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This Is How You Lose Her (English Edition) [Kindle Edition]

Junot Diaz
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Finalist for the 2012 National Book Award
Winner of the Sunday Times Short Story Award
Time and People Top 10 Book of 2012
Finalist for the 2012 Story Prize
Chosen as a notable or best book of the year by The New York Times, Entertainment WeeklyThe LA Times, Newsday, Barnes & Noble, Amazon, the iTunes bookstore, and many more...

Junot Díaz writes in an idiom so electrifying and distinct it’s practically an act of aggression, at once enthralling, even erotic in its assertion of sudden intimacy… [It is] a syncopated swagger-step between opacity and transparency, exclusion and inclusion, defiance and desire… His prose style is so irresistible, so sheerly entertaining, it risks blinding readers to its larger offerings. Yet he weds form so ideally to content that instead of blinding us, it becomes the very lens through which we can see the joy and suffering of the signature Díaz subject: what it means to belong to a diaspora, to live out the possibilities and ambiguities of perpetual insider/outsider status.” –The New York Times Book Review

"Nobody does scrappy, sassy, twice-the-speed of sound dialogue better than Junot Díaz. His exuberant short story collection, called This Is How You Lose Her, charts the lives of Dominican immigrants for whom the promise of America comes down to a minimum-wage paycheck, an occasional walk to a movie in a mall and the momentary escape of a grappling in bed." –Maureen Corrigan, NPR

Exhibits the potent blend of literary eloquence and street cred that earned him a Pulitzer Prize… Díaz’s prose is vulgar, brave, and poetic.” –O Magazine

Searing, irresistible new stories… It’s a harsh world Díaz conjures but one filled also with beauty and humor and buoyed by the stubborn resilience of the human spirit.” –People

Junot Díaz has one of the most distinctive and magnetic voices in contemporary fiction: limber, streetwise, caffeinated and wonderfully eclectic… The strongest tales are those fueled by the verbal energy and magpie language that made Brief Wondrous Life so memorable and that capture Yunior’s efforts to commute between two cultures, Dominican and American, while always remaining an outsider.” –Michiko Kakutani, The New York Times 

These stories… are virtuosic, command performances that mine the deceptive, lovelorn hearts of men with the blend of tenderness, comedy and vulgarity of early Philip Roth. It's Díaz's voice that's such a delight, and it is every bit his own, a melting-pot pastiche of Spanglish and street slang, pop culture and Dominican culture, and just devastating descriptive power, sometimes all in the same sentence.” –USA Today 

“Impressive… comic in its mopiness, charming in its madness and irresistible in its heartfelt yearning.” –The Washington Post

"The dark ferocity of each of these stories and the types of love it portrays is reason enough to celebrate this book. But the collection is also a major contribution to the short story form... It is an engrossing, ambitious book for readers who demand of their fiction both emotional precision and linguistic daring." –NPR

“The centripetal force of Díaz’s sensibility and the slangy bar-stool confidentiality of his voice that he makes this hybridization feel not only natural and irresistible, but inevitable, the voice of the future… [This is How You Lose Her] manages to be achingly sad and joyful at the same time. Its heart is true, even if Yunior’s isn’t.” –Salon

“[A] propulsive new collection… [that] succeeds not only because of the author's gift for exploring the nuances of the male… but because of a writing style that moves with the rhythm and grace of a well-danced merengue.” –Seattle Times 

“In Díaz’s magisterial voice, the trials and tribulations of sex-obsessed objectifiers become a revelation.” –The Boston Globe

Scooch over, Nathan Zuckerman. New Jersey has bred a new literary bad boy… A.” –Entertainment Weekly

Ribald, streetwise, and stunningly moving—a testament, like most of his work, to the yearning, clumsy ways young men come of age.” –Vogue

“[An] excellent new collection of stories… [Díaz is] an energetic stylist who expertly moves between high-literary storytelling and fizzy pop, between geek culture and immigrant life, between romance and high drama.” –IndieBound

“Taken together, [these stories’] braggadocio softens into something much more vulnerable and devastating. The intimacy and immediacy… is not just seductive but downright conspiratorial… A heartbreaker.” –The Daily Beast

"Díaz manages a seamless blend of high diction and low, of poetry and vulgarity… Look no further for home truths on sex and heartbreak." –The Economist

“This collection of stories, like everything else [Díaz has] written, feels vital in the literal sense of the word. Tough, smart, unflinching, and exposed, This is How You Lose Her is the perfect reminder of why Junot Díaz won the Pulitzer Prize… [He] writes better about the rapid heartbeat of urban life than pretty much anyone else." –The Christian Science Monitor

