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Tiger's Wife [Englisch] [Gebundene Ausgabe]

Tea Obreht
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3. März 2011
The Orange Prize winning debut from a truly extraordinary talent. 'Having sifted through everything I have heard about the tiger and his wife, I can tell you that this much is fact: in April of 1941, without declaration or warning, the German bombs started falling over the city and did not stop for three days. The tiger did not know that they were bombs...' A tiger escapes from the local zoo, padding through the ruined streets and onwards, to a ridge above the Balkan village of Galina. His nocturnal visits hold the villagers in a terrified thrall. But for one boy, the tiger is a thing of magic - Shere Khan awoken from the pages of The Jungle Book. Natalia is the granddaughter of that boy. Now a doctor, she is visiting orphanages after another war has devastated the Balkans. On this journey, she receives word of her beloved grandfather's death, far from their home, in circumstances shrouded in mystery. From fragments of stories her grandfather told her as a child, Natalia realises he may have died searching for 'the deathless man', a vagabond who was said to be immortal. Struggling to understand why a man of science would undertake such a quest, she stumbles upon a clue that will lead her to a tattered copy of The Jungle Book, and then to the extraordinary story of the tiger's wife.

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  • Gebundene Ausgabe: 352 Seiten
  • Verlag: Weidenfeld & Nicolson (3. März 2011)
  • Sprache: Englisch
  • ISBN-10: 0297859013
  • ISBN-13: 978-0297859017
  • Größe und/oder Gewicht: 14,7 x 22,2 cm
  • Durchschnittliche Kundenbewertung: 3.0 von 5 Sternen  Alle Rezensionen anzeigen (8 Kundenrezensionen)
  • Amazon Bestseller-Rang: Nr. 355.104 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)

