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Weird Ideas That Work: How to Build a Creative Company
 
 
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Weird Ideas That Work: How to Build a Creative Company [Englisch] [Taschenbuch]

Robert I. Sutton
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Produktinformation

  • Taschenbuch: 240 Seiten
  • Verlag: Free Press (15. Mai 2007)
  • Sprache: Englisch
  • ISBN-10: 0743227883
  • ISBN-13: 978-0743227889
  • Größe und/oder Gewicht: 21,1 x 14 x 1,6 cm
  • Durchschnittliche Kundenbewertung: 4.4 von 5 Sternen  Alle Rezensionen anzeigen (5 Kundenrezensionen)
  • Amazon Bestseller-Rang: Nr. 121.448 in Englische Bücher (Siehe Top 100 in Englische Bücher)
  • Komplettes Inhaltsverzeichnis ansehen

Mehr über den Autor

Robert I. Sutton
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Produktbeschreibungen

From Booklist

Sutton is a professor of management science and engineering in the Stanford Engineering School and a consultant for several well-known companies. His ideas for innovative change are counterintuitive and, he admits, first come across as weird. For instance, he recommends hiring people who don't fit in with the establishment or those you simply don't need, because they may be creative types who will come in handy. Other strange ideas include getting normally happy coworkers to argue, rewarding failures, starting impractical projects, and encouraging people to defy their superiors. He admits that his innovation practices aren't useful for doing repetitive work, such as running an assembly line, or critical tasks, such as flying an airplane, but they are just what is needed to shake up an organization and bring in new ideas. Sutton often has a tough time convincing CEOs to try his techniques, but he shows how famous geniuses have tried his ideas. David Siegfried
Copyright © American Library Association. All rights reserved -- Dieser Text bezieht sich auf eine andere Ausgabe: Gebundene Ausgabe .

From Library Journal

A professor at the Stanford Engineering School and a consultant who has worked with innovative firms, Sutton shows how "weird" ideas, many of which go against accepted management practices, can promote innovation and success in companies. Here he describes 11Ù weird ideas that work. Among these ideas are hiring "slow learners" of the organizational code; using job interviews to get new ideas and not just to screen candidates; rewarding both success and failure and punishing inaction; forgetting the past, especially a company's past successes; and encouraging people to ignore and/or defy their superiors and peers. Each idea is described thoroughly, and specific guidelines for putting them to use are included. These ideas are based not only on research but on interviews with employees representing all levels in various companies and are illustrated by specific case studies. This thought-provoking book is recommended to both practitioners and business students and should be purchased for academic management collections. Lucy Heckman, St. John's Univ. Lib., Jamaica, NY

Copyright 2002 Cahners Business Information, Inc.

-- Dieser Text bezieht sich auf eine andere Ausgabe: Gebundene Ausgabe .

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Von Donald Mitchell TOP 500 REZENSENT
Format:Gebundene Ausgabe
Weird Ideas that Work takes an unusual perspective. Professor Sutton is focusing on how companies can be more creative for tomorrow, while still being effective at delivering today's products and services. Think of this book as what to read after finishing The Innovator's Dilemma.

His perspective combines the concepts of evolutionary biology with behavioral psychology to provide key principles, 11 1/2 ideas for implementing those principles, and 9 guidelines for day-to-day management practices. The key points are supported by examples drawn from organizations that have experienced at least some periods of unusual effectiveness in creating new products and services. He chooses to call these ideas "weird" to get your attention, and to acknowledge that the ideas may not send too obviously correct to you the first few times you hear them.

The three key principles are:

"(1) increase variance in available knowledge,

(2) see old things in new ways, and

(3) break from the past."

The 11 1/2 "weird" ideas for implementing those principles are paraphrased below:

(1) Hire smart people who will avoid doing things the same way your company has always done things.

(1 1/2) Diversify your talent and knowledge base, especially with people who get under your skin.

(2) Hire people with skills you don't need yet, and put them in untraditional assignments.

(3) Use job interviews as a source of new ideas more than as a way to hire.

(4) Give room for people to focus on what interests them, and to develop their ideas in their own way.

(5) Help people learn how to be tougher in testing ideas, while being considerate of the people involved.

(6) Focus attention on new and smarter attempts whether they succeed or not.

(7) Use the power of self-confidence to encourage unconventional trials.

(8) Use "bad" ideas to help reveal good ones.