“Filled with Díaz’s signature searing voice, loveable/despicable characters and so-true-it-hurts goodness.” –Flavorwire

Díaz writes with subtle and sharp brilliance… He dazzles us with his language skills and his story-making talents, bringing us a narrative that is starkly vernacular and sophisticated, stylistically complex and direct… A spectacular read.” –Minneapolis Star-Tribune

"[This is How You Lose Her] has maturity in content, if not in ethical behavior… Díaz’s ability to be both conversational and formal, eloquent and plainspoken, to say brilliant things Trojan-horsed in slang and self-deprecation, has a way of making you put your guard completely down and be effected in surprising and powerful ways." –The Rumpus

“As tales of relationship redemption go, each of the nine relatable short stories in Junot Díaz's consummate collection This Is How You Lose Her triumphs… Through interrogative second-person narration and colloquial language peppered with Spanish, the Pulitzer Prize-winning author authentically captures Junior's cultural and emotional dualities.” –Metro

“Searing, sometimes hilarious, and always disarming… Readers will remember why everyone wants to write like Díaz, bring him home, or both. Raw and honest, these stories pulsate with raspy ghetto hip-hop and the subtler yet more vital echo of the human heart.” –Publishers Weekly (starred review)

“Díaz’s standout fiction remains pinpoint, sinuous, gutsy, and imaginative… Each taut tale of unrequited and betrayed love and family crises is electric with passionate observations and off-the-charts emotional and social intelligence… Fast-paced, unflinching, complexly funny, street-talking tough, perfectly made, and deeply sensitive, Díaz’s gripping stories unveil lives shadowed by prejudice and poverty and bereft of reliable love and trust. These are precarious, unappreciated, precious lives in which intimacy is a lost art, masculinity a parody, and kindness, reason, and hope struggle to survive like seedlings in a war zone.” –Booklist (starred review)

“Díaz’s third book is as stunning as its predecessors. These stories are hard and sad, but in Díaz’s hands they also crackle.” –Library Journal (starred review)

Magnificent… an exuberant rendering of the driving rhythms and juicy Spanglish vocabulary of immigrant speech… sharply observed and morally challenging.” –Kirkus

“A beautifully stirring look at ruined relationships and lost love—and a more than worthy follow-up to [Díaz’s] 2007 Pulitzer winner, The Brief Wondrous Life of Oscar Wao.” –Bookpage

"In This Is How You Lose Her, Díaz writes with subtlety and grace, once again demonstrating his remarkable facility for developing fully-realized and authentic characters with an economical rawness... Díaz skillfully portrays his protagonist so vividly, and with so  much apparent honesty, that Yunior’s voice comes across with an immediacy that never once feels inauthentic." –California Literary Review

"Díaz continues to dazzle with his dynamite, street-bruised wit. The bass line of this collection is a thumpingly raw and sexual foray into lives that claw against poverty and racism. It is a wild rhythm that makes more vivid the collection’s heart-busted steadiness." –Dallas Morning News 

Praise for Junot Díaz

"One of contemporary fiction's most distinctive and irresistible voices." –Michiko Kakutani, The New York Times 

“Talent this big will always make noise.” –Newsweek

“Graceful and raw and painful and smart... The pages turn and all of a sudden you’re done and you want more.” –The Boston Globe

“Like Raymond Carver, Díaz transfigures disorder and disorientation with a rigorous sense of form... [He] wrings the heart with finely calibrated restraint.” –The New York Times Book Review


Junot Diaz's new collection, This Is How You Lose Her, is a collection of linked narratives about love - passionate love, illicit love, dying love, maternal love - told through the lives of New Jersey Dominicans, as they struggle to find a point where their two worlds meet. In prose that is endlessly energetic and inventive, tender and funny, it lays bare the infinite longing and inevitable weaknesses of the human heart. Most of all, these stories remind us that the habit of passion always triumphs over experience and that 'love, when it hits us for real, has a half-life of forever.'


  • Format: Kindle Edition
  • Dateigröße: 462 KB
  • Seitenzahl der Print-Ausgabe: 226 Seiten
  • ISBN-Quelle für Seitenzahl: 0571294197
  • Verlag: Faber & Faber Fiction (28. August 2012)
  • Verkauf durch: Amazon Media EU S.à r.l.
  • Sprache: Englisch
  • ASIN: B008J3TCYA
  • Text-to-Speech (Vorlesemodus): Aktiviert
  • X-Ray:
  • Word Wise: Aktiviert
  • Erweiterte Schriftfunktion: Nicht aktiviert
  • Durchschnittliche Kundenbewertung: 4.0 von 5 Sternen  Alle Rezensionen anzeigen (3 Kundenrezensionen)
  • Amazon Bestseller-Rang: #61.151 Bezahlt in Kindle-Shop (Siehe Top 100 Bezahlt in Kindle-Shop)

  •  Ist der Verkauf dieses Produkts für Sie nicht akzeptabel?

