- Taschenbuch: 324 Seiten
- Verlag: Harvest Books; Auflage: Reprint (Mai 1990)
- Sprache: Englisch
- ISBN-10: 0156913216
- ISBN-13: 978-0156913218
- Größe und/oder Gewicht: 20,4 x 13,7 x 1,9 cm
- Durchschnittliche Kundenbewertung: 4.7 von 5 Sternen Alle Rezensionen anzeigen (3 Kundenrezensionen)
- Amazon Bestseller-Rang: Nr. 265.859 in Englische Bücher (Siehe Top 100 in Englische Bücher)
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Produktbeschreibungen
From Library Journal
This smorgasbord of 26 pieces ultimately focuses on the boundaries of realism as exemplified by the"hyper reality" of American phenomena like the Madonna Inn, wax museums, San Simeon, theme parks, etc. Though his tone is witty, Eco's purpose remains that of the semiologist. He is concerned about "the systems of signs that we use to describe the world and tell it to one another," and aims both to expose the "messages" of political and economic power and of "the entertainment industry and the revolution industry" and to show us how to analyze and criticize them. Though these essays are generally entertaining, they lack the originality and punch of Barthes's Mythologies and seem unlikely to find the same popular success as Eco's own The Name of the Rose . Richard Kuczkowski, Dir., Continuing Education, Dominican Coll., Blauvelt, N.Y.
Copyright 1986 Reed Business Information, Inc. -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
Copyright 1986 Reed Business Information, Inc. -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
Kurzbeschreibung
Eco displays in these essays the same wit, learning, and lively intelligence that delighted readers of The Name of the Rose and Foucault s Pendulum. His range is wide, and his insights are acute, frequently ironic, and often downright funny. Translated by William Weaver. A Helen and Kurt Wolff Book
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Format:Taschenbuch
Two essays are gems. First, the comparison of California/Getty Museum (hyperreality) with New Orleans. Reference frame provided by the not-yet-dead-traditions of W. Europe. Second, and best (from a scientist's standpoint), is the essay on Tomasso, especially the ending.
Format:Taschenbuch
With the recent releases of "The Truman Show", "Ed TV" and the like, and Neal Gabler's "Life the Movie" book--and politics in the bedroom and vice-versa, it would not hurt one iota to read and reread semiotician Umberto Eco's "Tales in Hyperreality". Gabler nothwithstanding, there are very few of our thinkers who forcasted that everyday life was fodder for fiction--indeed we use fiction to escape everyday life--and that our fiction should be ultra-real, like The Star Wars/ Star Trek entertainment empires. Eco's background in semiotics perhaps may have made certain passages too heavy-handed for the average joe schmoe like me, but I figure that if I can do it, so can you (underlying what Eco is delineating, anyway, is how we millenium-bound inhabitants in the free capitalist world are so easily bored, and so lazy that we prefer the easy way to exciting entertainment--why, for example, would we go to the hassle of travelling to Washington, DC, to the White House, to see the Oval Office when there's a replica of one somewhere close?). Anyway, I read the book once with difficulty, then I began to get a clearer picture with subsesequent readings. There are hundreds of websites that address the Fantasy is Reality theme, but you know what? This is the work that the current post-modern, post-structuralist theory of the theme has been developed. Many of the websites have that "I am Nostrodamus" feel to them, if you know what I mean. Eco's style, however, is personable and witty, particulary in passages he reminesces about his hometown and some of the old traditions. Also, for those of you who ponder trying to flesh out a Madison Ave. photocopy, read this book. It will have you questioning things for years to come.
Format:Taschenbuch
Umberto Eco, profound social critic and novelist, does that voodoo that he does so well once again.
Don't let the title fool you. This is not the science fiction novel one might expect it to be. Rather, this collection of critical essays illucidates the theory underlying everyday life for us all.
Sometimes a touch on the scholarly side, in both language and focus. But I recommend wholeheartedly wading through the drier passages; I trust you'll find it's worth it
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