- Taschenbuch: 240 Seiten
- Verlag: Berkley; Auflage: Reprint (1. Mai 1999)
- Sprache: Englisch
- ISBN-10: 0425168956
- ISBN-13: 978-0425168950
- Größe und/oder Gewicht: 19,3 x 10,7 x 8,9 cm
- Durchschnittliche Kundenbewertung: 3.0 von 5 Sternen Alle Rezensionen anzeigen (2 Kundenrezensionen)
- Amazon Bestseller-Rang: Nr. 348.741 in Englische Bücher (Siehe Top 100 in Englische Bücher)
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From Kirkus Reviews
Flavia di Stefano, junior investigator for the Polizia Art Squad of Rome, has been sent to Venice to assist (actually, to inoffensively not assist) the local carabinieri looking into the murder of American art historian Louise Masterson; Jonathan Argyll, the gawky British dealer's representative Flavia arrested in The Raphael Affair (1992), has come to Venice to negotiate for a mediocre painting with the Marchesa di Mulino, who suddenly turns skittish. The two cases cross with the news that Masterson's committee to authenticate all known works of Titian had run aground on serious disagreements (how serious? Two more committee members will soon be found dead) and that Masterson herself had developed a mysterious interest in the canvas Jonathan was trying to buy--part of the inheritance of the Marchesa's nephew Dr. Lorenzo, another member of the ill-starred Titian committee. As before, literate and cultivated, with a 20's (1520's) cast, and a particularly clever historical analogy saved for dessert. -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.
-- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
From Library Journal
This second title in a series maintains the high standards of the first ( The Raphael Affair , Harcourt, 1992), once again appealing to art history buffs. When a murderer strikes down an American member of the prestigious Titian Committee in Venice, General Taddeo Bottando of Rome's art-theft squad dispatches special assistant Flavia to gather information. What begins as a simple political mission becomes a dangerous quest for a missing portrait attributed to Titian. Enlisting the aid of art dealer Jonathan Argyll, Flavia never hesitates to call a spade a spade, but she tempers her judgment with theory. Most enjoyable.
Copyright 1993 Reed Business Information, Inc. -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
Copyright 1993 Reed Business Information, Inc. -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
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2 von 2 Kunden fanden die folgende Rezension hilfreich
Format:Taschenbuch
Just as enjoyable as the first of the Art History Mysteries ( The Raphael Affair), this book has convinced me to read the rest of the series. The author has an excellent sense of place (in this case Venice), character and storyline. I thought the conclusion a tad muddled, but I really like the art history that forms the backbone of the tale. Those with strong medieval/Renaissance history will have a better chance than I did at guessing the ending.
1 von 1 Kunden fanden die folgende Rezension hilfreich
Format:Taschenbuch
This is the second book I've read by Pears, the first being "Death and Restoration," which was quite good by the way. This book wasn't as good. The suspects are too numerous and too similiar for the reader to distinguish from each other, the investigation seemed to take far too long with very little direction until the end, and the historical sub-plot was a bit far-fetched for my own art historical background.
The two stars are for the great main characters: Flavia, Jonathon, and Bottando. Well rounded, fully developed, quirky, and able to play off each other quite well, they carry the book along. The plot, unfortunately, doesn't.
I'd only reccommend this book to diehard Pears fans.
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17 Rezensionen
13 von 14 Kunden fanden die folgende Rezension hilfreich
Gee I miss Venice (I read it for the scenery)
11. April 2003
Format:Taschenbuch
I think I'd read anything set in Italy, and Iain Pears does a wonderful job conveying its charms in this series. This particular book is set in Venice, which is really brought to life (I got rather excited when the body of a victim was found in a canal that was down the street from a hotel where I once stayed.)
This is my first of Pear's 'art history mysteries,' however, and the characters and the plot have yet to grow on me. Flavia diStefano, an Italian detective, is energetically drawn, but Jonathan Argyll, the art expert who tags along with her, is an enigma. Perhaps he is more colorful in other stories in this series. The plot is pretty tortured and difficult to retain if you are not an art history export. There is rather a lot of detail conveyed third-hand (scenes in which two characters sit in a cafe talking about what a third character said to a fourth character).