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4.0 von 5 Sternen Viel Schuld und etwas Sühne 24. August 2013
Von Felix Richter TOP 100 REZENSENT
"This Is How You Lose Her" ist eine Sammlung von neun Kurzgeschichten, die Junot Díaz über einen Zeitraum von immerhin 14 Jahren, von 1998 bis 2012, veröffentlicht hat, die meisten davon im New Yorker. Alle bis auf eine kreisen sie um Yunior, einen jungen US-Amerikaner mit dominikanischen Wurzeln, der Díaz-Lesern vor allem als zeitweiser Sidekick des berühmten Oscar Wao schon bekannt ist und bei dem vermutlich eine genetische Disposition zur Promiskuität besteht: Dem Beispiel von Vater und älterem Bruder folgend, macht er eine Eroberung nach der anderen, und ihm fliegen die Herzen nebst allen möglichen anderen Körperteilen nur so zu.

Ganz offensichtlich hat das Buch deutliche autobiographische Züge. Das mag man angesichts Yuniors sexueller Durchschlagskraft als angeberisch empfinden, doch zeigt vor allem die letzte Geschichte, dass auch er realisiert hat, dass einen auch noch so viele One-to-three-night-stands auf die Dauer doch nicht glücklich machen, und dass es Fehler gibt, die man nicht mehr gut machen kann. Das ist dann auch die Episode, die mich am meisten beeindruckt hat. Bei einem derartig langem Entstehungszeitraum überrascht es ohnehin nicht, dass nicht alle Geschichten gleich überzeugend sind, und "The Brief Wondrous Life of Oscar Wao" steht für mich sowieso über allem.

Noch ein letzter Punkt zur Sprache: Auch "This Is How You Lose Her" ist im US-dominikanischen Idiom geschrieben und deshalb von zahlreichen spanischen Wörtern durchsetzt. Diese ergeben sich aber meist aus dem Kontext und lassen sich schlimmstenfalls ergoogeln, so dass es längst nicht so kompliziert zu lesen ist wie "...Oscar Wao".
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3.0 von 5 Sternen Interessante Einblicke, aber wenig Spannung 2. Juni 2014
Format:Taschenbuch|Verifizierter Kauf
"This Is How You Lose Her" bietet interessante Einblicke in die Welt und die Beziehungen von Latinos der USA. Was dieses Buch lesenswerter machen würde, wäre ein wenig mehr Spannung. Als Lektüre um die englische Sprache zu trainieren, ist diese Buch zumindest bedingt geeignet.
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5.0 von 5 Sternen amerikanischer zeitgeist 22. Oktober 2013
Format:Kindle Edition|Verifizierter Kauf
super unterhaltsam; latino-amerikanisch. page-turner, der varianten des gleichen themas - sozialisation und oder orginalität - in einer 'modernen' sprache zum ausdruck bringt
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Amazon.com: 3.8 von 5 Sternen  708 Rezensionen
186 von 204 Kunden fanden die folgende Rezension hilfreich
5.0 von 5 Sternen Pure Junot 11. September 2012
Von Feminist Texican Reads - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe|Verifizierter Kauf
Anyone familiar with either of Junot Díaz's previous books will remember Yunior, the Dominican kid coming of age in Drown who goes on to become the narrator of The Brief Wondrous Life of Oscar Wao. Back for his third starring role Díaz's work, Yunior is the link connecting most of the stories in This Is How You Lose Her. People who read Oscar Wao got a chance to see how compulsively self-destructive Yunior was in his relationships with women. In This Is How You Lose Her, Yunior's doomed relationships take center stage, as does the tenuous relationship he has with his older brother, Rafa.

It's always an encouraging sign when someone you admire begins something by quoting someone else you very much admire. In this case, the book's epigraph is from the Sandra Cisneros poem, "One Last Poem for Richard." But even better, This Is How You Lose Her opens with one of my favorite short stories, "The Sun, The Moon, The Stars," which was originally published in The New Yorker in 1999. It was written well before readers got to know Yunior in Oscar Wao, but in the story we can already see the effects of his lying and cheating as he tries in vain to earn back his girlfriend's trust.

