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Tintoretto: Tradition and Identity [Englisch] [Gebundene Ausgabe]

Tom Nichols (Autor)
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Produktinformation

  • Gebundene Ausgabe: 324 Seiten
  • Verlag: Reaktion Books (5. November 1999)
  • Sprache: Englisch
  • ISBN-10: 1861890435
  • ISBN-13: 978-1861890436
  • Größe und/oder Gewicht: 28,2 x 21,6 x 2,2 cm
  • Durchschnittliche Kundenbewertung: 5.0 von 5 Sternen  Alle Rezensionen anzeigen (1 Kundenrezension)
  • Amazon Bestseller-Rang: Nr. 1.572.356 in Englische Bücher (Siehe Top 100 in Englische Bücher)

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Produktbeschreibungen

Kurzbeschreibung

Jacopo Tintoretto (1518-94) is an ambiguous figure in the history of art. His radically unorthodox paintings are not readily classifiable and although Venetian by birth, his claim to be truly of the Venetian School has long been in doubt. As a youth, he was quickly ejected from the workshop of the great Titian, accepted then, as now, as the apogee of Venetian painting. In the long career which nonetheless followed, Tintoretto increasingly abandoned the humanist narratives and sensual colour values which typified the work of Titian and the venerable Venetian Renaissance tradition. Critics and writers such as Vasari, Boschini, Ruskin and Sartre have all placed Tintoretto in total opposition to the established artistic practice of his time. But this view offers an over-simple and ahistorical answer to the question of Tintoretto's relation to tradition. Tom Nichols offers a re-assessment of Tintoretto's place in art history. He argues that far from rejecting existing artistic practice, Tintoretto began by seeking to create an up-to-date manner of painting and an artistic manner which, for all its originality and sophistication, made its first appeal to the shared emotions of the widest possible viewing audience.

Synopsis

Jacopo Tintoretto (1518-94) is an ambiguous figure in the history of art. His radically unorthodox paintings are not readily classifiable and although Venetian by birth, his claim to be truly of the Venetian School has long been in doubt. As a youth, he was quickly ejected from the workshop of the great Titian, accepted then, as now, as the apogee of Venetian painting. In the long career which nonetheless followed, Tintoretto increasingly abandoned the humanist narratives and sensual colour values which typified the work of Titian and the venerable Venetian Renaissance tradition. Critics and writers such as Vasari, Boschini, Ruskin and Sartre have all placed Tintoretto in total opposition to the established artistic practice of his time. But this view offers an over-simple and ahistorical answer to the question of Tintoretto's relation to tradition. Tom Nichols offers a re-assessment of Tintoretto's place in art history.

He argues that far from rejecting existing artistic practice, Tintoretto began by seeking to create an up-to-date manner of painting and an artistic manner which, for all its originality and sophistication, made its first appeal to the shared emotions of the widest possible viewing audience.

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4 von 4 Kunden fanden die folgende Rezension hilfreich
Von Ein Kunde
Format:Gebundene Ausgabe
This book is, hands down, the best book on the works of Tintoretto on the market. Tom Nichols is a very well respected and well published art historian in the field and this book lives up to his reputation. It has many beautiful color prints of paintings (along with some black and white) and some very useful and helpful diagrams of the Scuole di San Rocco that show where many of Tintoretto's paintings are. It is probably the most complete, up to date work about any Venetian painter that I have read.
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25 von 28 Kunden fanden die folgende Rezension hilfreich
best tintoretto book on market 29. April 2000
Von Ein Kunde - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe
This book is, hands down, the best book on the works of Tintoretto on the market. Tom Nichols is a very well respected and well published art historian in the field and this book lives up to his reputation. It has many beautiful color prints of paintings (along with some black and white) and some very useful and helpful diagrams of the Scuole di San Rocco that show where many of Tintoretto's paintings are. It is probably the most complete, up to date work about any Venetian painter that I have read.
11 von 11 Kunden fanden die folgende Rezension hilfreich
Disappointing Book -- Tintoretto Deserves Better 9. Oktober 2007
Von Marlow - Veröffentlicht auf Amazon.com
Format:Taschenbuch|Von Amazon bestätigter Kauf
Nichols' Tintoretto has the makings of a great work. The text presents a wealth of insights into this underappreciated painter. The biggest drawback is the book's small illustrations. Aside from the reproductions of several portraits (i.e. Portrait of Procurator Antonio Cappello, Portrait of Procurator Jacopo Soranzo) and a handful of other works (i.e. St Louis, St George, and the Princess), the plates are disappointingly small. This is particularly problematic because Tintoretto's works in the Scuola Grande di San Rocco were painted on a large scale. It is impossible to appreciate Tintoretto's technique or the details in larger works because the reproductions are so small. Tintoretto deserves better. Unfortunately, this is one of only a handful of available works on the great Venetian master.
5 von 7 Kunden fanden die folgende Rezension hilfreich
Discover Tintoretto 20. September 2005
Von Janet C. Whitchurch - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe
Tintoretto is an artist that is frequently overlooked, even by me, an avid reader and viewer of art. After being overwhelmed by his works in Venice I sought out a book to help me understand him more. This book was very satisfying in that the author analyses not only the painter, but puts him in the context of 16th century Venice. There are few books in English about Tintoretto; this is an excellent one.
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