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The Tin Drum (Vintage International) [Englisch] [Taschenbuch]

Gunter Grass
4.1 von 5 Sternen  Alle Rezensionen anzeigen (33 Kundenrezensionen)

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Gebundene Ausgabe EUR 13,99  
Taschenbuch EUR 11,95  
Taschenbuch, 16. Januar 1990 --  
Audio CD, Audiobook --  
CD-ROM, Audiobook EUR 37,99  

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Produktinformation

  • Taschenbuch: 592 Seiten
  • Verlag: Vintage; Auflage: VINTAGE INTL. (16. Januar 1990)
  • Sprache: Englisch
  • ISBN-10: 067972575X
  • ISBN-13: 978-0679725756
  • Größe und/oder Gewicht: 13 x 2,5 x 20,3 cm
  • Durchschnittliche Kundenbewertung: 4.1 von 5 Sternen  Alle Rezensionen anzeigen (33 Kundenrezensionen)
  • Amazon Bestseller-Rang: Nr. 394.525 in Englische Bücher (Siehe Top 100 in Englische Bücher)
  • Komplettes Inhaltsverzeichnis ansehen

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Günter Grass
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Produktbeschreibungen

Amazon.com

Meet Oskar Matzerath, "the eternal three-year-old drummer." On the morning of his third birthday, dressed in a striped pullover and patent leather shoes, and clutching his drumsticks and his new tin drum, young Oskar makes an irrevocable decision: "It was then that I declared, resolved, and determined that I would never under any circumstances be a politician, much less a grocer; that I would stop right there, remain as I was--and so I did; for many years I not only stayed the same size but clung to the same attire." Here is a Peter Pan story with a vengeance. But instead of Never-Never Land, Günter Grass gives us Danzig, a contested city on the Polish-German border; instead of Captain Hook and his pirates, we have the Nazis. And in place of Peter himself is Oskar, a twisted puer aeternis with a scream that can shatter glass and a drum rather than a shadow. First published in 1959, The Tin Drum's depiction of the Nazi era created a furor in Germany, for the world of Grass's making is rife with corrupt politicians and brutal grocers in brown shirts:
There was once a grocer who closed his store one day in November, because something was doing in town; taking his son Oskar by the hand, he boarded a Number 5 streetcar and rode to the Langasser Gate, because there as in Zoppot and Langfuhr the synagogue was on fire. The synagogue had almost burned down and the firemen were looking on, taking care that the flames should not spread to other buildings. Outside the wrecked synagogue, men in uniform and others in civilian clothes piled up books, ritual objects, and strange kinds of cloth. The mound was set on fire and the grocer took advantage of the opportunity to warm his fingers and his feelings over the public blaze.
As Oskar grows older (though not taller), portents of war transform into the thing itself. Danzig is the first casualty when, in the summer of 1939, residents turn against each other in a pitched battle between Poles and Germans. In the years that follow, Oskar goes from one picaresque adventure to the next--he joins a troupe of traveling musicians; he becomes the leader of a group of anarchists; he falls in love; he becomes a recording artist--until some time after the war, he is convicted of murder and confined to a mental hospital.

The Tin Drum uses savage comedy and a stiff dose of magical realism to capture not only the madness of war, but also the black cancer at the heart of humanity that allows such degradations to occur. Grass wields his humor like a knife--yes, he'll make you laugh, but he'll make you bleed, as well. There have been many novels written about World War II, but only a handful can truly be called great; The Tin Drum, without a doubt, is one. --Alix Wilber

Pressestimmen

"When Günter Grass published The Tin Drum in 1959, it was as if German literature had been granted a new beginning after decades of linguistic and moral destruction.  Within the pages of this, his first novel, Grass re-created the lost world from which his creativity sprang: Danzig, his home town, as he remembered it from the years of his infancy before the catastrophe of war.  Here he comes to grips with the enormous task of reviewing contemporary history by recalling the disavowed and the forgotten: the victims, losers, and lies that people wanted to forget because they had once believed in them.  The unforgettable Oskar Matzerath is an intellectual whose critical approach is childishness, a one-man carnival, dadaism in action in everyday German provincial life just when this small world becomes involved in the sanity of the great world surrounding it.  It is not too audacious to assume that The Tin Drum will become one of the enduring literary works of the twentieth century."
-- The Swedish Academy, awarding Günter Grass the Nobel Prize for Literature, 1999


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Kundenrezensionen

Die hilfreichsten Kundenrezensionen
2 von 2 Kunden fanden die folgende Rezension hilfreich
Format:Gebundene Ausgabe
I have just completed this masterpiece of literary fiction - of all the great works I have read, Grass's is a tour de force of imagination surpassed by few. It is a grotesque and pathetic but brilliant portrait of humanity - like Oskar and all of of the characters who become unforgettable. I could not put it down. True, the book is lacking in plot - but that is not its genius. Its genius is portraying the human condition -- and human behavior. ...I agree that it is not the ultimate testiony about the horrors of Nazi Germany that it is billed to be. This was confusing to me -- I think much of the retrospective critisicm of this novel credits Grass too much with portraying the horrors of the Third Reich. It is a more generic portrait of the evils of humanity. Two hundred years from now, a reader will not learn of the German atrocities from the Tin Drum; however it will still be a great work of literature with universal truths. I also want to strongly disagree with the reader who commented that the message is that humans are not good or evil - just a product of their situation. If we learn anything from this novel, we must learn the horrible truth that human beings have an incredible capacity for callousness, dispassionateness and, yes, pure evil. Take the Alfred Maskereth's warming his hands over the burning remains of the synogogue; the children of Danzig; the Polish looters on the train ride West; the "innocents" Oskar converts to petty thieves, to name a few. All of the characters in Tin Drum have knowledge of right and wrong - most seem to choose wrong - a sad commentary on humanity, but appropriate considering the period and circumstances which gave bith to this book. END
War diese Rezension für Sie hilfreich?
1 von 1 Kunden fanden die folgende Rezension hilfreich
Format:Taschenbuch
The Tin Drum is definitely not for everyone, a warning I've already seen repeated several times. It is exhausting, unconventional, and long, but if your willing to put the time into reading it, it is a rewarding experience, 600 pages of humanity in all it's beauty and horror.

