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Titan and Venetian Painting: 1450-1590
 
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Titan and Venetian Painting: 1450-1590 [Englisch] [Taschenbuch]

Bruce Cole (Autor)
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Produktinformation

  • Taschenbuch: 292 Seiten
  • Verlag: Westview Pr; Auflage: New Ed (19. September 2000)
  • Sprache: Englisch
  • ISBN-10: 0813390435
  • ISBN-13: 978-0813390437
  • Größe und/oder Gewicht: 1,5 x 2,3 x 0,2 cm
  • Durchschnittliche Kundenbewertung: 5.0 von 5 Sternen  Alle Rezensionen anzeigen (1 Kundenrezension)
  • Amazon Bestseller-Rang: Nr. 2.180.117 in Englische Bücher (Siehe Top 100 in Englische Bücher)

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Produktbeschreibungen

Kurzbeschreibung

This up-to-date, well-illustrated, and thoughtful introduction to the life and works of one of the giants of Western Painting also surveys the golden age of Venetian Painting from Giovanni Bellini to Veronese and its place in the history of Western art. Bruce Cole, Distinguished Professor of Fine Arts at Indiana University and author of numerous books on Italian Renaissance art, begins with the life and work of Giovanni Bellini, the principal founder of Venetian Renaissance painting. He continues with the paintings of Giorgione and the young Titian whose work embodied the new Venetian style. Cole discusses and explains all of Titian's major works--portraits, religious paintings, and nudes--from various points of view and shows how Venetian painting of this period differed from painting in Florence and elsewhere in Italy and became a distinct and fully-developed style of its own. 006430129x the Renaissance Artist at Work : from Pisano to Titian 0064301621 Italian Art 1250-1550 : the Relation of Renaissance Art to Life and Society

Synopsis

This up-to-date, well-illustrated, and thoughtful introduction to the life and works of one of the giants of Western Painting also surveys the golden age of Venetian Painting from Giovanni Bellini to Veronese and its place in the history of Western art. Bruce Cole, Distinguished Professor of Fine Arts at Indiana University and author of numerous books on Italian Renaissance art, begins with the life and work of Giovanni Bellini, the principal founder of Venetian Renaissance painting. He continues with the paintings of Giorgione and the young Titian whose work embodied the new Venetian style. Cole discusses and explains all of Titian's major works--portraits, religious paintings, and nudes--from various points of view and shows how Venetian painting of this period differed from painting in Florence and elsewhere in Italy and became a distinct and fully-developed style of its own. 006430129x the Renaissance Artist at Work : from Pisano to Titian 0064301621 Italian Art 1250-1550 : the Relation of Renaissance Art to Life and Society

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Bruce Cole, the respected historian of Renaissance Italian art, has brought forth yet another highly compelling book, this time illuminating the achievements of the great Venetian painter, Titian. Cole, author of more than 10 books and a connoisseur of the highest order, offers clear and interesting commentary on the style of one of the masters of the Italian Renaissance. By placing Titian in the general context of Western art and the specific context of the golden age of Venetian painting, Cole makes Titian's achievements shine through his discussions of Titian's portraits, religious paintings and nudes. He shows how Venetian style differs from that in other parts of Italy, especially Florence, and how it grew and developed in its distinctive way. Cole explores Titian's contributions to portraiture, his sophisticated use of mythology, the question of drawing in Venetian painting, Titian's use of color, and the artists he influenced.

This book is an elegant and engaging introduction to Titian; it is full of fascinating information and observations not only about Titian but about his times. Cole's explanations of Titian's great works are lucid, sensible, and accessible to general readers and scholars alike. Definitely worth a close look. It is beautifully printed with luscious reproductions. Those in color are reproduced with great fidelity.

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30 von 33 Kunden fanden die folgende Rezension hilfreich
Masterful Introduction to Titian 14. Dezember 1998
Von Ein Kunde - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe
Bruce Cole, the respected historian of Renaissance Italian art, has brought forth yet another highly compelling book, this time illuminating the achievements of the great Venetian painter, Titian. Cole, author of more than 10 books and a connoisseur of the highest order, offers clear and interesting commentary on the style of one of the masters of the Italian Renaissance. By placing Titian in the general context of Western art and the specific context of the golden age of Venetian painting, Cole makes Titian's achievements shine through his discussions of Titian's portraits, religious paintings and nudes. He shows how Venetian style differs from that in other parts of Italy, especially Florence, and how it grew and developed in its distinctive way. Cole explores Titian's contributions to portraiture, his sophisticated use of mythology, the question of drawing in Venetian painting, Titian's use of color, and the artists he influenced.

This book is an elegant and engaging introduction to Titian; it is full of fascinating information and observations not only about Titian but about his times. Cole's explanations of Titian's great works are lucid, sensible, and accessible to general readers and scholars alike. Definitely worth a close look. It is beautifully printed with luscious reproductions. Those in color are reproduced with great fidelity.

2 von 2 Kunden fanden die folgende Rezension hilfreich
The pictures 9. Juli 2010
Von Henry Cohen - Veröffentlicht auf Amazon.com
Format:Taschenbuch|Von Amazon bestätigter Kauf
I second all the praise that "A Customer" gives to this book, notwithstanding what I am about to say about its pictures. According to the book, it has 119 black and white reproductions and 8 color plates. In fact, in the paperback edition I have, published by Westview Press, the 8 so-called color plates are in black and white too. This doesn't really matter because, even if they were in color, the other 119 are not. Thus, when reading this book, you should have on hand a book of color prints of Titian's work (and, to a lesser extent, of Bellini's, Giorgione's, and a few other artists), or be near the computer to google images. It can be frustrating to read Bruce Cole's descriptions of the colors of a painting and have only a black and white reproduction in front of you.
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