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Tea Obreht is the most thrilling literary discovery in years. -- Colum McCann The Tiger's Wife is a marvel of beauty and imagination. Tea Obreht is a tremendously talented writer. -- Ann Patchett A novel of surpassing beauty, exquisitely wrought and magical. Tea Obreht is a towering new talent. -- T.C. Boyle This is a distinguished work by almost any standard, and a genuinely exciting debut... Obreht has a vibrant, rangy, full-bodied prose style, which moves expertly between realistic and mythic modes of storytelling, conjuring brilliant images on every page... a delightful work, as enchanting as it is surprising, and Obreht is a compelling new voice. -- Edmund Gordon THE SUNDAY TIMES the myth-infused tale of a young doctor in a war-ravaged Balkan country trying to find the truth about her grandfather's death. Obreht's novel is that rarity: a debut that arrives fully formed, super smart but wearing its learning lightly. Above all The Tiger's Wife bristles with confidence. -- Adrian Turpin FINANCIAL TIMES Beautifully executed, haunting and lyrical, The Tiger's Wife is an ambitious novel that succeeds on all counts. It's a book you will want to read again and again. THE INDEPENDENT The Tiger's Wife has been touted as one of 2011's outstanding debuts and it deserves its reputation...Weaving together fantastical tales and folklore with realism about coming to terms with loss and grief, it is also a book about the secrets people keep. This layering of stories creates a book rich in textures. Combining a mystery narrative, a family narrative and a book about the worlds of the imagination, Tea Obreht's novel is one that allows the reader to get lost in them. METRO The Tiger's Wife, is assured, eloquent and not easily forgotten...war is just a backdrop, religions barely identified. It is the tiger, the deathless man, and the inquisitive doctor who lead the story through its layers of modern-day reality, magical realism, and folklore...her pacing in the book is delicious - Obreht has the storyteller's gift for suspense, and holds back details until the reader can wait no more...she has lived up to the early hype. -- Joy lo Dico INDEPENDENT ON SUNDAY The brilliant black comedy and matryoshka-style narrative are among the novel's great joys...Obreht has prodigious talent for storytelling and imagery -- Kapka Kassabova THE GUARDIAN Obreht's landscape hovers half in and half out of fable - where villagers who daily risk being hoisted by landmines also fear malign spirits, tigers' brides and men who transform into bears...It's a part of the world that Obreht has made her imagination's own: raucous and strange and gorgeous and rather haunting. This is a pretty formidable first novel. Here be tigers. -- Sam Leith FINANCIAL TIMES The Tiger's Wife, [Obreht's] debut novel written on a creative writing course at Cornell University is dauntlessly composed. Cool American realism collides with abundant magic realism...she is a natural born storyteller and this is a startlingly suggestive novel about the dying out of myths and superstitions and rituals that bind people to place: the retreat of the spirits. -- Lucy Daniel THE DAILY TELEGRAPH anyone looking for something different shouldn't hesitate DAILY MAIL Obreht threads together echoes of community gossip and folklore, vividly evoking the claustrophobic atmosphere of a small village, and the feelings of fear and hope that become heightened at times of war. This is a tale of many layers...It is a poignant, seductive novel -- Mary Fitzgerald THE OBSERVER Already Obreht has a gift for crafting sentences, harnessing metaphors, and cross-hatching stories about war and death that elude most writers twice her a microlevel [The Tiger's Wife] is exquisite. It's the kind of novel that looks at is overarching theme of war by looking away, by zooming in on small, strange, slippery stories that may or may not be true...Many writers, from Rudyard Kipling to Yann Martel, have brought tigers to to life, but hers is a truly magnificent creation. -- Chitra Ramaswamy SCOTLAND ON SUNDAY Obreht's novel is striking, affecting and ingenious...The Tiger's Wife is a haunting book...delightfully ambiguous. -- Stuart Kelly THE SCOTSMAN spellbinding...Tea Obreht's debut has the fantastical allure of a folk fable MARIE CLAIRE 'Natalia, a young doctor, is on her way to deliver aid to a remote orphanage when she discovers her beloved grandfather is dead. As she tries to reconstruct her grandfather's last journey, she recalls his stories, which combine folklore and mystery with his exquisite humanity. Set in a Balkan country adjusting to life after the war, the book resonates with the aftershocks of conflict, old enmities, fatalism and superstition. Haunting, thoughtful and beautifully atmospheric' (***** Life-changing) PSYCHOLOGIES magazine varied, poignant and beguilingly fantastical...The Tiger's Wife is an exciting, fast-paced and mystical novel that'll have you rushing to the end. TIME OUT (LONDON) 'Natalia is a doctor visiting orphanages in the Balkans when she hears her grandfather has died