Vanish: A Rizzoli & Isles Novel (Rizzoli & Isles Novels) [Englisch] [Taschenbuch]

Tess Gerritsen’s Vanish sports precisely those qualities that her much-acclaimed Body Double had in profusion: razor-sharp plotting, tight and economical characterisation and (most of all) the inexorable capture of the reader’s attention as her grim plot disturbingly unfolds.

Of course, none of this will come as a surprise to long-term Gerritsen fans (an ever-growing legion)--The Surgeon rang some fascinating changes on the serial killer theme, with a threat from the grave terrifying a doctor, and )--The Apprentice, with its killer utilising medical acumen, took no prisoners. But Body Double was the ace in the hole, with resourceful cop Jane Rizzoli tracking down the murderer of her doppelganger. Jane Rizzoli, readers will be glad to hear, is back in Vanish.

Medical examiner Maura Isles is looking at another body in a slab. Not a new experience for her, but she’s in for another shock when the body opens its eyes and proves to be alive. And violence swiftly follows, as the mystery woman--strikingly beautiful--kills a security guard in the hospital she’s taken to, before capturing a group of hostages. One of them is a pregnant woman--Detective Jane Rizzoli, no less. And if Jane can find out what this lethal abductor wants, she may be able to save her own life--and those of the other hostages. But the clock is ticking.

One might argue that Gerritsen has played safe with this scenario in terms of ratcheting up the tension. After all, a hostage situation is always surefire, with its constant threat of impending violence. But the author (as ever) studiously avoid clichés, and ensures a palm-sweating experience for the reader. A good notion, too, to make Jane Rizzoli more vulnerable in this outing.

--Barry Forshaw -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.

Dr. Maura Isles has barely had time to recover from the startling revelations about her family in ody Double (2004) when she discovers one of the corpses in her morgue is very much alive. The young woman is rushed off to the hospital, where the doctors are able to save her life. Maura pays the young woman a visit only to witness the woman grab a security guard's gun, shoot the man, and take Maura hostage. Maura manages to escape, and the woman flees into the bowels of the hospital, where she takes six other people hostage, including Detective Jane Rizzoli, who is about to give birth. The woman refuses to communicate with the police, but she manages to get a signal out through a local radio station to a man who slips past the police barricade to join her in the hospital. Jane's husband, FBI agent Gabriel Dean, becomes very suspicious when the situation attracts the attention of the highest levels of government. Hoping to save his wife, Gabriel begins his own investigation and is startled when he uncovers a shocking conspiracy. Drawing on current events, Gerritsen's latest novel is a tense, taut thriller that grabs readers from the get-go and never lets up. Kristine Huntley
Copyright © American Library Association. All rights reserved -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.

Praise for Body Double

“NEVER FAILS TO DELIVER CHILLING SUSPENSE . . .
leaves the reader breathless.”
–The Philadelphia Inquirer

“IT’S SCARY JUST HOW GOOD TESS GERRITSEN IS–this is crime writing at its unputdownable, nerve-tingling best.”
–HARLAN COBEN

“THE STORY ZIPS ALONG. . . . A DELIGHTFULLY BIZARRO PLOT TWIST.”
–Entertainment Weekly


From the Hardcover edition.

A blessed event becomes a nightmare for pregnant homicide detective Jane Rizzoli when she finds herself on the wrong side of a hostage crisis in this timely and relentless new thriller from the New York Times bestselling author of Body Double.

A nameless, beautiful woman appears to be just another corpse in the morgue. An apparent suicide, she lies on a gurney, awaiting the dissecting scalpel of medical examiner Maura Isles. But when Maura unzips the body bag and looks down at the body, she gets the fright of her life. The corpse opens its eyes.

Very much alive, the woman is rushed to the hospital, where with shockingly cool precision, she murders a security guard and seizes hostages . . . one of them a pregnant patient, Jane Rizzoli.

Who is this violent, desperate soul, and what does she want? As the tense hours tick by, Maura joins forces with Jane’s husband, FBI agent Gabriel Dean, to track down the mysterious killer’s identity. When federal agents suddenly appear on the scene, Maura and Gabriel realize that they are dealing with a case that goes far deeper than just an ordinary hostage crisis.

Only Jane, trapped with the armed madwoman, holds the key to the mystery. And only she can solve it–if she survives the night.


From the Hardcover edition.

TESS GERRITSEN left a successful practice as an internist to raise her children and concentrate on her writing. She gained nationwide acclaim for her first novel of medical suspense, the New York Times bestseller Harvest. She is also the author of the bestsellers Life Support, Bloodstream, and Gravity, as well as The Surgeon, The Apprentice, The Sinner, and Body Double. Tess Gerritsen lives in Maine. Visit her website at www.tessgerritsen.com.


From the Hardcover edition.

Dr. Maura Isles had not smelled fresh air all day. Since seven that morning she had been inhaling the scent of death, an aroma so familiar to her that she did not recoil as her knife sliced cold skin, as foul odors wafted up from exposed organs. The police officers who occasionally stood in the room to observe postmortems were not so stoic. Sometimes Maura caught a whiff of the Vicks ointment that they dabbed in their nostrils to mask the stench. Sometimes even Vicks was not enough, and she’d see them suddenly go wobbly and turn away, to gag over the sink. Cops were not accustomed, as she was, to the astringent bite of formalin, the sulfurous aroma of decaying membranes.

