Pressestimmen
'Verdi and the Germans boldly explores new directions in the study of nationalism and music. Instead of focusing on the 'German-ness' of German composers, as has been done thus far, it looks at how Germans reacted to the most prominent non-German composer of the nineteenth century, Giuseppe Verdi. This long and fascinating story, told by Gundula Kreuzer with immense erudition and sharp insight, is well worth reading not only for musicologists, but also for cultural and social historians, as well as anybody interested in the tentacular hold of nationalism over minds, hearts and ears.' Emanuele Senici, University of Rome
'Gundula Kreuzer has addressed a theme of capital importance in this book: the role of foreign cultures in creating a nation's self image. She could hardly have chosen a more appropriate reception study to interrogate this theme. In the course of her absorbing, and engagingly written, book she sheds light on Verdi and on German culture alike, and with an historical sweep which takes us to the Third Reich and beyond. Based on a careful trawl of journals and newspapers (the weight of research collapsed into her footnotes is truly impressive), Verdi and the Germans is scholarship of the very highest quality.' Jim Samson, Royal Holloway, University of London
'Draws upon a wide and impressive range of documentary sources.' Opera
'Kreuzer shows a courageous willingness to confront some uncomfortable truths. Her engrossing book is a vivid illustration of how music can be used in the service of politics and a warning that we ignore the significance of the arts at our peril.' Music and Letters
Über das Produkt
Drawing on an exceptionally broad range of sources, in this 2010 book Kreuzer explores how Italian opera, epitomised by Giuseppe Verdi, influenced ideas of German musical and national identity from the mid nineteenth century onwards. The book discusses the changing image of Verdi and the transnational dissemination, reception and political appropriation of his works.
