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Tauschen Sie jetzt Three Plays: Desire Under The Elms, Strange Interlude, Mourning Becomes Electra (Vintage International) gegen einen Amazon-Gutschein in Höhe von EUR 1,65 ein - einlösbar für Tausende von Artikeln bei Amazon.de. Entdecken Sie mehr eintauschbare Bücher im Bücher Trade-In Shop. Bitte beachten Sie die Teilnahmebedingungen.
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Kurzbeschreibung
These three plays exemplify Eugene O'Neil's ability to explore the limits of the human predicament, even as he sounds the depths of his audiences' hearts.
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Einleitungssatz
The action of the entire play takes place in, and immediately outside of, the Cabot farmhouse in New England, in the year 1850. Lesen Sie die erste Seite
Buchdeckel | Copyright | Inhaltsverzeichnis | Auszug | Rückseite
The action of the entire play takes place in, and immediately outside of, the Cabot farmhouse in New England, in the year 1850. Lesen Sie die erste Seite
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Kundenrezensionen
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2 von 2 Kunden fanden die folgende Rezension hilfreich
Format:Taschenbuch
One of these three great plays by Eugene O'Neill is Strange Interlude which was written in 1923 and won the Pulitzer Prize in 1928 when it originally ran on Broadway. Its running time is over four hours and it is usually performed with a dinner break. It is a family chronicle, of sorts, following the life of Nina Leeds and her family in a small university town in New England - from her early days as a young woman mourning the loss of her ideal lover during WWI, through her middle age years. It is the story of a family's secret and their determination to keep this secret unknown by others, and sometimes even to themselves. The play's most unusual quality, though, is found in the words that each character speaks. Not only do they converse with each other using naturalistic dialogue, but they also voice their subtext, which is unheard by the other characters in the play, but is heard by the audience. This device brings to the surface the secret life that each character in the play carries with them but is not willing to reveal to others. It creates, in the audience, as if it were another character in the play, a "sharer" of these stage characters' secrets. Through it all we view the lives of these characters with a fondness, and we root for them. Perhaps we root for them because we know, very much, why they are doing the things they do to each other.
The two other plays are well worth the experience of reading and/or seeing on stage. Mourning Becomes Electra, based on the Greek Electra myth, is especially wonderful. Its set in post civil war america and like Strange Interlude its length makes it a rare theatre treat to see performed on stage.
0 von 2 Kunden fanden die folgende Rezension hilfreich
Format:Taschenbuch
I'm new to reading drama, but I have never seen anything quite like "Srange Interlude." In this experimental work, O'Neill actually takes the reader into the thoughts of the characters, by not only thier dialogue or gestures, as in most works, but by letting the characters think their streams of thought aloud.
The plot is extremely well developed, though it's tinged with cliche at times. It centers around a mentally unstable woman groping for happiness and the happiness of her four lovers, each lovers in diffferent senses of the word. The first is her high school sweetheart, killed in the war. The second is her lifelong friend. the third is her husband, and the fourth is her doctor. Each have their quirks and instabilities, which make this play a strange interlude, indeed.
The plot is extremely well developed, though it's tinged with cliche at times. It centers around a mentally unstable woman groping for happiness and the happiness of her four lovers, each lovers in diffferent senses of the word. The first is her high school sweetheart, killed in the war. The second is her lifelong friend. the third is her husband, and the fourth is her doctor. Each have their quirks and instabilities, which make this play a strange interlude, indeed.
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10 Rezensionen
17 von 20 Kunden fanden die folgende Rezension hilfreich
Three great and rarely performed plays by Eugene O'Neill
17. November 1998
Format:Taschenbuch
One of these three great plays by Eugene O'Neill is Strange Interlude which was written in 1923 and won the Pulitzer Prize in 1928 when it originally ran on Broadway. Its running time is over four hours and it is usually performed with a dinner break. It is a family chronicle, of sorts, following the life of Nina Leeds and her family in a small university town in New England - from her early days as a young woman mourning the loss of her ideal lover during WWI, through her middle age years. It is the story of a family's secret and their determination to keep this secret unknown by others, and sometimes even to themselves. The play's most unusual quality, though, is found in the words that each character speaks. Not only do they converse with each other using naturalistic dialogue, but they also voice their subtext, which is unheard by the other characters in the play, but is heard by the audience. This device brings to the surface the secret life that each character in the play carries with them but is not willing to reveal to others. It creates, in the audience, as if it were another character in the play, a "sharer" of these stage characters' secrets. Through it all we view the lives of these characters with a fondness, and we root for them. Perhaps we root for them because we know, very much, why they are doing the things they do to each other.
The two other plays are well worth the experience of reading and/or seeing on stage. Mourning Becomes Electra, based on the Greek Electra myth, is especially wonderful. Its set in post civil war america and like Strange Interlude its length makes it a rare theatre treat to see performed on stage.
10 von 14 Kunden fanden die folgende Rezension hilfreich
Strange Interlude
15. April 1997
Format:Taschenbuch
I'm new to reading drama, but I have never seen anything quite like "Srange Interlude." In this experimental work, O'Neill actually takes the reader into the thoughts of the characters, by not only thier dialogue or gestures, as in most works, but by letting the characters think their streams of thought aloud.
The plot is extremely well developed, though it's tinged with cliche at times. It centers around a mentally unstable woman groping for happiness and the happiness of her four lovers, each lovers in diffferent senses of the word. The first is her high school sweetheart, killed in the war. The second is her lifelong friend. the third is her husband, and the fourth is her doctor. Each have their quirks and instabilities, which make this play a strange interlude, indeed.
The plot is extremely well developed, though it's tinged with cliche at times. It centers around a mentally unstable woman groping for happiness and the happiness of her four lovers, each lovers in diffferent senses of the word. The first is her high school sweetheart, killed in the war. The second is her lifelong friend. the third is her husband, and the fourth is her doctor. Each have their quirks and instabilities, which make this play a strange interlude, indeed.
Exhausting
27. November 2011
Format:Taschenbuch
O'Neill's "Mourning Becomes Electra" is astounding. The plot is timeless, the characters are amazingly drawn, and the dialogue is as brilliant as anything he ever wrote. The only problem with the play is that, like everything he wrote, his themes are exhausting because they're so heavy. This play is no exception.
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