- Taschenbuch: 345 Seiten
- Verlag: Da Capo Pr; Auflage: illustrated edition (2. April 2007)
- Sprache: Englisch
- ISBN-10: 0786719303
- ISBN-13: 978-0786719303
- Größe und/oder Gewicht: 20,1 x 14,5 x 2,4 cm
- Amazon Bestseller-Rang: Nr. 938.906 in Englische Bücher (Siehe Top 100 in Englische Bücher)
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There Are Worse Things I Could Do
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Kurzbeschreibung
Adrienne Barbeau never set out to be a sex symbol and she never intended to become the poster girl for women over 50 having babies, but both those stories and a lot more are detailed in this witty, revealing memoir.
This book covers Adrienne's early years in New York ("No one said Mafia out loud in those days. There was always the fear you wouldn't live to say anything else."), to starring on Broadway in "Grease ("Alexander Cohen swore the only way we'd win a Tony was over his dead body"). She tells tales about her two hit television series (Maude and Carnivale), her many television and feature films "(The Fog, Escape from New York, Cannonball Run, Swamp Thing, Back to School, Creepshow), her singing career ("Doc Severinson and the band had been in the audience during my nude foray off-Broadway in Stag Movie"), her romance with Burt Reynolds, her marriage to director John Carpenter, and marrying a much younger man and giving birth to twins at age 51.
This book covers Adrienne's early years in New York ("No one said Mafia out loud in those days. There was always the fear you wouldn't live to say anything else."), to starring on Broadway in "Grease ("Alexander Cohen swore the only way we'd win a Tony was over his dead body"). She tells tales about her two hit television series (Maude and Carnivale), her many television and feature films "(The Fog, Escape from New York, Cannonball Run, Swamp Thing, Back to School, Creepshow), her singing career ("Doc Severinson and the band had been in the audience during my nude foray off-Broadway in Stag Movie"), her romance with Burt Reynolds, her marriage to director John Carpenter, and marrying a much younger man and giving birth to twins at age 51.
Synopsis
A revealing witty memoir of Adrienne Barbeau's career and marriages.
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19 von 19 Kunden fanden die folgende Rezension hilfreich
AN UNCOMMON STAR
11. Juli 2006
Format:Gebundene Ausgabe
Adrienne Barbeau's "There are Worst Things I Could Do" is not your standard kiss-and-tell Hollywood memoir. Although she writes wittily about her affair with Burt Reynolds, her marriage to cult filmmaker John Carpenter, her liaisons with various Hollywood personalities, and behind the scenes mayhem during the filming of "The Fog", "The Swamp Thing", "The Cannonball Run", and her hit television sitcom "Maude", her memoir is more about her personal journey as a wounded woman who ached for peace and joy in her relationships with men.
Her candor is refreshing. She does not flinch from sharing with the reader intimate details about sex, psychics, gurus, and her quest to heal the trauma of being abandoned by her father when she was still a child. The forty or so chapters around which she has arranged her material reveal a vibrant woman who wanted to experience life fully, to learn from her experiences, to heal her wounds, and to grow as an actress and woman.
Though she deals candidly with "heavy" subjects, her style is never maudlin or judgmental or self-pitying. She is able to find humor and farce even in the most intense situations of life.
So read this book as a Hollywood memoir full of juicy revelations if you wish. But the pleasure I got from it was not reading about her career arc but her personal journey as a woman through the rapidly shifting zeitgeist of the past five decades.
In time, her well-rounded memoir will grow in stature.
Her candor is refreshing. She does not flinch from sharing with the reader intimate details about sex, psychics, gurus, and her quest to heal the trauma of being abandoned by her father when she was still a child. The forty or so chapters around which she has arranged her material reveal a vibrant woman who wanted to experience life fully, to learn from her experiences, to heal her wounds, and to grow as an actress and woman.
Though she deals candidly with "heavy" subjects, her style is never maudlin or judgmental or self-pitying. She is able to find humor and farce even in the most intense situations of life.
So read this book as a Hollywood memoir full of juicy revelations if you wish. But the pleasure I got from it was not reading about her career arc but her personal journey as a woman through the rapidly shifting zeitgeist of the past five decades.
In time, her well-rounded memoir will grow in stature.
12 von 13 Kunden fanden die folgende Rezension hilfreich
The Best Thing She Could Do, and Did!
2. Juni 2006
Format:Gebundene Ausgabe
Adrienne Barbeau has written a completely delightful autobiography. I loved it, and only put it down when I had no choice. Her life is fascinating, and her writing style is funny, touching, and endearing. The description of her wedding had me laughing uncontrollably, while parts about losses in her life had me almost in tears. I have been busy since I finished this book recommending it to everyone I know who reads! I sincerely hope Adrienne Barbeau will not stop now, but will write, and write, and write.
