but by the end of it it had that open-ended French intellectual feel that most contemporary novels just can't seem to get. A winner.
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Von Ein Kunde
Format:Taschenbuch
the beginning didn't get my hopes up (nor did the horrific neon cover of the book, actually), but my attitude proceeded to metamorphosize throughout the course of the novel and completely changed by the end (which in itself was a bit curious, but i won't get into that-- all great books have weird endings, no?)-- i quite liked it. the tone is great-- i laughed (more like chuckled or snickered), my face lapsed into seriousness, i muttered some words to myself... pardon the impending psychobabble, but i felt an affinity for the narrator despite his frequent comments about being unable to identify with other people; he's "separate"/aloof and yet painfully sensitive-- which latter quality of course makes him vulnerable and approachable. the book is wry, dry, intelligently and adroitly offhand, piercing, sarcastic, and even ugly at times, yet it simultaneously possesses a fascinating sense/message of persistent hope (and a comment upon man's peculiarly tenacious nature when it comes to hope). overall, i would say it reminded me of a cross between sartre's _nausea_ and salinger's _catcher in the rye_. well-orchestrated (except for the very beginning...), a great job-- i'd love to read more of houellebecq's work.
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