Oskar is a strange character, but very intriguing. At times, I felt like I could completely relate to him, only to be completely shocked and disgusted by his actions.There were times when I was physically nauseated by this book: the children's stew, the horse head and eels, the mushroom smell of Maria and his grandmother, the pin and Matzerath. Any book that can have that sort of affect on it's reader is powerful.

You shouldn't read the Tin Drum if you're looking for a captivating plot, though at times the plot is captivating. What is really special about Grass' writing are his characterizations which said more about Eastern Europe before/during/after the Nazi era than any plot could've. Though some call this book too fantastic, I think it beautifully and honestly illustrates that period and those people who have been warped by WWII propaganda, the average people living under Nazi rule: grocers, artists, and families; Grass brings them to life. Oskar on the other hand does not seem average, but then again he's not meant to be. This is fiction afterall. If you want a book to dutifully relate Nazi-ruled Eastern Europe read an encyclopedia. If you want to meet people, read the Tin Drum.

War diese Rezension für Sie hilfreich?
1 von 1 Kunden fanden die folgende Rezension hilfreich
Format:Taschenbuch
Grass was a young boy when World War II started (he was 11 years old when the war started). He is (if you don't know) German. So, he was old enough to have some idea what was going on, but too young to have any degree of control over his life. He was just another ordinary German civilian caught up in what became one of the greatest tragedies in world history.

This book, his first novel, written in the late 1950s, is obviously a reaction to his life during the war. It is not directly autobiographical because it is told using metaphors and many things happen which (in all likelihood) never happened to young Mr. Grass. However, the metaphors "work" in a way that perhaps gets at the emotional truth of what happened.

Frankly, this book didn't quite succeed for me. I do not rate it as one of the great novels of the 20th century. As an historian I know a great deal about the facts of the war. What was it like to be a young boy in Nazi Germany, seeing your world literally destroyed before your eyes? Seeing your older cousins going off to war and never coming back? And then, learning after the war, about the monstrous crimes committed by "ordinary Germans"? I'm not at all convinced that this book really gives you a good sense of that. For me, at least, it's just too absurd.

Call me a foolish realist. Tell me you can only capture the horror and chaos of seeing your city burned to the ground, your whole life torn apart through forces beyond your control, through absurdity and metaphor. I'd rather Grass told the truth, or told a truthful story. To my mind, "The Tin Drum" is not a truthful story.

Still, I can see why some people like it. It has quality both in writing and in the senses it brings to life through the pages of the story. Certainly it has left an impression on me even after many years. One thing is certain, I have no desire to read this book again.

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Die neuesten Kundenrezensionen
The Banality of Evil and Its Consequences
I have been meaning to read this book since it came out in 1959, but only did so now. My reason for delaying was that the reviews I had read of the book made it sound unappealing... Lesen Sie weiter...
Veröffentlicht am 20. April 2007 von Donald Mitchell
The Banality of Evil and Its Consequences
I have been meaning to read this book since it came out in 1959, but only did so now. My reason for delaying was that the reviews I had read of the book made it sound unappealing... Lesen Sie weiter...
Veröffentlicht am 20. April 2007 von Donald Mitchell
Pure magic and joy -- among the best novels of the century
There is so much to say about this novel -- Grass's first -- that perhaps there is nothing to say about it. Lesen Sie weiter...
Veröffentlicht am 27. Juli 2000 von "pierce_inverarity"
Best postwar novel, and I don't mean just in Germany
This is an incredible book. It defies easy summary, so I'm not going to even try. Needless to say, this is one of those great novels that other novels will be compared to if they... Lesen Sie weiter...
Am 27. Juli 2000 veröffentlicht
The Echoes of this drum are forever
Really a masterpiece, The Tin drum is the Human Drama in all its essence. Using an amazing language, this Nobel deserves all my admiration. Lesen Sie weiter...
Am 14. Juni 2000 veröffentlicht
TOO COMPLICATED FOR ME.. however...
i got through it just a few hours ago.. took more than 3 days, and let me tell you.. these 15 year old had a hard time. i tried to look for symbolism but couldnt find any.. Lesen Sie weiter...
Am 9. Juni 2000 veröffentlicht
Intriguing
While in college, my father gave me this book as a birthday gift. As I unwrapped it he said "I'm not sure if this is actually a good book, but when I was in college I found it... Lesen Sie weiter...
Veröffentlicht am 5. Mai 2000 von "fritzeroberts"
Read it
Having just this minute finished "The Tin Drum" it may seem to many that my opinion is not the trusted one to follow, as time often can increase or diminish the power of... Lesen Sie weiter...
Veröffentlicht am 2. Mai 2000 von Joe Ferrante
Exhaustive yes, but it leaves a good taste in the end...
I read Tin Drum in Spanish. I agree he's not a conventional person, but i was not expecting someone 'normal' to be the center of the story. Lesen Sie weiter...
Veröffentlicht am 25. April 2000 von Jehu Hernandez
Entertaining, educational but tedious...
The Tin Drum gives a portrait of a bizarre man in an insane asylum in Germany, who seems to have supernatural gifts to see through those around him. Lesen Sie weiter...
Veröffentlicht am 13. April 2000 von greglor
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