- Taschenbuch: 152 Seiten
- Verlag: Natl Galleries of Scotlan (1. August 2008)
- Sprache: Englisch
- ISBN-10: 1906270082
- ISBN-13: 978-1906270087
- Größe und/oder Gewicht: 26,2 x 24,4 x 1,5 cm
- Amazon Bestseller-Rang: Nr. 182.550 in Englische Bücher (Siehe Top 100 in Englische Bücher)
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Produktbeschreibungen
Kurzbeschreibung
Tracey Emin is one of the most famous artists working in Britain today. Born in London in 1963, she grew up in Margate and experienced a difficult childhood. Her teenage years provided the inspiration for much of her later work, which is autobiographical and often shockingly frank. This book accompanies her first retrospective exhibition in the UK, at the Scottish National Gallery of Modern Art in Edinburgh and covers the full range of her work over the past twenty years, including embroidered blankets, paintings, sculptures, films, neons, and drawings. It features a detailed essay by Patrick Elliott, Chief Curator at the Scottish National Gallery of Modern Art and a foreword by the artist Julian Schnabel.
Synopsis
Tracey Emin is one of the most famous artists working in Britain today. Born in London in 1963, she grew up in Margate and experienced a difficult childhood. Her teenage years provided the inspiration for much of her later work, which is autobiographical and often shockingly frank. This book accompanies her first retrospective exhibition in the UK, at the Scottish National Gallery of Modern Art in Edinburgh and covers the full range of her work over the past twenty years, including embroidered blankets, paintings, sculptures, films, neons, and drawings. It features a detailed essay by Patrick Elliott, Chief Curator at the Scottish National Gallery of Modern Art and a foreword by the artist Julian Schnabel.
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1 von 16 Kunden fanden die folgende Rezension hilfreich
"The Emperor has no clothes...
7. Juli 2010
Format:Taschenbuch
Tracey Emin could be a character right out of Ayn Rand's "The Fountainhead," a person of little or no real artistic talent foisted upon a gullible public as an "art superstar," to quote one fashion magazine. I've seen her 'work'...pretentious rubbish that any idiot could do, if his or her pride was sufficiently low. What is gained by lowering the standards of art? FYI, here's the relevant passage: "Here's another. Kill man's sense of values. Kill his capacity to recognise greatness or to achieve it. Great men can't be ruled. We don't want any great men. Don't deny conception of greatness. Destroy it from within. The great is the rare, the difficult, the exceptional. Set up standards of achievement open to all, to the least, to the most inept - and you stop the impetus to effort in men, great or small. You stop all incentive to improvement, to excellence, to perfection. Laugh at Roark and hold Peter Keating as a great architect. You've destroyed architecture. Build Lois Cook and you've destroyed literature. Hail Ike and you've destroyed the theatre. Glorify Lancelot Clankey and you've destroyed the press. Don't set out to raze all shrines - you'll frighten men, Enshrine mediocrity - and the shrines are razed" (Ayn Rand, "The Fountainhead"). Buy "The Fountainhead" from Amazon and read more!
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