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J.S. Bach The Well-Tempered Clavier (Dover Music for Piano) (Englisch) Taschenbuch – 15. August 2014


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Produktinformation

  • Taschenbuch: 208 Seiten
  • Verlag: Dover Publications (15. August 2014)
  • Sprache: Englisch
  • ISBN-10: 0486245322
  • ISBN-13: 978-0486245324
  • Größe und/oder Gewicht: 30,9 x 23,9 x 1,2 cm
  • Durchschnittliche Kundenbewertung: 4.2 von 5 Sternen  Alle Rezensionen anzeigen (4 Kundenrezensionen)
  • Amazon Bestseller-Rang: Nr. 332.735 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)

In diesem Buch (Mehr dazu)
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Buchdeckel | Copyright | Inhaltsverzeichnis | Auszug | Rückseite
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Kundenrezensionen

4.2 von 5 Sternen
Sagen Sie Ihre Meinung zu diesem Artikel

Die hilfreichsten Kundenrezensionen

Von r@home am 14. Oktober 1999
Format: Taschenbuch
No doubt we should be pleased with this edition, stripped clean of editorials, phrasings, and fingerings, it seems very close to the "source," as Bach wrote it without the frills and boxes of an "expert" interpretation. For a basic manuscript, this is the one, complete and clear. It elucidates how much room Bach left us to find ourselves in his music, rather than finding Czerny or Tovey. In this edition, Bach's assurances as a great teacher shine through: solve it yourself, but know that it is all possible.
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1 von 1 Kunden fanden die folgende Rezension hilfreich Von Ein Kunde am 25. Januar 2000
Format: Taschenbuch
Like with all dover, there are better, more readible editions. However, the price is right.
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Von Ein Kunde am 17. Februar 1999
Format: Taschenbuch
This book is very simple. You buy it, you play the pieces on there as best you can. There is no essay analyzing the 48s, just some suggestions on reading marks indicating ornamentation and such things, and on with the score. There are also no numbers indicating fingering for these pieces, so the keyboardist must take initiatives here in trying to play these pieces. If nothing else, get both books for the price alone.
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0 von 1 Kunden fanden die folgende Rezension hilfreich Von Ein Kunde am 6. Oktober 1999
Format: Taschenbuch
I've made some progress on the preludes but run out of fingers and hands on the fugues. Now with my 6 month old daughter balanced on my knee hammering and sucking the keys while I play with one hand I finally understand how Bach came to compose the fugues - a child on each knee with one hand free is enough hands for 5 parts of the fugue.
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Die hilfreichsten Kundenrezensionen auf Amazon.com (beta)

Amazon.com: 42 Rezensionen
70 von 70 Kunden fanden die folgende Rezension hilfreich
Fantastic bargain 15. Juni 2002
Von Dr. Christopher Coleman - Veröffentlicht auf Amazon.com
Format: Taschenbuch
Another incredible bargain from Dover. Although I think their edition of the Beethoven complete string quartets (in a single volume!) is probably the best buy in all of music, this edition of The Well Tempered Clavier is a strong competitor. (If only it had included The Art of Fugue!) This is the edition I recommend for my students because of the clarity, absence of artificial or misleading editorial markings, ease of page turns, and cost. It is not perfect; what edition EVER is--in this case, one of my quibbles is that of all the minor key fugues, only ONE (g# minor) ends without a piccardy (raised) third--it simply must be an oversight, and interestingly the accidental already present in the key signature is repeated unnecessarily. Surely B natural should have been B sharp in the final measure. Regardless of the slight problems, this is the single best tool to learn Baroque counterpoint in general and fugue specifically. No textbook I know of is capable of demonstrating the fluidity of form, nor describing the sophistication of melodic and contrapuntal writing that Bach employs. Every book I know of oversimplifies or even avoids the issues that Bach so admirably handles. The answers are here, in the music, not in a text. Absolutely invaluable for the serious music student.
31 von 31 Kunden fanden die folgende Rezension hilfreich
Fewer Page Turns 5. Februar 2001
Von Ein Kunde - Veröffentlicht auf Amazon.com
Format: Taschenbuch
This edition is certainly the most inexpensive on the market. True, it is "no frills" Bach--without the help of fingerings and phrasing--but I found the edition very useful. For instance, the Alfred edition takes up six pages for the Fugue in C# Maj, Book I, whereas this Dover edition only takes two. I found this very useful when playing from this edition because page turns are impossible with Bach!!
37 von 38 Kunden fanden die folgende Rezension hilfreich
Simple and complete 14. Oktober 1999
Von r@home - Veröffentlicht auf Amazon.com
Format: Taschenbuch
No doubt we should be pleased with this edition, stripped clean of editorials, phrasings, and fingerings, it seems very close to the "source," as Bach wrote it without the frills and boxes of an "expert" interpretation. For a basic manuscript, this is the one, complete and clear. It elucidates how much room Bach left us to find ourselves in his music, rather than finding Czerny or Tovey. In this edition, Bach's assurances as a great teacher shine through: solve it yourself, but know that it is all possible.
31 von 35 Kunden fanden die folgende Rezension hilfreich
Bach's WTC ranks only 4-1/2 stars? 18. Mai 2002
Von Stephen Malinowski - Veröffentlicht auf Amazon.com
Format: Taschenbuch Verifizierter Kauf
When I saw that The Well-Tempered Clavier had only received four and half stars, I asked myself "if one of the supreme masterworks of one of the greatest composers of all times only gets four and a half stars, what the heck gets five stars?"

I love this music, and I like the Dover edition. It's true, it's not quite as legible as the Henle Urtext edition (what ever is?), but it's as good a version of the score, there are fewer page turns, it contains both books in one volume, and, since it's a fraction of the price of the Henle edition, you can afford to buy two copies, one for writing in, and one for when you want to look at a clean score.

Amazon's current price comes out to less than five cents a page. You can't photocopy it for less!

I've bought several copies over the years, so that I could give them away to people I thought would enjoy them.

No single work of music, by any composer, has brought me as much enjoyment. I'm buying another copy today so that I can have one in my office and one at home.

I'll stop raving now ...
16 von 17 Kunden fanden die folgende Rezension hilfreich
The price can't be beat 27. Juni 2006
Von klavierspiel - Veröffentlicht auf Amazon.com
Format: Taschenbuch
Dover's strategy of reprinting venerable old editions of classical masterworks has been a godsend for musicians everywhere. Many of their reprints are of critical editions that were the best available at the time. Kroll's edition of Bach works for the Bach Gesellschaft, the source of this particular Dover volume, dates from the mid-nineteenth century, but his Well-Tempered Clavier holds up well scholarship-wise. Although the editors of the modern Henle publication had the benefit of being able to access Bach's autograph of Book II, the differences for the most part are not crucial, and the readings in the Dover volume are entirely defensible even today. Having both books of this cornerstone of the keyboard literature together in one easy-to-read volume makes this a bargain hard to pass up for performers, scholars and serious listeners alike.

The one disadvantage for those interested in the many variant readings of these pieces is that only the editor's choice is given. For a comprehensive survey of the former, the Hans Bischoff edition is worth digging up--it has been reprinted both by Kalmus and G. Schirmer.

Incidentally, I feel compelled to respond to some textual comments on the work itself from other reviewers: 1) The minor ending of the G-sharp minor Fugue from Book I is the reading generally accepted as correct; 2) The extra measure found in some editions of the C major Prelude from Book I is spurious, the product of an overzealous editor of the one of the early printed editions of the WTC, Schwenke. Unfortunately Gounod included it in his Ave Maria based on this prelude, which has ensured its continued existence.
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