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Kurzbeschreibung
"Here the modern detective story begins to come to its own; and all the historical importance aside, it remains an absorbing and charming story today."
Über den Autor
Dorothy L. Sayers is recognized as one of the greatest mystery writers of the 20th century. In 1923, Whose Body?, her first book, featuring the aristocratic amateur sleuth, Lord Peter Wimsey, was published, and over the next 20 years more novels and short stories appeared. All 15 of Sayers' mysteries are available from HarperPaperbacks.
Now there is a new Dorothy L. Sayers novel. A long-lost partial manuscript titled Thrones, Dominions was discovered last year, and acclaimed mystery writer Jill Paton Walsh has completed it. St. Martin's Press will publish this book in February. This is a signal publishing event, and HarperCollins congratulates St. Martin's Press.
We are sure that Thrones, Dominions will delight Sayers' fans and find new ones for her, and in the process whet appetites for Sayers' other mysteries. A list of these books is attached. In the words of Dorothy L. Sayers herself, "Murder must advertise." So, in addition to an announcement about Thrones, Dominions in a recent issue of Publisher's Weekly, the next edition of the HarperCollins mystery newsletter, Deadline, will include a piece on the Sayers books, as will St. Martin's Press' newsletter, Murder at the Flatiron Building. HarperCollins will also feature information about the Sayers' backlist on its web page.
Dorothy L. Sayers died in 1957, but her books continue to enthrall readers today. Please help us celebrate the doyenne of the Golden Age of the Mystery, Dorothy L. Sayers.
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But if he thought the woman was being murdered-" "My dear charles," said the young man with the monocle, "it doesn't do for people, especially doctors, to go about 'thinking' things. Lesen Sie die erste Seite
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Wimsey is an old Etonian, Balliol Oxford (of course), served with distinction in His Majesty's forces during the War (this book having been written in 1927, I shall leave it to your good services to deduce which War), who resides both town and country somewhat fashionably, and takes great pride in the ancient family history (by the time one gets to be the fifteenth Duke of anything, the family can be easily considered ancient). Wimsey has a vocation as criminologist, not out of necessity, surely, and not by training either (for such training did not formally exist, but, as an Oxford Arts man, he was trained for most anything intellectual, or at least, that is what an Oxford Arts man would tell you). An interesting addition to the beginning of the book is a short biographical sketch of the fictional Wimsey by his equally-fictional uncle.
All of this, of course, is but preamble to the latest mystery to come calling upon Lord Wimsey. There are the requisite features: a dead woman, Agatha Dawson, wealthy and having left a will that might not be a will, but rather a sham (a delirious woman whose nurse insists that there was no possible way of having made a will during the last month, yet oddly there is a document, complete with a witness who claims that dear old Agatha Dawson wanted nothing to do with the signing -- ah, the plot thickens here).
Of course, to most of the world, Wimsey is, well, following a whimsey of his own. The woman was after all elderly and in poor health; surely his investigations are misplaced. The doctor (not the one who tended Miss Dawson's death, to be sure, but an earlier doctor, suspicious of Dawson's sole heir, her niece) was accused of having blackened the name of Miss Whittaker, the niece, unnecessarily, particularly as no evidence of mischief had been uncovered. Wimsey with the assistance of Inspector Parker are able to rectify the situation vis-a-vis the doctor, but there is still the mystery.
Then, more death. This time the maid. To lose one woman may be regarded as a misfortune; to lose two women... (well, you can fill in the rest yourself).
Of course I won't spoil it for you; perhaps my tag-team reviewers will do that for you, but I sincerely hope not. Suffice it to say, Wimsey proves himself a consummate actor in which the truth comes out (in London, and in style!).
One of the glories of Sayers work is the intricacies of her plots. She tends to get a huge number of people involved (the number of people who seemed to have trouped through the ill woman's bedchamber is in itself surprising, given the era) each with subplots and agenda that nonetheless get neatly resolved in the end. Sayers' development of character (even of the already dead ones!) is done with style and subtlety; while Wimsey is developed over several novels, one doesn't feel him a stranger by reading this one alone. The other characters fit their parts admirably (had Sayers not been a writer, she may well have made a good career as a casting director in Hollywood), in physical and personality attributes.
Her descriptions of the milieu, both in town (London) and in the country (the village and surroundings, in this case, of Hampshire, are interesting reading. Sayers is very much the cosmopolitan, and somewhat condescending toward the countryfolk. However, that is not a heavy element, and perhaps can be written off to her attempt to make Wimsey even more the worldly character he turns out to be over the course of her novels.
In all, an excellent read, a great diversion, and well worth musing over while sipping tea on a Regency-style sofa in one's dressing gown.
Dorothy Sayers had such a brilliant mind, to dream up this one. There is a brooding and tense atmosphere to this novel that is unrelenting and in every... Lesen Sie weiter...
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