in strange circumstances. Half-remembered snippets from her childhood take her on a journey where she comes across the story of the tiger's wife. This beautiful read is 25-year-old Obreht's debut novel.' ***** STAR magazine Recalling her grandfather's stories, Natalia takes to the road to investigate the life he led. Before long, a cast of characters assemble including an immortal man, an escaped tiger and the deaf-mute tiger's wife. In this unlikely company, a magical reality emerges in which the violent realities of war are overcome; lending the heavy subject a stunningly light touch. STYLIST Obreht, who was born in the former Yugoslavia and is, astonishingly, only 25, writes with remarkable authority and eloquence, and she demonstrates an uncommon ability to move seamlessly between the gritty realm of the real and the more primary-colored world of the fable...a richly textured and searing novel. NEW YORK TIMES (USA) "The Tiger's Wife," in its solemn beauty and unerring execution, fully justifies the accolades that Ms. Obreht's short fiction inspired. She has a talent for subtle plotting that eludes most writers twice her age, and her descriptive powers suggest a kind of channeled genius. No novel this year has seemed more likely to disappoint; no novel has been more satisfying. THE WALL STREET JOURNAL (USA) Deftly walks the line between the realistic and the fantastical?In Obreht's expert hands, the novel's mythology, while rooted in a foreign world, comes to seem somehow familiar, like the dark fairy tales of our own youth, the kind that spooked us into reading them again and again...[Reveals] oddly comforting truths about death, belief in the impossible, and the art of letting go. O: THE OPRAH MAGAZINE (USA) A cracking, complex, gorgeously wrought saga that resonates as a meditation on life, love...and our responsibility to the stories we inherit from our grandparents...Obreht is a natural literary descendant of Isaac Bashevis Singer and Gabriel Garcia Marquez...The Tiger's Wife is an original and wonderful novel...It makes for a thrilling beginning to what will certainly be a great literary career ELLE (USA) [Obreht] spins a tale of such marvel and magic in a literary voice so enchanting that the mesmerized reader wants her never to stop?[She] is joltingly young to have found such a clear, wise voice, moored by the faintly droll storytelling style of her heritage and set free by her own tremendous talent ENTERTAINMENT WEEKLY (USA) One of the most extraordinary debut novels of recent memory...A gorgeous farrago of stories in which realism collides with myth, superstition with empirical fact, and allegory with history...Obreht elides the sentimental Chagall villages that other writers have made of Eastern Europe, crafting instead something far more ambitious, and universal: an apotheosis of storytelling as a bulwark against brutality - and a balm for grief VOGUE (USA) Ingeniously, Obreht juxtaposes [her protagonist's] matter-of-fact narration with contemporary folk tales that are as simple, enthralling, and sometimes brutal as fables by Kipling or Dinesen...Filled with astonishing immediacy and presence, fleshed out with detail that seems firsthand, The Tiger's Wife is all the more remarkable for being a product not of observation but imagination -- Liesl Schillinger THE NEW YORK TIMES BOOK REVIEW (USA) [A] brilliant debut...[Tea] Obreht is an expert at depicting history through aftermath, people through the love they inspire, and place through the stories that endure; the reflected world she creates is both immediately recognizable and a legend in its own right. Obreht is talented far beyond her years, and her unsentimental faith in language, dream, and memory is a pleasure. PUBLISHER'S WEEKLY (USA) Dizzyingly nuanced yet crisp, [and] muscularly written...This complex, humbling, and beautifully crafted debut from one of The New Yorker's 20 Under 40 is highly recommended for anyone seriously interested in contemporary fiction. LIBRARY JOURNAL (USA) Not even Obreht's place on The New Yorker's current "20 Under 40" list of exceptional writers will prepare readers for the transporting richness and surprise of this gripping novel of legends and loss...[Contains] moments of breathtaking magic, wildness and beauty...Every word, every scene, every thought is blazingly alive in this many-faceted, spellbinding, and rending novel of death, succor, and remembrance. BOOKLIST (USA) This debut novel from Tea Obreht has caused big waves in the literary world. Already nominated for an Orange Prize, it's being hailed as one of the year's best...A luminous debut. CITY A.M. an ambitious and sophisticated work MAIL ON SUNDAY engrossing, imaginative and intriguingly different CHOICE magazine Obreht's prose - precise, lucid, at times darkly comic and packed with arresting imagery - is reason enough to read this book, but Obreht is also a formidably gifted storyteller... this is a tremendous debut, and it was with real sadness that I turned the last page. THE LADY This story by a 25-year-old Serbian-American woman, of a young Balkan doctor named Natalia, her fami...