Sally Fallis
Sally Fallis
7 von 7 Kunden fanden die folgende Rezension hilfreich
Read This Book
24. Juli 2006
Format:Gebundene Ausgabe
Adrienne Barbeau's first book is a wonderful testament to a life lived. Good, bad or indifferent she propels her readers to LIVE.
Memoirs are always tough, and Barbeau nailed it! Even if I did not know her voice, from the many films, plays and TV shows she has been a part of, her written voice comes through so clearly. It is simultaneously kind, comic and sad without ever being maudlin.
Barbeau has a wonderful ability to take the reader in as if writing each reader a note about the day to day, and then she turns things that note around. You are reading a note from a friend and then realize that: Yes she was married to one of the most notable directors of horror in the U.S, yes she had an affair with Burt Reynolds. And yes she has had many loves in her time. Wow! But rather than delivering a tell all revealing the warts of others - although we do read a bit about those warts - Barbeau manages to undauntingly keep the focus on herself. While laughing at herself, and her foibles as a person with loves gained and lost, she takes the comic and imbues it with such heart the reader can visualize how double sided comedy is within each us; as when we laugh at ourselves, there tends to be some sadness lurking - conversely she explores her own tragedies such as the passing of her mother and her best friend, and reveals hope.
When reading this book, I was reminded of being lost on occasion. In THERE ARE WORSE THINGS I COULD DO, the reader, along with Adrienne, takes a journey. Barbeau reminds us that when we are lost we seek acceptance, regardless of what that acceptance might mean. But as we lose ourselves amidst gaining acceptance, we discover how within that losing, we can all find ourselves anew.
What is so fantastic about this read is Barbeau's refusal to be consumed by circumstance.
She keeps on going, keeps living, and keeps growing. For me as a woman, what is so particularly compelling about this book, is that she lets all women know that age truly, does not matter. And she does this simply by revealing her life, not by being pedantic. This is a message to all of us, to keep on keeping on. Ultimately she finds the love she so deserves, and rediscovers her muses: her children. Still, Barbeau reminds us that each day is a blank slate. and although Adrienne has found her muses, she keeps working at her life - understanding that with each day, ones life may need some reconfiguring. And that reconfiguring is a good thing...
I was lucky enough to hear Barbeau read passages from the book, and the reading added a wonderful dimension to my understanding of her experiences. Her timing is impeccable, and I hope her publisher will push extensively for a nationwide tour with the author.
Memoirs are always tough, and Barbeau nailed it! Even if I did not know her voice, from the many films, plays and TV shows she has been a part of, her written voice comes through so clearly. It is simultaneously kind, comic and sad without ever being maudlin.
Barbeau has a wonderful ability to take the reader in as if writing each reader a note about the day to day, and then she turns things that note around. You are reading a note from a friend and then realize that: Yes she was married to one of the most notable directors of horror in the U.S, yes she had an affair with Burt Reynolds. And yes she has had many loves in her time. Wow! But rather than delivering a tell all revealing the warts of others - although we do read a bit about those warts - Barbeau manages to undauntingly keep the focus on herself. While laughing at herself, and her foibles as a person with loves gained and lost, she takes the comic and imbues it with such heart the reader can visualize how double sided comedy is within each us; as when we laugh at ourselves, there tends to be some sadness lurking - conversely she explores her own tragedies such as the passing of her mother and her best friend, and reveals hope.
When reading this book, I was reminded of being lost on occasion. In THERE ARE WORSE THINGS I COULD DO, the reader, along with Adrienne, takes a journey. Barbeau reminds us that when we are lost we seek acceptance, regardless of what that acceptance might mean. But as we lose ourselves amidst gaining acceptance, we discover how within that losing, we can all find ourselves anew.
What is so fantastic about this read is Barbeau's refusal to be consumed by circumstance.
She keeps on going, keeps living, and keeps growing. For me as a woman, what is so particularly compelling about this book, is that she lets all women know that age truly, does not matter. And she does this simply by revealing her life, not by being pedantic. This is a message to all of us, to keep on keeping on. Ultimately she finds the love she so deserves, and rediscovers her muses: her children. Still, Barbeau reminds us that each day is a blank slate. and although Adrienne has found her muses, she keeps working at her life - understanding that with each day, ones life may need some reconfiguring. And that reconfiguring is a good thing...
I was lucky enough to hear Barbeau read passages from the book, and the reading added a wonderful dimension to my understanding of her experiences. Her timing is impeccable, and I hope her publisher will push extensively for a nationwide tour with the author.
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