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Through an American Lens, Hungary 1938 (East European Monograph)
 
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Through an American Lens, Hungary 1938 (East European Monograph) [Englisch] [Gebundene Ausgabe]

Katalin Kadar Lynn , Karoly Szerencses , Margaret Bourke-White

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Kadar Lynn's recently discovered a trove of Margaret Bourke-White's mostly unpublished photographs were taken during the artist's month-long trip to Hungary in 1938. The celebrated photojournalist shot riveting portraits of Hungary's full political leadership right before the outbreak of war. From photos of Admiral Nicolas Horthy to Ferenc Szalasi, these images reveal Bourke-White's skills as a master portraitist and the implied thoughts and attitudes of Hungary's leaders as they faced a monumental juncture in history. This volume enriches Bourke-White's photos with contextualizing essays by prominent historian Karoly Szerencses, speculating on Bourke-White's impressions as she visited Hungary for the first time. Her work speaks to the sadness, treachery, inevitability, and disappointment felt by a nation on the brink of war. A short biography and a brief history of modern Hungary round out the volume.

Über den Autor

Katalin Kadar Lynn is a historian specializing in research relating to the United States, Central and East Europe during World War II, and the Cold War. She also serves as trustee of the American Hungarian Library and Historical Society of New York City. Karoly Szerencses is an associate professor in the New and Contemporary Hungarian History Department, Eotvos Lorand University, Budapest.

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Bourke-White's photographs of Hungarian leaders are amazing 26. Dezember 2011
Von F. Orion Pozo - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe
Katalin Kadar Lynn edited and wrote the introductory essays of this collection of photographs from Margaret Bourke-White's 1938 visit to Hungary. Many of the photos are of the leaders of the country, while others are landscapes and common people.

Each full page black and white photo is accompanied by a one-page essay written by Karoly Szerences whom Dr. Kádár Lynn describes as "a man of baroque sensibilities and deep erudition." She goes on to say that "in his essays Professor Szerences takes on the guise of Margaret Bourke-White's personal guide into the essence, the Hungarian essence, of each of her photographs. Steeped in the long, turbulent history of his country, his stream-of-consciousness narrative reflects the soul and conscience of the nation. Looking at the photos of Hungary's long-dead leaders, would-be leaders and citizens, he seems almost to channel each person's spirit while situating that person within the framework of Hungary's history. Some of the quotations in these essays may seem to the modern-day reader like flights of fancy, tailored to support the 'story'; each is, however, historically accurate and verifiable."

These essays are quite astonishingly descriptive. He starts by referring to post-Trianon Hungary as Potato Land and Budapest as Chameleon City. He calls Hungary's Parliament "crazy." One Prime Minister he calls a pirate and another a gambler. The Minister of Defense he calls a clown. These essays expect a lot of the reader and seem to be written to the cognoscenti. For the rest of us, at the end of the book each picture has a "brief history of the places and people" written by Peter Strausz "to orient readers unfamiliar with twentieth century Hungarian history." I have found reading these histories along with the essays and viewing the pictures is the best way to get through the book, even though it means flipping back and forth.

Dr. Kádár Lynn has done a marvelous job of bringing these never-before published photos to the public eye. Bourke-White's portraiture of the leaders of the country is amazing and the large format (10"x12") pages show them in a wonderful way.

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