I had already read a few of the stories in this collection, but reading them all at once and seeing how they fit together was a wholly different experience. One of the most striking things about it was getting to see the way that Yunior's views and his interactions with women were shaped by (and, at times, in response to) his older brother's womanizing ways. In Drown, we got to see a little bit of what Yunior was exposed to as a child; he bore witness to his father's philandering. With his father largely out of the picture in This Is How You Lose Her, it is now Rafa who sets the example for Yunior. While Yunior will never become the abusive person his brother is -- he's often shocked by the cruel ways Rafa treats his girlfriends -- his life experiences, personal traumas, and cultural pressures all have an impact on the way he will eventually begin to treat women.

Then there's the added layer of a cancer story: Rafa fights a losing battle with cancer during some of Yunior's most formative years, but instead of bringing the brothers closer, Rafa shuts everyone out; the loss is something that Yunior reflects on as he gets older. However, the book's cancer story -- and I use "story" here collectively, as Rafa's illness is subtly weaved into several of the stories -- is unlike any other cancer story I've ever read. As with many other difficult topics Díaz has written about, Rafa's battle provides both life-changing and flat-out hilarious moments. There are elements of levity in Rafa's story that I just can't see being told by anyone other than Díaz.

The story's true allure comes from its multiple layers, subtly pulling from both Drown and Oscar Wao in ways that made me want to immediately go back and reread all three of Díaz's books in a row. That last story, "The Cheater's Guide to Love," shows Yunior years down the road. Rocked hard after being (rightfully) dumped by his fiancee, he is finally learning the error of his womanizing ways. The pain of this heartbreak is brutal and sends him spiraling into depression, but it is this emotional rock-bottom that might finally offer Yunior a way out of the hole he's dug himself into.

Since most of the stories feature Yunior, the narrative as a whole is very male-centric. Only one of the stories, "Otravida, Ortravez," features a female point of view; this is also the only story that is not tied in with the others. Still, to dismiss Yunior's crassness and boneheaded machismo would also dismiss the very human portrait that Díaz has created. More importantly, it would dismiss the nuanced portrayal of the outside factors -- culture, sexism, marginalization -- that feed into Yunior's many faults. Ultimately, the book shows that Yunior's way just isn't going to work. It's not sustainable.

Finally, a note on language. Because I saw so much nonsense regarding the Spanglish in Oscar Wao and have already begun seeing nonsense regarding the Spanglish in This Is How You Lose Her, I want to end not with a quote from the book, but with a quote from Gloria Anzaldúa's "Borderlands / La Frontera: The New Mestiza":

"So, if you really want to hurt me, talk badly about my language. Ethnic identity is twin skin to linguistic identity -- I am my language...Until I am free to write bilingually and to switch codes without always having to translate, while I still have to speak English or Spanish when I would rather speak Spanglish, and as long as I have to accommodate the English speakers rather than having them accommodate me, my tongue will be illegitimate."

Remember that, because Díaz's playfulness with language is not only legitimate, it's vivid and marvelous. And it's pure Junot.
131 von 159 Kunden fanden die folgende Rezension hilfreich
5.0 von 5 Sternen Yes, It's Fabulous! 11. September 2012
Von Jessica Anya Blau, author, THE WONDER BREAD SUMMER - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe
I once saw Junot read at the Enoch Pratt library in Baltimore. He has a dynamic presence and is a fearless reader. He was able to calm and fully captivate a room full of twitchy, cafeteria-smelling high school students and grumpy senior citizens. It was hard to look away from Junot at the podium, but indeed, I had to watch the slightly-Amish-looking woman who was signing the story for the hearing impaired. I couldn't help but wonder how one actually signs such fresh sentences as, "You, Yunior, have a girlfriend named Alma, who has a long tender horse neck and a big Dominican ass that could drag the moon out of orbit. An ass she never liked until she met you. Ain't a day that passes that you don't want to press your face against that ass or bite the delicate sliding tendons of her neck. You love how she shivers when you bite, how she fights you with those arms that are so skinny they belong on an after-school special."