Über den Autor und weitere Mitwirkende

Tea Obreht was born in 1985 in the former Yugoslavia, emigrating to the US in 1997. She was the youngest author on The New Yorker's Top 20 Writers under 40 List, and one of the youngest authors ever to be extracted in the magazine. Her short story, 'The Laugh', debuted in The Atlantic Fiction Issue and was then chosen for The Best American Short Stories 2010, while her short story, 'The Sentry' appeared in the Guardian Summer Fiction Issue alongside stories by Hilary Mantel and David Mitchell. She lives in New York.

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3.0 von 5 Sternen Good writing, but overrated book 3. Februar 2012
Von D. Simic
Téa Obrecht can certainly write. And her sentence can be equally long and equally artful as the one from Gabriel Garcia Márquez, whom she admires so much. The book was highly praised by the critics and also followed with a small hype in author's city of birth, in which I happened to live for a long time, including the possible time of the main book plot.
With high expectations, I couldn't wait for German, Serbian or Croatian translation of the book, so I ordered it, almost a year ago. I have read it, and I was disappointed. Maybe I am too biased, I thought, and I decided to read it again, since the hype was still ongoing. Still, I am disappointed, and that's why I am writing this post.

I see three flaws in the book:
1. There are many storylines, but the storytelling is flat, and doesn't push the reader to follow any of them. The stories never come to a common point, and there is an impression that the writer has included some of them just to increase the size of the book. At the end the reader doesn't know what it was all about.
2. The characters are mostly oversimplified and emotionless. Natalia, as narrator, is like a teenage brat, capable just for indignation of all the time.
3. The link to Balkans is completely confused. The mixture of fiction and reality is surreal and sometimes almost unbearable. Since there was no intention of the author to create completely new "Balkan" land, but to describe something called Yugoslavia in 20th century, I must object her interpretation. Despite all advertising, I couldn't recognize what was the intention of the writer to provide such mishmash.
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3.0 von 5 Sternen The Tiger's Wife 11. März 2012
Von Violetta
I had a hard time deciding whether I should give this book 4 or 3 stars, since I am in two minds about it. Let it be 3,5.
The novel is well-crafted, no doubt. The writing is eloquent, direct, at times evocative and slightly macabre. The novel is complex, multi-layered, rich in authentic cultural details. Eastern European legends and believes haunt the narration and give the entire book a magical, otherwoldly touch, while honest account of the Balkan war adds real-life credibility to it. Actually, the memories of Natalia, the book's protagonist, about her teenage years in the City (Belgrade?) torn apart by war, constitute the best part of the book (in my opinion). I was equally moved by the very special and gentle relationship that Natalia had with her grandfather. This dimension of the book - personal, touching, very human - appealed to me the most. I wish the author would have given Natalia more attention and more space - her story intrigued me much more than the one of the title character, the tiger's wife, whose persona I perceive as rather fragmented and incomprehensive.
I wish other storylines were as moving as Natalia's. Although the novel kept me interested and thrilled, it failed to touch me on a deeper level and move me emotionally. The ending seemed rather obscure, and now I am left with a question: what is the main message and purpose of the book exactly? Is it about death? Is it about multiplicy of narratives in life? Is it about the interplay of reality and superstition? I cannot see what is missing, and I also cannot feel it...
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I wasn't aware of all the praises this novel and its author received but read it by chance, based on the other books' recommendations. From the beginning I was feeling little bit disappointed and feeling was even stronger when I came to the end.

There are aspects of "The Tiger's Wife" written by Tea Obreht that are nice but in my opinion novel doesn't live up to the overwhelming praise received. Author cannot be denied knowledge to conjure up beautiful images with her sentences, to express herself in English very well, although it is not her native language (the book I read was in English, but occasionally I compared it with the version in Serbian).

But looking novel in general it seems to me that this is just another literary work that has shown a desire to picture Balkans, its customs and beliefs as something exotic, mystical and fantastic in order to attract readers. Like in many other books by authors from the Balkans, especially ones which are not living there anymore, that geographical area is shown as quite backward, with traditions gone for hundreds of years or non-existent at all even in ancient history.

My other complaint about this novel is author's will to focus and prolong parts of the book describing the mystic legends where she excels with her ability of imagination and writing, but in same time failing to give more characterization and depth to the characters in real world.

I wanted to like "The Tiger's Wife" and in the end asked myself what I wasn't able to get form this novel and other readers succeeded. I'm aware there are lot of those who loved it, regretfully I cannot say I'm one of them.

If you look this book as a fairy tale, pure fiction, then feel free to raise my score by 1 star, but because of all mentioned reasons I cannot recommend it.
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