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Vaughan Williams
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From Library Journal
Along with his friend Gustav Holst, Ralph Vaughan Williams led a 20th-century musical renaissance in England by rejecting continental influences in favor of native folksongs. Critics have often dismissed him as a conservative, "pastoral" composer, but in this compelling portrait by British political columnist Heffer, Vaughan Williams emerges as far more complex a kind of dogged genius, or "the right man in the right place at the right time," in his own words. A late bloomer, Vaughan Williams studied with Ravel in order to overcome a certain orchestral stodginess, and, in fact, his technique didn't find secure ground until he was well into his forties. By no means satisfied merely to repeat his past successes, Vaughan Williams challenged himself and his audiences with occasionally discomfiting music. Now over 40 years since his death, his nine symphonies and numerous choral works have found a cherished place in the hearts of his countrymen, and his works have been often performed and recorded by American orchestras as well. Heffer divides his slender text into eight chronological chapters, and his writing, though not at all technical, will engage both novice and cognoscenti. The lack of a complete works list makes the book less than an ideal reference source, and the selective discography is inadequate. Still, it is an excellent and approachable introduction to the admirable life and often remarkable works of this important 20th-century composer. Larry Lipkis, Moravian Coll., Bethlehem, PA
Copyright 2001 Reed Business Information, Inc.
Copyright 2001 Reed Business Information, Inc.
Kurzbeschreibung
A biography of English composer Vaughan Williams. "Informed by a sincere love for the music" }The Times{.
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true to oneself
12. April 2005
Format:Gebundene Ausgabe
In one of his last utterances, shortly before his death, Vaughan Williams said: "Modernism and conservatism are irrelevant. What matters it to be true to oneself." Simon Heffer's accomplished 150page biography of Vaughan Williams ably proves the verity of the great composer's personal creed with distinctive prose that luckily also includes a skilled overview (and some cherished details) of his musical works.
Heffer secures the essential threads between VW's family (his father, at his son's birth, was the Vicar of Down Ampney and his mother was a Wedgewood, and neice of Charles Darwin) and his lifelong output of quintessentially English music. The author wisely allows this bucolic picture of gentle privilege to continuously and subtly inform the dialogue of Vaughan Williams' life and work, gradually creating a full look on firm ground of a thoroughly cosmopolitan composer.
The discussions of VW's compositions are exceptionally competent and always evocative. Heffer' reach is impressive - from VW's undramatic beginnings as a composer, his constant affection for and lavish attention to the English hymn tune, his musical study with Ravel and its effect on his work, through to the daring influence of blues and jazz found in his symphonies, notably the use of vibraphones that inform the beguiling Eighth.
This book is a great deal like VW's music itself - profound and gentle, inspiring and intimate. Recommended over other more lengthy biographies of VW, length not always equalling depth of treatment in these matters. In this important little book, the two aspects combine in perfect conformity to the living testament that is VW's music itself. This book is a full, revealing look at a composer who spent his creative life conjuring manifold beauty and nurturing his unique gifts with the uncommon genius of steady, humane purpose. The appendix of select discography with incisive commentary is also useful especially for those not that familiar with VW's music.
Heffer secures the essential threads between VW's family (his father, at his son's birth, was the Vicar of Down Ampney and his mother was a Wedgewood, and neice of Charles Darwin) and his lifelong output of quintessentially English music. The author wisely allows this bucolic picture of gentle privilege to continuously and subtly inform the dialogue of Vaughan Williams' life and work, gradually creating a full look on firm ground of a thoroughly cosmopolitan composer.
The discussions of VW's compositions are exceptionally competent and always evocative. Heffer' reach is impressive - from VW's undramatic beginnings as a composer, his constant affection for and lavish attention to the English hymn tune, his musical study with Ravel and its effect on his work, through to the daring influence of blues and jazz found in his symphonies, notably the use of vibraphones that inform the beguiling Eighth.
This book is a great deal like VW's music itself - profound and gentle, inspiring and intimate. Recommended over other more lengthy biographies of VW, length not always equalling depth of treatment in these matters. In this important little book, the two aspects combine in perfect conformity to the living testament that is VW's music itself. This book is a full, revealing look at a composer who spent his creative life conjuring manifold beauty and nurturing his unique gifts with the uncommon genius of steady, humane purpose. The appendix of select discography with incisive commentary is also useful especially for those not that familiar with VW's music.
2 von 2 Kunden fanden die folgende Rezension hilfreich
Nothing that you can't find anywhere else.
5. Mai 2010
Format:Gebundene Ausgabe
If you've already read Michael Kennedy's Life and Works of Ralph Vaughan Williams or Ursula Vaughan Williams's R.V.W., you can skip this. It is little more than an expanded encyclopedia entry and the stuff that isn't is problematic. Heffer's an enthusiastic amateur, with either little or no musical training. That may even count as an advantage in a work for the general reader. However, it gets him in trouble when he renders critical judgments, which tend to sound like he's gotten them from others' reviews. He certainly doesn't build much of a case in support. An ordinary book about an extraordinary composer.
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