After reading THIS IS HOW YOU LOSE HER, I wanted to close down my facebook page, shut off Twitter, leave the oily, grimy dishes in the sink, let the wet laundry sit in the washing machine (and ignore the fact that the clothes end up smelling like a dank, rotting basement), and just write like mad with the hope that I could push out one single sentence as great as every sentence in this book.
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3.0 von 5 Sternen Dios mio, Yunior. 1. Dezember 2012
Von libramingo - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe
Don't understand all the hype on this book. It was well written and easy to read...however, I was hoping to get insight into Yunior's horrendous treatment of women (and infidelity in general), but it just didn't click for me. I understand the notion that we repeat the mistakes of our parents, but it feels more like a long-winded excuse that even Yunior doesn't quite believe. For Rafa, I can buy that, as he's kind of obtuse. But we're led to believe that Yunior has some self-reflective qualities and a notion of what's right and wrong. He occasionally seemed quite sensitive, particularly when bad things were directed at him (like prejudice, poverty, slights of pretty girls who liked his brother, etc.). But I never quite understood the cheating still (and sort of wondered who'd want to with him?). I feel like there's something missing -- even the book itself feels cowardly. Also, the ending where he's pining away doesn't ring true given his history. The strongest feeling I had was -- I'm SO glad the girl got away. While we hear lots about Yunior's suffering, what isn't brought to light is what his fiancee had to go through. It's very hard to trust after a trauma like that. May she find a man who doesn't betray her. And may all the Yuniors in the world grow the bleep up. I'm just saying.
11 von 12 Kunden fanden die folgende Rezension hilfreich
4.0 von 5 Sternen Consider Her Lost 19. Dezember 2012
Von Sam Sattler - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe
Junot Díaz's This Is How You Lose Her, a nine-story collection, is the author's follow-up to his 2008 Pulitzer-winning novel, The Brief Wondrous Life of Oscar Wao. Seven of the stories were first published in The New Yorker between February 1998 and July 2012, one in Glimmer Train in 1998, and another in Story in 1999.

Reading these stories in the order in which they are presented here, one after the other, will be a greatly different experience than that had by those who read them over the fourteen-year period during which they first appeared in print. This Is How You Lose Her, in fact, reads more like a novel than it does a short story collection. This is because all of the stories, although they flip back and forth between segments of his life, feature the same central character already familiar to readers of Díaz's two previous books. Yunior, a young Dominican, along with his mother and older brother, came to the United States when he was just a boy, and these stories, in addition to telling how Yunior got here, detail what happened to him once he did.

Be forewarned that these stories, insightful as they often are, are written in a raw, sometimes outrageous, style. Díaz writes in a Hispanic street vernacular that sees him often mixing Spanish words into his sentences. And, even though entire sentences are sometimes presented in Spanish, Díaz leaves it up to non-Spanish speaking readers to figure out what he is saying based on the context of the rest of the paragraph. But that is the least of it.

Yunior is a womanizer, and he comes by it naturally. His father, although not a constant in Yunior's life, set the pattern for that lifestyle early on, leaving Yunior to learn all the moves by watching his older brother in action. His is the kind of macho culture in which women are primarily objects to be sexually exploited, and Yunior describes in explicit terms what he gets from the women who briefly pass through his life.

Some might find Yunior's language offensive, but it is exactly this style and language that make Díaz's stories as powerful and effective as they are. However, one does begin to wonder how long such a distinctive style can be mined before it goes stale for the reader. Even though this is my first experience with Junot Díaz's work, I already wonder how much more of it I can read before the style becomes tiresome. Díaz is definitely on my radar now, but I am more likely to wait for something new from him written in a different voice than I am to seek out either of his two earlier books.

This Is How You Lose Her is a book about heartbreak - and the very macho central character, surprisingly enough, suffers much of it himself.
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3.0 von 5 Sternen This Is How You Stereotype Dominicans 26. November 2014
Von JB - Veröffentlicht auf Amazon.com
Pick any one of the short stories in This Is How You Lose Her and you get exactly what Junot Diaz has had to say in everything he's written for almost 20 years: (1) Dominican men are sex-crazy misogynist sucios that bone anything; (2) Dominican women are either religiosas who don't give it up or sucias who exist to give it up; (3) Some Dominican men feel bad about their infidelities, some don't; (4) Dominican women feel bad about infidelities but not enough to stop them; (5) Dominican men are crap parents but Dominican women aren't; and (6) the experience of transitioning from a third world country to America is strange, stressful and difficult for young Dominicans. That's it, no joke. The book is like a collection of b-sides from the singles album that was Drown, Diaz's first book.

In Brief Life of Oscar Wao Diaz said all the same things, but since it was a novel he had more space to flesh out the characters and storyline, allowing him to move past the stereotypes and present a really compelling narrative. In TIHYLH, Diaz just reverts back to the tools of his trade. He writes really well, his dialogue is interesting, the stories are never boring, the descriptions of places and events are vividly evoked. If this is your first Diaz book, you'll likely be favorably impressed. But, as a follow up to the tremendous Oscar Wao, see (1) - (6) above.

Diaz has a new novel coming out soon, so here's hoping it's a leap forward. Someone who writes this well doesn't need to pigeonhole himself as a Dominican writer. He's good enough to be known as a great writer and should just get on with that.
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