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Take the poster for "Corruption" (1968). The color art shows three corpses lying in a bedroom with smoke streaming in from the edges. Then there's the ad copy, scrawled in what looks like black and red crayon: "Corruption is not a woman's picture! Therefore: No Woman Will Be Admitted Alone To See This Super-Shock Film!!" It's sexism and violence all rolled into one, the epitome of trash marketing.
Of course the more blatant sexploitation came in the form of large-breasted she-killers. "Hustler Squad" (1976) certainly owed a debt to Russ Meyer. The poster shows a bevy of buxom, barely dressed women pumping lead into their male adversaries. "Professionals...You Pay For The Pleasure, The Killing Is Free!" reads the copy. Like the current movie marketing departments that quote "critics," trash posters had a real thing for exclamation points.
And no exploitation display would be complete without blaxploitation, the genre that helped lift Hollywood out of deep financial crisis in the early '70s. Blaxploitation was so big that it even crossed over to Mexico: The poster for "El Salvaje Negro" shows a black man dressed in black with an orange poncho, blasting a flame-thrower into the air as - guess who? - buxom beauties fire their machine guns in the background.
As offensive as y
While I love books such as "Immoral Tales" and such, sometimes I just want to look at the art of these one sheets for refrence -design ideas, painting styles, etc... and many books will have only a dozen or so nice color plates while the rest of the book is filled with the authors interpretations of the films.
Trash's focus is on the art and aside from an introduction, (where the author does explain why they chose not to airbrush out the flaws and creases of the posters in the book) there is nothing but photos.
For those who want in depth movie reviews and director profiles, there are several books and web pages out there, but for those of us who also admire the long lost poster ART, this book has fabulous images.
My one complaint is that instead of changing genres each chapter (horror, exploitation, sci fi, etc..) this book should have been a series of books, each catagory being a seperate volume! I hope they print a volume 2.
If you liked this book, check out "Blood and Black Lace" (might be out of print) which has is the definitive book on Italian Giallos, and has many color reproductions of the rare onesheets.
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