- Taschenbuch: 591 Seiten
- Verlag: Abacus; Auflage: New edition (5. April 2001)
- Sprache: Englisch
- ISBN-10: 0349114528
- ISBN-13: 978-0349114521
- Größe und/oder Gewicht: 12,5 x 19,7 x 4 cm
- Amazon Bestseller-Rang: Nr. 398.517 in Englische Bücher (Siehe Top 100 in Englische Bücher)
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From Publishers Weekly
Poor comic dramatist Eupolis has promised the god Dionysus that he'll look after his arch-rival and fellow soldier, the playwright Aristophanes. As they embark on the invasion of Sicily, the Peloponnesian War turns into a "fever-stricken slaughterhouse"; upon returning to his native Athens, Eupolis is falsely accused of treason and blasphemy. The Fates are perverse and the gods reckless in this wonderfully down-to-earth re-creation of Greece in the fifth century B.C., a sequel to Goatsong. With irreverent wit and hindsight, Holt takes the classical world off its pedestal, revealing the Greek psyche to be an amalgam of logic and irrationality, passion and superstition, and fear. Eupolis, sane and cynical, consults with Socrates; bickers with his wife, Phaedra; and plans his own legal defense while a vulnerable, corrupt democracy ineluctably slides toward oligarchy. In this dark "autobiography," readers are reminded that eternal vigilance is the price of freedom.
Copyright 1991 Reed Business Information, Inc. -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
Copyright 1991 Reed Business Information, Inc. -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
From Kirkus Reviews
In a sequel to Goatsong, the continuing history of Golden Age Athens from the point of view of a comic playwright who survives the Great Peloponnesian War--a free-floating romp that makes a hash out of classical Greece. Holt, who's made a career with this sort of thing (Expecting Someone Taller is a comic variation on Wagner's Ring Cycle; Who's Afraid of Beowulf? deals with Norse sagas) scores again. Eupolis, in his early 20s, is married to Phaedra, beautiful and faithless, and is in rivalry (for his woman as well as for the comic crown) with Aristophanes. Here, Athens is about to go to war with Sicily, but the preparations for the voyage are ominous--among other things, vandals destroy street statues--and the campaign is a comedy of errors. The Athenians are slaughtered, but Eupolis muddles through. Along the way, he converses with ghosts and also with the god Dionysus, who tells him to protect Aristophanes. Eupolis and Aristophanes then stumble through enemy territory in a slapstick variation of a Laurel and Hardy routine--reciting fabricated Euripides and doing stand-up comedy. When they finally hitch a ride home on a cargo ship, Eupolis is tried for treason- -accused of having had a hand in the prewar vandalism. Under sentence of death, he defends himself eloquently after a talk with Socrates, among others. His acid speech in his own defense attacks the fickle masses and the new oligarchy, and he's found guilty by one vote. He proceeds to write a play that wins the Festival and makes him a hero, though Phaedra, with whom he's had an armed truce, takes sick and dies. The prose is sprightly, the satire loose-jointed and entertaining (but at times also pointed), and the history skewed enough to give the whole thing a juicy, authentic feel. Holt has obviously found his niche. -- Copyright ©1991, Kirkus Associates, LP. All rights reserved.
-- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
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