Anyone who has seen Vivienne Russell's book on Monet's Garden knows that this photographer is capable of capturing the spirit of a garden - the way it looks and feels. She has an eye for light, detail, nuance, composition. So when I ordered this book, I was expecting to be equally wowed. But I wasn't.
Much of this is because Monet's Garden at Giverny is in a class by itself. It is, perhaps, less a garden than a living, breathing three dimensional piece of art. I know as a photographer that when I photograph a garden, it is usually the case that I must move through the garden judiciously and figure out exactly where to stand and what to look at if I am to capture it at its best. But at Giverney the opposite is true. Stand in any spot and look in any direction and you will find a perfect shot. This explains much of the gap.
Yet I know the discrepancy is more than this, because one can find photos with noticable photographic flaws in this book - mostly blown highlights. So part of the blame lies in the photography. That said, the photos are generally first rate and they are blown up large and reproduced well, all this giving us a better view of rose garden vistas than we can get anywhere else.
In delivering these vistas it fills a niche that few books attempt. And it does so very well. It describes how to build gardens with roses; how to use them in all sorts of ways other than lining them up like so many wooden soldiers on a review field.
In some ways I prefer Tony Lord's Designing with Roses. It is more about the language of design expressed in rose language. And its photos are more colorful. But to see real gardens and to hear them being discussed by their owners and one of the best rose authorities writing today is a great and rare asset. There is no other book that tries to do this. And this one does it very well.