(9) Keep a balance between having too much and too little outside contact in your creative activities.

(10) Have people with little experience and new perspectives tackle key issues.

(11) Escape from the mental shackles of your organization's past successes.

Where most books on creativity focus on how the reader can make her- or himself more productive, this ones takes on what leaders and managers can do to establish an environment where more ideas will be generated and tested. There's no assumption that you can find ways to make few mistakes. In fact, you are encouraged to simply make more and different mistakes, and quit spending behind the ones that aren't working sooner.

Professor Sutton leaves you with a challenging thought. "What if these are ideas are true?" The only way you can find out is to try them.

I thought that the book's best advice was to fill the organization with "people who are passionate about solving problems." In my experience, it is hard to find people who are filled with "playfulness and curiosity" about the focus of a particular company. Once you have that situation, you need to "switch emotional gears between cynicism and belief." In reading this material, I was reminded of the section in Built to Last that encourages people to turn "or" choices into "and" situations.

Although this book will not be enough to guide your company into being more creatively productive, I think it is an important addition to the literature on corporate creativity. I thought that the book's main weakness is that it made little attempt to differentiate among the techniques that might be used to solve different classes of problems. For example, creating the concept for a new service is fundamentally different from finding a better way to provide an existing one. From my own research, I am also convinced that creating a new business model is a different type of task from any other that companies do. I also think that acquisitions and mergers can either help or hurt corporate creativity. This book did not do enough to address that special circumstance. Perhaps Professor Sutton will follow up this interesting book with a series that looks more narrowly at different classes of problems that respond well to more creativity.

How can your organization vastly increase its flow of new ideas, test them more rapidly and less expensively, and more certainly pick out the best ideas to implement? How much time are you spending on thinking about these important questions?

Be open for and prepared to search far and wide for new variations to test!
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Feuerwerk der Ideen 21. September 2009
Format:Taschenbuch
Es geht um 11,5 verrückte Ideen, die die Innovationskraft und die Kreativität eines Unternehmens steigern sollen.
Bewertung: Die Erklärung im ersten Teil, warum es so schwierig ist, vor allem für erfolgreiche Unternehmen innovativ und kreativ zu bleiben, ist recht überzeugend. Im zweiten Teil werden die verrückten Ideen im Detail diskutiert. Jede Idee steht für sich, nicht alle sind jedoch besonders originell und so richtig verrückt im Sinne von ungewöhnlich sind sie auch nicht. Die Anerkennung von Erfolg und Misserfolg (im Sinne der Innovation) und die Bestrafung von Nichtstun sollte so z.B. selbstverständlich sein (Idee 6) Einige Ideen widersprechen sich auch: Idee 9 und Idee 5 bspw.. Das unterstreicht jedoch nur eindrucksvoll, wie schwierig tatsächlich die Aufgabe ist und das es eben keinen Maßnahmenkatalog gibt, um die Kreativität und Innovationskraft zu steigern. Der Nutzen des Buches liegt vor allem darin, Anregungen für die unternehmerische Praxis mitzunehmen, angewendete Routinen zu hinterfragen und das große Verbesserungspotential zu erkennen. Imteressierte aus dem Unternehmensumfeld, die die Innovationsfähigkeiten verbessern wollen, werden hier in jedem Fall fündig.
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Format:Gebundene Ausgabe
Robert Sutton has written a highly remarkable book on unleashing the creative virus in companies. While company executives may find it hard to adapt his weird ideas to the daily grind and the routines it may help to re-define the true meaning of business.

Although we have moved from the industrial era into the age of unreason and imagination company leaders still think of innovation in terms of mechanistic input-output ratios. Although Sutton's title suggests another recipe book for managers it offers solid ground for thinking out of the box. A good example in the book is the story about random processes. Because a scientist misheard instructions putting in 1000 times to much catalyst to the chemical reaction, a new field (carbon-based electronics) was opened up by this mistake.

Careful readers will find it a rich source of well thought provocations. I recommend this book very much to all the company people who still suffer from not being recognized and honored for their daily creativity. And I recommend this book to every human resources manager or CEO or free-lancer who wants to make a difference with creativity.

Summary: Lots of books about the nature of creativtity and innovation have been written so far. The merits of this book are twofold. Understanding Innovation in the context of business creativity and encouraging executives to think and act on this in a new way. It is a practical workbook for all who dare to act creatively in our society, no matter which role they play.
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