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Twee: The Gentle Revolution in Music, Books, Television, Fashion, and Film

Twee: The Gentle Revolution in Music, Books, Television, Fashion, and Film [Kindle Edition]

Marc Spitz

Kindle-Preis: EUR 5,12 Inkl. MwSt. und kostenloser drahtloser Lieferung über Amazon Whispernet

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New York Times, Spin, and Vanity Fair contributor Marc Spitz explores the first great cultural movement since Hip Hop: an old-fashioned and yet highly modern aesthetic that’s embraced internationally by teens, twenty and thirty-somethings and even some Baby Boomers; creating hybrid generation known as Twee. Via exclusive interviews and years of research, Spitz traces Generation Twee’s roots from the Post War 50s to its dominance in popular culture today.

Vampire Weekend, Garden State, Miranda July, Belle and Sebastian, Wes Anderson, Mumblecore, McSweeney’s, Morrissey, beards, artisanal pickles, food trucks, crocheted owls on Etsy, ukuleles, kittens and Zooey Deschanel—all are examples of a cultural aesthetic of calculated precocity known as Twee.

In Twee, journalist and cultural observer Marc Spitz surveys the rising Twee movement in music, art, film, fashion, food and politics and examines the cross-pollinated generation that embodies it—from aging hipsters to nerd girls, indie snobs to idealistic industrialists. Spitz outlines the history of twee—the first strong, diverse, and wildly influential youth movement since Punk in the ’70s and Hip Hop in the ’80s—showing how awkward glamour and fierce independence has become part of the zeitgeist.

Focusing on its origins and hallmarks, he charts the rise of this trend from its forefathers like Disney, Salinger, Plath, Seuss, Sendak, Blume and Jonathan Richman to its underground roots in the post-punk United Kingdom, through the late’80s and early ’90s of K Records, Whit Stillman, Nirvana, Wes Anderson, Pitchfork, This American Life, and Belle and Sebastian, to the current (and sometimes polarizing) appeal of Girls, Arcade Fire, Rookie magazine, and

Revealing a movement defined by passionate fandom, bespoke tastes, a rebellious lack of irony or swagger, the championing of the underdog, and the vanquishing of bullies, Spitz uncovers the secrets of modern youth culture: how Twee became pervasive, why it has so many haters and where, in a post-Portlandia world, can it go from here?


  • Format: Kindle Edition
  • Dateigröße: 576 KB
  • Seitenzahl der Print-Ausgabe: 355 Seiten
  • ISBN-Quelle für Seitenzahl: 0062213040
  • Verlag: It Books (3. Juni 2014)
  • Verkauf durch: Amazon Media EU S.à r.l.
  • Sprache: Englisch
  • ASIN: B00FJ330KU
  • Text-to-Speech (Vorlesemodus): Aktiviert
  • X-Ray:
  • Amazon Bestseller-Rang: #336.624 Bezahlt in Kindle-Shop (Siehe Top 100 Bezahlt in Kindle-Shop)

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Die hilfreichsten Kundenrezensionen auf (beta) 3.7 von 5 Sternen  6 Rezensionen
4.0 von 5 Sternen Interesting, Engaging Book About an Under-Documented Phenomenon 6. August 2014
Von RocketRaccoon - Veröffentlicht auf
Format:Kindle Edition|Verifizierter Kauf
It's a wonderful little book about a cultural phenomenon that I was unaware of, but now totally convinced of. The book follows a narrative arc, documenting what Spitz calls a "canon" of Twee, i.e. the biggest forerunners and examples of the Twee aesthetic in film, television, literature, and perhaps above all, music. It was interesting to hear in-depth discussion about familiar names such as Wes Anderson, The Smiths, and Belle and Sebastian, and also interesting to find out about musicians, authors, and filmmakers whom I had never heard of; indeed, the book provides quite a reading/viewing/listening list (literally, at the back of the book).

I would have liked to see a little bit more departure from the narrative arc, to flesh out the concept of "Twee" a little bit more; how does it intersect with the concepts of indie and hipster? Are they synonymous? Does one concept encompass the others? Spitz also sometimes departs into heavy-handed social commentary, deriding Twee and its icons for being too explicitly white, upper-middle class. The ending of the book, however, praises Twee and, in a sort of guilty way, claims that it is the way of the future. One can tell that Spitz is a bit conflicted, but it would have been nice to see him flesh these ideas out more instead of just sticking to the narrative arc.