Nevertheless, every time I want a 'hit' of Italy, I'm likely to go back to this series for a quick fix!
18 von 22 Kunden fanden die folgende Rezension hilfreich
Don't Drink the Water
10. September 2003
Format:Taschenbuch
Don't Drink the Water
An Ian Pears' view of ever-romantic Venice never lets readers forget they are in a watery wasteland. However appealing visually, the downside is very dirty water, water everywhere. You can't get "there" from "here" without crossing the canals, and God forbid you should ever, ever fall in!
The protagonists fall in the canals, suffer from seasickness, and root around in sub-basements never meant to be seen by the tourists.
The plot is secondary to the fun and the easy-to-digest art history that author Pears provides. Gorgeous, volatile Flavia and diffident Jonathan (think Hugh Grant) team up to investigate the endangered members of the prestigious Titian Committee, who are being picked off one-by-one. Their directive is to bring the investigation to a speedy, expedient closure that will make the various Italian bureaucracies look good. Solving the crime is secondary. As Flavia's marvelous superior General Bottando informs her when she triumphantly states she has found another body in France, "But you're not meant to be finding more," he said grumpily, "You're meant to be dealing with the more than adequate supply we have already."
It is hard to pigeonhole Pears' Art Mysteries as to type. The satire is good humored, but nevertheless has a bite. The protagonists are made far too uncomfortable and the action too graphic to be a "cozy," and the lack of dedication to task make it impossible to label the stories "hard boiled." If you adore things Italian and have more than a passing interest in art history, I highly recommend this series.
-sweetmolly-Amazon Reviewer
12 von 14 Kunden fanden die folgende Rezension hilfreich
The Titian Committee More About Place than Plot
27. März 2002
Format:Taschenbuch
Iain Pears lives up to his modern day Agatha Christie title with a particular twist on writing about beautiful places. In fact, great places are the focus of his Art History Mystieries series, like Paris, London, Rome, and lots more of Rome, Los Angeles and other five star places like that. As far as the murder mystery in each book's plot, like "The Titian Committee", the story is as much about Venice (place) and how this high brow Titian committee credentials master works than it is about the dead body discovered in the first chapter. Reading a Pears novel is
worth challenging a few college credits in art history, only tons more fun. Still, even with the "opposites attract" characters of the often morose Jonathon Argyle, who lives up to his very predictable last name, and his risk taking love Gloria Di Stafano, "The Titian Committee" isn't quite as memorable as the other books in this effervecent mystery series. Sometimes, the plot becomes just too cumbersome to make sense. Nevertheless, I wouldn't want to miss reading it, if only to keep up with the lively antics of the hero and heroine- especially, to find out if they ever plan on taking their relationship beyond the Panda bear dance they play out in their comic/drama experiences. Overall, "The Titian Committee" does not stand alone in The Art History Mysteries, but it's a good link with the others. "The Raphael Affair" is still the best in the series with "Death and Restoration" a close second. Of course, it will likely be a long time before another book will compare with the intellectual stimulation of "An Instance of the Fingerpost", a first rate Pears mystery, but not in the line up of the Art History Mysteries series.
worth challenging a few college credits in art history, only tons more fun. Still, even with the "opposites attract" characters of the often morose Jonathon Argyle, who lives up to his very predictable last name, and his risk taking love Gloria Di Stafano, "The Titian Committee" isn't quite as memorable as the other books in this effervecent mystery series. Sometimes, the plot becomes just too cumbersome to make sense. Nevertheless, I wouldn't want to miss reading it, if only to keep up with the lively antics of the hero and heroine- especially, to find out if they ever plan on taking their relationship beyond the Panda bear dance they play out in their comic/drama experiences. Overall, "The Titian Committee" does not stand alone in The Art History Mysteries, but it's a good link with the others. "The Raphael Affair" is still the best in the series with "Death and Restoration" a close second. Of course, it will likely be a long time before another book will compare with the intellectual stimulation of "An Instance of the Fingerpost", a first rate Pears mystery, but not in the line up of the Art History Mysteries series.
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