Today, there was an incongruous note of sweetness added to that bouquet of odors: the scent of coconut oil, emanating from the skin of Mrs. Gloria Leder, who now lay on the autopsy table. She was fifty years old, a divorcee with broad hips and heavy breasts and toenails painted a brilliant pink. Deep tan lines marked the edges of the bathing suit she had been wearing when she was found dead beside her apartment swimming pool. It had been a bikini—not the most flattering choice for a body sagging with middle age. When was the last time I had the chance to put on my bathing suit? Maura thought, and she felt an absurd flash of envy for Mrs. Gloria Leder, who’d spent the last moments of her life enjoying this summer day. It was almost August, and Maura had not yet visited the beach or sat by a swimming pool or even sunbathed in her own backyard.

“Rum and Coke,” said the young cop standing at the foot of the table. “I think that’s what she had in her glass. It was sitting next to her patio chair.”

This was the first time Maura had seen Officer Buchanan in her morgue. He made her nervous, the way he kept fussing with his paper mask and shifting from foot to foot. The boy looked way too young to be a cop. They were all starting to look too young.

“Did you retain the contents of that glass?” she asked Officer Buchanan.

“Uh . . . no, ma’am. I took a good whiff. She was definitely drinking a rum and Coke.”

“At nine A.M.?” Maura looked across the table at her assistant, Yoshima. As usual, he was silent, but she saw one dark eyebrow tilt up, as eloquent a comment as she would get from Yoshima.

“She didn’t get down too much of it,” said Officer Buchanan.

“The glass was still pretty full.”

“Okay,” said Maura. “Let’s take a look at her back.”

Together, she and Yoshima log-rolled the corpse onto its side.

“There’s a tattoo here on the hip,” noted Maura. “Little blue butterfly.”

“Geez,” said Buchanan. “A woman her age?”

Maura glanced up. “You think fifty’s ancient, do you?”

“I mean—well, that’s my mom’s age.”

Careful, boy. I’m only ten years younger.

She picked up the knife and began to cut. This was her fifth postmortem of the day, and she made swift work of it. With Dr. Costas on vacation, and a multivehicle accident the night before, the cold room had been crammed with body bags that morning. Even as she’d worked her way through the backlog, two more bodies had been delivered to the refrigerator. Those would have to wait until tomorrow. The morgue’s clerical staff had already left for the evening, and Yoshima kept looking at the clock, obviously anxious to be on his way home.

She incised skin, gutted the thorax and abdomen. Removed dripping organs and placed them on the cutting board to be sectioned. Little by little, Gloria Leder revealed her secrets: a fatty liver, the telltale sign of a few too many rums and Cokes. A uterus knobby with fibroids.

And finally, when they opened the cranium, the reason for her death. Maura saw it as she lifted the brain in her gloved hands. “Subarachnoid hemorrhage,” she said, and glanced up at Buchanan. He was looking far paler than when he had first walked into the room. “This woman probably had a berry aneurysm—a weak spot in one of the arteries at the base of the brain. Hypertension would have exacerbated it.”

Buchanan swallowed, his gaze focused on the flap of loose skin that had been Gloria Leder’s scalp, now peeled forward over the face. That’s the part that usually horrified them, the point at which so many of them winced or turned away—when the face collapses like a tired rubber mask.

“So . . . you’re saying it’s a natural death?” he asked softly.

“Correct. There’s nothing more you need to see here.”

The young man was already stripping off his gown as he retreated from the table. “I think I need some fresh air . . .”

So do I, thought Maura. It’s a summer night, my garden needs watering, and I have not been outside all day.

But an hour later she was still in the building, sitting at her desk reviewing lab slips and dictated reports. Though she had changed out of her scrub suit, the smell of the morgue still seemed to cling to her, a scent that no amount of soap and water could eradicate, because the memory itself was what lingered. She picked up the Dictaphone and began to record her report on Gloria Leder.

“Fifty-year-old white woman found slumped in a patio chair near her apartment swimming pool. She is a well-developed, wellnourished woman with no visible trauma. External exam reveals an old surgical scar on her abdomen, probably from an appendectomy. There is a small tattoo of a butterfly on her . . .” She paused, picturing the tattoo. Was it on the left or the right hip? God, I’m so tired, she thought. I can’t remember. What a trivial detail. It made no difference to her conclusions, but she hated being inaccurate.

She rose from her chair and walked the deserted hallway to the stairwell, where her footfalls echoed on concrete steps. Pushing into the lab, she turned on the lights and saw that Yoshima had left the room in pristine condition as usual, the tables wiped down and gleaming, the floors mopped clean. She crossed to the cold room and pulled open the heavy locker door. Wisps of cold mist curled out. She took in a reflexive breath of air, as though about to plunge into foul water, and stepped into the locker.

Eight gurneys were occupied; most were awaiting pickup by funeral homes. Moving down the row, she checked the tags until she found Gloria Leder’s. She unzipped the bag, slipped her hands under the corpse’s buttocks and rolled her sideways just far enough to catch a glimpse of the tattoo.

It was on the left hip.

She closed the bag again and was just about to swing the door shut when she froze. Turning, she stared into the cold room.

Did I just hear something?

The fan came on, blowing icy air from the vents. Yes, that’s all it was, she thought. The fan. Or the refrigerator compressor. Or water cycling in the pipes. It was time to go home. She was so tired, she was starting to imagine things.

Again she turned to leave.

Again she froze. Turning, she stared at the row of body bags. Her heart was thumping so hard now, all she could hear was the beat of her own pulse.

Something moved in here. I’m sure of it.

She unzipped the first bag and stared down at a man whose chest had been sutured closed. Already autopsied, she thought. Definitely dead.

Which one? Which one made the noise?

She yanked open the next bag, and confronted a bruised face, a shattered skull. Dead.

With shaking hands she unzipped the third bag. The plastic...