As a child, Maurits Cornelis Escher fitted together irregular pieces of cheese in his sandwiches so that they would completely fill the space between the slices of bread. From the very beginnings of his career as an artist, in 1921, he devised ways of interlocking images so as to leave no empty space, and then of making these images repeat infinitely in increasingly complex ways. Professor Schattschneider's magnificently illustrated volume analyses this critical aspect of Escher's work, focussing on a series of 137 symmetry drawings and watercolors created from 1926 to 1971, which the artist kept in five folders throughout his lifetime and which he used as references for his continuing work on the regular division of the plane. Included are analogies from each of these works (which now sell for tens and hundreds of thousands of dollars each) to his original prints and projects. As owner of and dealer in the main body of Escher's original prints, drawings and watercolors, which were previously on loan to the Hague Museum, I make extensive use of this book and commend it to all. Some of the text is written for the layman; other portions of the writing are technical and will be of interest to mathematicians and crystallographers. In addition, the quantity and quality of the full-page color illustrations, few of which are to be found in any other publication in print, contribute to making this book, which serves as a catalogue raisonné of the symmetry drawings and watercolors, eminently collectable.
The other key books on Escher are M.C. ESCHER: HIS LIFE AND COMPLETE GRAPHIC WORK; THE MAGIC MIRROR OF M.C. ESCHER; THE GRAPHIC WORK OF M.C. ESCHER; and ESCHER ON ESCHER. Persons technically inclined may also be interested in ART AND SCIENCE, which constitutes the proceedings of the 1985 Escher conference in Rome.