All in all, it's a very interesting read, especially for those who will get some of the pop-cultural references (and if you were aware of pop culture at any point since the '50s, you'll get some of them). If you are like me, it may also cause you to do some self-reflection and realize, "I think I might be Twee!" Definitely buy and read this book if you are interested in any aspect of pop-culture at all or in what your connection to broader culture is; it's fairly short, well-written, and above all, a fun read.
2 von 3 Kunden fanden die folgende Rezension hilfreich
3.0 von 5 Sternen Interesting, if not completely convincing, take on current culture. 6. Juni 2014
Von William Ashbless - Veröffentlicht auf
Format:Taschenbuch|Verifizierter Kauf
As we get older, we inevitiably lose touch with what's current. Certain cultural trends can seem opaque.

"Twee" helps. While I don't necessarity buy into the idea that all the elements presented are part of some overarching movement, I think the author is indeed onto something. However, there is just not enough connective tissue linking all of the subjects together. While the presentation of various trends was interesting and informative, the thesis of the book, that "twee" is a real movement linking all these things together, remains nebulous.

So, while I am not convinced that "twee" is anything more than a cultural vein that has always existed -- the "esthete" -- I appreciate the long seciton of the book discussing current interests. Actors, artists, bands, authors -- I am alwaya interested in learning about things that become part of the zeitgeist.

BTW, someone should put copies of The Kinks' albums "Face to Face" and "Something Else" in the author's hands. In his brief history of the modern "twee" esthetic's origins, he missed these.

In any case, I feel I have a bit more perspective on the younger generation's tastes and views.
5 von 8 Kunden fanden die folgende Rezension hilfreich
2.0 von 5 Sternen Meh 7. Juli 2014
Von MemeBag - Veröffentlicht auf
Format:Kindle Edition|Verifizierter Kauf
I started this book with only a vague notion of what 'twee' was. After finishing it I think the author has a similarly vague understanding of it. The early sections make sense, but when he gets to punk rock and grunge it all falls apart. Some of the things he classifies as twee make sense, but others just seem like subjects he wants to write about. He conflates a number of pop trends that are seen in Brooklyn, but I don't see how they can all be twee.

Most of the book is a list of what is twee and what isn't, with a little history and opinion mixed in. He wraps it up with the opinion that twee will make the world a 'softer' place, and he says that's a good thing. I think he needs to step back and get a little perspective. Soft is fun when you can afford it, but hard people will exploit soft people whenever they get the chance.
3 von 5 Kunden fanden die folgende Rezension hilfreich
4.0 von 5 Sternen Timely analysis, with a few gaps 9. Juni 2014
Von vladb - Veröffentlicht auf
Format:Kindle Edition|Verifizierter Kauf
I've been waiting for years for a book on the Twee phenomenon, so understandably I was quite excited about this. This book explores the meaning of Twee as the author sees it, and briefly introduces its icons. Of course, everyone has their own opinion on who should be included in the Twee pantheon. I thought that some of Marc's choices were spot-on, and others more questionable. "Maus" has anthropomorphic animals in suits, one of the Twee style landmarks, but to call the whole work Twee is a bit far fetched. On the other hand, Maureen Tucker and Edward Gorey are important early influences who are given their dues here.
My one peeve, though, is that the book doesn't go far enough in time in search of Twee roots. "Ferdinand the Bull" is a great place to start, but a late one. The Romantic period with its "Sorrows of Young Werther" and the Victorian era with its celebration of childhood as a distinct life phase, its proliferation of facial hair, its "put a bird on it" cluttered aesthetic, and its commercialization of old-timey music deserved a whole chapter, I think. Second edition, perhaps?
There are other omissions: in the 20th century, Winnie The Pooh (1926) is only mentioned once. Joseph Cornell's (the ultimate outsider artist) collages and boxes are less well known, but probably as influential as Gorey's art.
In any case, I'm grateful for "Twee's" release, a work on the subject was long overdue. Hopefully, others will follow.
4.0 von 5 Sternen Good Book 25. August 2014
Von Shoelover - Veröffentlicht auf
Format:Taschenbuch|Verifizierter Kauf
My son loved it it is a good book with a fresh and new look to the times we are living
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