Walt Disney's Donald Duck: "Lost in the Andes" (The Complete Carl Barks Disney Library) [Englisch] [Gebundene Ausgabe]

Barks fans had to wait decades for someone to finally begin comprehensively reprinting his work in color. Fantagraphics had done a superb job. The colors practically jump off the page. If you're new to Barks, you'll understand why his comics were Jerry Garcia's favorite reading material.

The full-length stories are 'Lost in the Andes!', 'The Golden Christmas Tree', 'Race to the South Seas!' and 'Voodoo Hoodoo'. The shorter stories include 'The Sunken Yacht', which will interest you if you're most familiar with the character Scrooge McDuck from 'DuckTales'. Turns out Uncle Scrooge wasn't always such a nice guy.

The first volume of Fantagraphics projected reprinting of the complete Disney comics of Carl Barks is out and it is excellent. The volumes are to be in chronological order by volume although the stories are not arranged chronologically within the volume--a very minor problem. "Lost in the Andes" is perhaps Barks' best known story, also one of his best, and far superior to "The Golden Christmas Tree" which is the first long story by chronology. So placing it first makes a lot of sense. Every page, gag, and cover that should be in this volume chronologically is here. The long stories lead off the volume and are followed by the short stories. The short stories are actually reprinted in chronological order of Barks submission dates except for "Toyland", which should follow the radio quiz show story instead of preceding it, again, a very minor criticism.

The printing is excellent. The art size is about 98% of the size the comics were published back in 1949, and a little larger than the size in modern Disney comics. You won't notice the difference unless you lay down an original comic book page next to the reprint. The height is less than an eighth of an inch shorter in the book than in the old comics. Contrast this with Archive Editions, which typically reprint old comics about 83% of original size and it is obvious to the eye that they are much smaller. The coloring is very close to the original comic book coloring, except the yellow is a bit brighter and more gold. But it is clearly an attempt to reproduce with honor the look and coloring with which the comics were originally published. It is arguably better since the registration is generally much better than in the old comics.

With one exception, the stories appear to be printed here exactly as originally published over 60 years ago (although I have not compared all the short stories to the original comic books). The exception is "Race to the South Seas". Apparently the negatives for "Race to the South Seas" and "Darkest Africa" (to be reprinted in a future volume) were lost or are unavailable. When these two stories were reprinted in Europe in the 1980s, they were published from redrawn versions by Daan Jippes, apparently re-inked over blowups of the original comic book printings. "Race to the South Seas" is very good (to be expected from Jippes) but there are subtle differences in details throughout the story as well as less subtle differences in the drawings of the South Seas islanders. When Another Rainbow published the Carl Barks Library 25 years ago, it used the redrawn versions of these two stories. The notes at the end of the book notwithstanding, Fantagraphics used the exact same "Dutch Version" drawings that Another Rainbow did two decades ago. Comparing the Fantagraphics book with the Another Rainbow book clearly shows the drawings are the same. Comparing either with the original March of Comics giveaway clearly shows that it is different from both the reprints. Perhaps their intent was to not use the "Dutch Version" of the story, but that IS what they printed. Perhaps they can use modern scanning techniques to restore the original version of "Darkest Africa" before they reprint it. Otherwise the Barks content of this volume is almost perfect in every way. My commendations to Fantagraphics.

The notes and commentary, especially that of Don Ault, are excellent. Young kids will probably skip over the text, but adults will find reading it rewarding. Even long time Barks fans and scholars--I count myself in that number--are likely to find new and interesting facts and insights.

Small things I would like to see in future volumes: Covers and gag pages reprinted with the stories they were originally published with instead of isolated at the back of the book. A table of contents at the beginning of the book.

You can stop waiting. Buy this book. Buy future volumes. It really is Barks done right. The Another Rainbow books were done by fans for fans. They attempted to get it right and did a phenomenal job under trying conditions set by Disney. They made it possible for this and other later editions to happen at all. The Fantagraphics edition is clearly done with the mass market in mind, and it should succeed there, but it can also be appreciated even more by the connoisseurs.

CORRECTION: "Darkest Africa" was not re-inked by Daan Jippes, but by Dick Vlottes. Apparently the version of "Race to the South Seas" in this book is a composite or Barks and Jippes versions. If the book gets a second printing, they intend to use the Barks version, which, unfortunately, was not yet available at press time (and may not be even now).

What makes this Fantagraphics volume so impressive?
1. It is comic book size, not an oversized art book. It is easy to read and to hold. Comic book reprints, as opposed to strips, ought to be printed in the same size as the original comics, regardless of how large the artist drew them.
2. No garish colors or airbrush effects, so that Bark's line can be appreciated for what it is. I was a little bothered by the consistent gold color that stands in for yellow in this book, but I'll get used to it. All the art has been newly colored and the designers have taken great pains to insure that these stories are as close to the originals as possible, so I'll forgive them this one change. On the plus side, all the colors are in register, something that was spotty in the Dell originals.
3. Non-coated paper.
4. Not in chronological order. There's no need for this. Although Barks' style varied with the years, due not only to his own development, but to changing formats from the publisher, all his stories stand alone. It's not necessary to read "Christmas on Bear Mountain" (Uncle Scrooge's first appearance) before reading a later Scrooge story. This edition offers a wide range of his best stuff.

There are some comics where I admire the art more than the text, but Carl Barks was such a great storyteller, it's impossible to look at the art without reading the words. That's why Barks is Barks.