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Produktinformation
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Produktbeschreibungen
Kurzbeschreibung
Ein Werk von faszinierender Vielfalt. (Applaus)
Unbedingt hörenswert! (Madame)
Ingo Metzmacher zeichnet die Partitur wie mit einer feinen Nadel nach. Kupferstichartig legt er die feinsten Schichten offen, die diese Partitur zum Glühen bringen. (Der Opernfreund)
Gemeinsam mit dem bestens aufgelegten Rundfunkchor samt Deutschem Symphonie-Orchester liefert er (Metzmacher) einen bestechenden Beweis für die musikalische Qualität der "Romantischen Kantate (Fono Forum)
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Format:Audio CD
I am wondering if this is Pfitzner's best work. It is a magnificent, substancial and highly effective work of considerable interest that shows remarkable assurance in conveying transitions from one mood to another, moving back and forth between pools of grief to resolution, reflection, humour and joy. It is in two long tableaux consisting of settings of short texts by Eichendorf. The wide range of moods greatly helps the structure of the work.
The instrumental writing is also varied and imaginative. There are extended orchestral interludes such as the near atonal Death the Postillion and the dreamlike section for two harps and horn entitled Night. The work also makes stylistic reference to other composers, especially Bach, Mendelsohn, Brahms, Bruckner, Debussy, Delius, early Schoenberg as well as to German folk idioms but it is done in a way that is not hostile to other cultures. Despite so many sylistic allusions, the work comes over as well wrought and original. It is a heartfelt cantata in response to the First World War.
Many of the recordings of this work date from the 1950s but one really needs to hear all of Pfitzners outstanding orchestration, so a modern recording such as this is the one to start with. This is a re-issue of the recording that was on Phoenix Edition. It is a cracking performance and is exceptionally good. Highly recommended. There is also a fine performance conducted by Martin Sieghert and Vienna forces.
The instrumental writing is also varied and imaginative. There are extended orchestral interludes such as the near atonal Death the Postillion and the dreamlike section for two harps and horn entitled Night. The work also makes stylistic reference to other composers, especially Bach, Mendelsohn, Brahms, Bruckner, Debussy, Delius, early Schoenberg as well as to German folk idioms but it is done in a way that is not hostile to other cultures. Despite so many sylistic allusions, the work comes over as well wrought and original. It is a heartfelt cantata in response to the First World War.
Many of the recordings of this work date from the 1950s but one really needs to hear all of Pfitzners outstanding orchestration, so a modern recording such as this is the one to start with. This is a re-issue of the recording that was on Phoenix Edition. It is a cracking performance and is exceptionally good. Highly recommended. There is also a fine performance conducted by Martin Sieghert and Vienna forces.
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